Poets' Exploration of Poetic Artistic Conception in Early Tang Dynasty

Most poets in the early Tang Dynasty took it as their duty to criticize the style of Qi and Liang Dynasties. In fact, it was Wang Tong, a great scholar in Sui Dynasty, that led to the prosperity of Confucianism in Sui and Tang Dynasties. Many students of Wang Tong entered the Tang Dynasty and became high-ranking officials in charge of the future of literati. Since the top leaders are all great scholars and oppose the empty and flashy Qi Liang style, under the guidance of their cultural idols, they naturally hate Qi Liang style.

The four outstanding figures in the early Tang Dynasty were all such people, and their criticism of Qi Liang style in their poems was extremely fierce, but the main reason was the change of the values of the whole literary world. Among them, the four famous soldiers in the early Tang Dynasty did just that, but they didn't know how to summarize their warrior behavior. Only Chen Ziang clearly put forward the idea of elegance and Han-Wei style in Preface to Pearl Embroidery, which played a theoretical guiding role in the development of poetic artistic conception in the early Tang Dynasty.

Knowing Du Fu, taking "drama as six quatrains" finally determined the sublimation direction of poetry in the prosperous Tang Dynasty, the trend of artistic conception of poetry in the prosperous Tang Dynasty, and the pioneering exploration of poets in the early Tang Dynasty (Tianxia, Chen Ziang, etc.). ) For the Tang poetry, he also made his own way to be a poet:

The script is six quatrains. Second.

"Lu" and "Lu" are the highest achievements of their creation under the conditions of that time. ?

After the life of your generation has all turned to dust, nothing will hurt the torrent flowing to the endless river.