The reading rhythm at the foot of my bed is so bright.

Every sentence in China's classical poetry has a certain "pause number" and there are rules to follow. Generally, a five-character poem consists of two meals per sentence, two words or one word per meal, and the third word or the fifth word can be one word per meal. Seven-character poems add one meal to each sentence than five-character poems. The fifth word can be a Chinese character, and the seventh word can also be a Chinese character. For example, Li Bai's Thoughts on a Quiet Night can be divided into two types.

(1) Moonlight could there have been a frost already? in front of the bed.

Look up at the bright moon and overlook my hometown.

(2) There is moonlight in front of the bed, could there have been a frost already?.

Look up at the bright moon and overlook my hometown.

If it is used in the appreciation of ancient poems, it is better to use the first case, because it can better reflect the metrical features of China's classical poems. Generally speaking, it is better to recite with dichotomy, because dichotomy can reflect poetry more completely and clearly, and it will not be too rigid to recite. Especially when the last three words of a poem are an inseparable concept, it is even more necessary to recite them like this, otherwise it will hurt the meaning because of the shape.