Li He's Influence on the Transformation of Poetry Style in Late Tang Dynasty

Most of Li He's erotic poems are in the form of Yuefu style, which constructs a world that seems to be true and unreal, imagines colorful female images, or entrusts his erotic imagination with the integration of God and man as compensation for life frustration. This style of colourful poems had a great influence on the creation of colourful poems by Wen and Li Shangyin in in the late Tang Dynasty.

First, the influence of Li Shi's style on the text

Li's poetic style had an important influence on the late Tang Dynasty. There are many similarities between them. Of course, Wen's poems are not a simple imitation of Li's poems. Instead, it innovated on the basis of inheritance and formed its own unique style. And with its unique aesthetic characteristics, it enriches the colorful poetry garden.

Like Li He, Wen's erotic poems are mainly Yuefu poems, which are closely related to Yuefu folk songs in the Six Dynasties. Therefore, like Li's poems, his colorful Yuefu often expresses his inner grievances in the form of women replacing the blind, or depicts a beautiful love picture from the perspective of a "third party", but the author himself seems to be separated from this picture by a certain distance. His feelings are mostly general feelings such as sympathy and appreciation for the women in the poem, but he does not express his deep pain and deep acacia, nor does he involve his own erotic experience. Compared with Yuan Zhen's and Bai Juyi's erotic poems, Li Wen's erotic poems lack realistic color and naked desire description, but have more imaginative elements and ideal beauty. In "Li Ji" and "Moon Hee", there are some works that describe the beautiful love in the beautiful water towns in the south of the Yangtze River.

Second, the influence of Li Shi-feng on Li Shangyin.

Li Shangyin's poems are influenced by Li He's poetic style, and researchers have paid much attention to and discussed this. Zhang Caitian once said: "The beauty of Changji Poetry School lies in its sadness, stubbornness and mobility, followed by the method of writing and adjusting sentences, which is bizarre and extremely steep, so it can be lost forever." The caller also praised Li Shangyin's works: "The beauty of Changgu in the late Tang Dynasty and the sadness of Fei Qing are all authentic poets, while Yuxi is a combination of Wen and Li, especially good at scenery."