Sixteen-character sequence three
One is the summer of 1934.
Mountain, the horse hasn't got a whip yet. Looking back, I was only three feet away from the sky.
Secondly,
Mountains, rivers and seas, huge waves. Rushing, ten thousand horses are still fighting.
third
Mountain, pierce the sky, not residual. Heaven wants to fall, follow it.
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Since the Long March, the Red Army has really walked through countless mountains. As I said before, the poet Mao Zedong's close karma and preference for mountains can be seen and recognized from Shaoshan, the hometown of Chairman Mao's childhood, Yuelu Mountain in Changsha in his youth and the battle history of Jinggangshan, the first revolutionary base.
Moreover, the poet himself said an interesting sentence: "We are on the mountain and he is at the water's edge." (The Situation after War of Resistance against Japanese Aggression's Victory and Our Policy) The "he" here refers to Chiang Kai-shek. Because Chiang Kai-shek built his capital in Nanjing at that time, and Nanjing was next to the Yangtze River. Later, he built his capital in Chongqing, still relying on the Yangtze River and Jialing River. Mao Zedong, on the other hand, established a new ideal, a new style, a new order and a new system in the mountainous areas, and attacked the enemy based on the mountains. Therefore, almost all poems written by Chairman Mao have mountains, because mountains have bred a generation of poets, the Red Army of Workers and Peasants, and a brand-new China.
The poet's Three Poems with Sixteen Characters is a typical heroic poem praising mountains and rivers.
According to the author's original note: "Folk songs:' There are Skull Mountain on the top and Babaoshan on the bottom, three feet and three feet away from the sky. People should bow their heads when crossing the road, and horses should dismount when crossing the road. ""It can be seen here that Chairman Mao learned useful nutrients from folk songs and used them as the beginning of this poem. As a generation of poets, Chairman Mao has profound poetic accomplishment, especially his own views on the road and development of China's poetry. In a letter to Chen Yi, he clearly expressed his views on poetry: "If we want to use modern poetry, we should use the method of thinking in images to reflect class struggle and production struggle, but never classicism. However, writing poems in vernacular Chinese has been unsuccessful for decades. There are some good folk songs. The future trend is likely to absorb nutrients and forms from folk songs and develop into a set of new style poems that attract readers. " The poet not only saw this layer with a unique eye, but also practiced it. In the first poem of this poem, the poet turned to Guizhou folk songs and changed "the horse straddles the saddle" to "the horse whips without getting off the saddle". Then, I borrowed the folk song "The sky three feet away" to make the reality and spirit of the Red Army flexible at that time, and achieved the goal of taking vulgarity as elegance. "Don't dismount the horse, hurry up and whip it" describes the heroic spirit of the Red Army's steeds galloping in Shan Ye, not just the folk song of surrendering to the high mountain and dismounting. In Chairman Mao's poems, "Three feet and three feet falling from the sky" is not only for climbing mountains, but also to set off the poet's bold spirit, because the first sentence is "a glimpse", and the feeling of coolness can't help but be revealed. The word "scenery" here is used very well, and the poet's movement, expression, eyes and mountains are all dissolved in this word, which makes the connotation particularly profound and rich. Moreover, the word "Jing" has always been at the end. Not only in the first song, but also in the second song, I marveled at the number of mountains. In the last song, I marveled at the danger of mountains, which was smooth and magnificent three times in a row.
As I said before, the second poem is about the connection of mountains, because the first poem is about height. The mountains here are like turbulent waves, surging forward and undulating continuously, just like a huge map of the Red Army, which reminds people of a sentence in Du Fu's poem "Dan Qing led General Cao Ba": "It seems to have just returned from a fierce battle." And Jia Xuan's "The Seven Anfu of Qinyuan Chunling Mountain is not finished, when Yan Lake is built": "The mountain wants the east, and the mountain wants the east. "Here, the towering mountains symbolize the poet's lofty aspirations and the devastating fighting morale of the Red Army soldiers. Sturm und drang is like a series of scenes such as "Flying General's Self-respect", which brings readers back to Mao's poems.
The third song is about a steep mountain peak, which can penetrate the sky without leaving a blade. However, in a reasonable exaggeration, it seems that the sword of the mountain will pierce the sky, but the sky will not collapse because the pillars of the mountain are supporting the sky. The indomitable spirit of the mountain written here is also a description of the scenery and a symbol of the indomitable spirit of the poet and the Red Army as the mainstay of the nation.
Therefore, the holistic view of the three poems, although it is a positive description of the scenery (that is, mountains), is actually profound. The master of the poet is wonderful, exhausting the essence of the topic with mountains, and at the same time causing far-reaching significance outside the topic; The two are in perfect harmony here, and a poem once again completes the great task of the poet's heart and is competent for the poet's lofty sentiments.