I really realized today,
Why alone in the moonlight,
It feels so strange that every minute is difficult.
You stop and look pale,
Take off your windbreaker quietly.
Whether the moon is the same or not,
Rise from the dark forest?
It's like being fascinated by the moon,
As if imprisoned by you,
Silence, darkness, fate
Everything makes me happy.
Beasts in the desolate forest,
Smell the breath of spring,
It is listening to the ticking clock,
Looking at the bright moon, the line of sight does not move.
Sneak into the canyon,
Wake up at night,
light footsteps
Move with the moon shadow.
I want to keep silent, too,
Sadness and love, like it,
Due to long-term anxiety,
Welcome, my moon.
In a blink of an eye, you are no longer with me.
It's day and dusk again,
But in the mind illuminated by moonlight,
But I still have you.
Two bodies are joined together.
The two phases are separated again,
But midnight love will shine forever,
Like the bright moon in the sky. Ancient Milev's love poems inherited Pushkin's tradition. Like Pushkin, he wrote about secular love, affection and desire, the unity of spirit and flesh, and always showed chivalry in respecting women's personality. Lust is not the pleasure of indulgence, and the love between men and women does not stay at the animal physiological level of reproductive life. In most cases, lust is regarded as a necessary prerequisite for purifying and sublimating the human soul. But he didn't really write it, but wrote it in vain, avoiding its vulgarity and barbarism according to the law of beauty. He pays more attention to the psychology of people in love, creating an atmosphere through natural flowers, trees, mountains and rivers, and sometimes conveying earthly love with symbolic meaning. But unlike symbolism, he is basically realistic. This reality mainly refers to the description of psychological activities, and his profound brushwork can often abstract the universal laws of psychological activities as social people from the individual to the general.
The poem "tryst" almost describes the whole process of mulberry flowering, but omits the specific process of the relationship between men and women, only suggesting that "the animals in the forest move with the moon." The contrast between stupidity and the bright moon shadow is intriguing, and the sadness based on respecting women's tone makes the poem unique. What the poet focuses on is the anxious expectation of the lost years, the sudden departure of his sweetheart, and the short night, which is precisely the theme of sublimation of lust and purification of love. The moon, which plays a central symbolic role in the whole poem, is always carried out. It is not only a realistic description of time and environment, but also an appropriate metaphor for lovers (there is a tradition in western customs that Diana, the moon god, is compared to love and lovers). It is light and seamless: "Although the two bodies that are joined together are separated, midnight love will shine forever, just like the bright moon that day." This transforms fleeting happiness into lasting human emotions and completes the aesthetic deepening from desire to the unity of emotion and lust. Although this poem lacks social criticism and does not directly express moral themes such as love loyalty, it unifies the naturalness and sacredness of love, and is an implicit criticism and refutation of any metaphysical love view. Love, an aesthetic problem for readers to ponder, is also outside the image picture provided by the poem. Ancient Milev (николайстепановичгум) He studied in France, roamed Britain and Italy, and explored Africa three times. He is the author of the famous Pearl, as well as eight poems and a series of poetry reviews, such as Romantic Flowers, Strange Sky, Arrow Bag and Pillar of Fire.