Interpretation: At the beginning of Geely's days, rice buns were planted. The rain on Nanshan keeps falling and the thunder keeps beating. There is no shortage of water in the fields this year. Look at the small bridge over there when the tide rises again.
Original text:
Rice bags were planted at the beginning of auspicious day, and it thundered and rained all night in Nanshan. I don't owe water to the paddy field this year, so I'll take a look at the small bridge.
under the mulberry, the spring vegetables are covered with green beds, and the heart is green and tender, and the mustard coating is fat. Wash the head of the stream and choose the head of the store to sell, and wrap the salt and sell the wine at dusk.
vernacular interpretation: at the beginning of Geely's days, rice buns were planted. The rain on Nanshan keeps falling and the thunder keeps beating. There is no shortage of water in the fields this year. Look at the small bridge over there when the tide rises again. With full kitchen oil smoke. Beauty is not the kind of otherworldly beauty, but this shallow and faint life breath, waiting for sunset arrival, wrapped in salt and wine to go home.
source: it's from Fan Chengda's "Spring Pastoral Fun" in Song Dynasty.
Extended information:
Creative background:
Fan Chengda was a scholar in Shaoxing in the Song Dynasty in the 24th year. He was first awarded the title of secretary to join the army, and was appointed as the official to supervise the "Harmony Bureau", review, edit, correct the word, proofreader, prefect, foreign minister of the Ministry of Ritual, and prayed for the Guoxin emissary, the compilation of Jiying Hall, and the knowledge of jing jiang House and Guangxi Classic Hall.
The official was involved in political affairs, and was posthumously awarded to Shao Shi and Chong Guogong. Fan Chengda once sent an envoy to Xu Jin Guo, where he remained unyielding and shook Jin Shizong. Fan Chengda was once deeply influenced by Jiangxi School. In some of his early works, we can see a lot of language stagnation, stacking allusions, and some arguments like Zen and Confucianism. However, while learning Jiangxi's poetic style, Fan Chengda absorbed the style and skills of poetry in the middle and late Tang Dynasty.