On the opening report of artistic characteristics of Li Qingzhao's ci

On the artistic characteristics of Li Qingzhao's ci

Ancient literary articles Source: lw-cn.cn Author: Xie Hongsheng Papers

Sad pillow night rain, a little light rain; A little rain, worried about the loss of northerners, not used to listening! "("Adding Words and Picking Mulberry Seeds ") When the writer witnessed that the southern banana fell into a lonely and sad day due to the loss of her husband's family, she naturally felt" the leaves fall back to the roots, which is more than affectionate ":sad and sleepless, the visual image during the day is postponed to the auditory image at night, and the sound of rain hitting the banana is inevitably full of sadness, so that" I am worried about hurting the northerners, not. ""the wind will fall deep, and there will be red snow outside the curtain. I remember for a long time that after begonia blooms, it is the season of hurting spring. The wine column sings jade and honors the sky, and the blue cylinder is dark and bright. The dream of the soul is unbearable, and it is even more screaming. "(Good Things Near) The screenwriter chooses a special scene with many falling flowers and thick petals outside the curtain, trying to render a sad and shocking atmosphere, but he has to" recall "his past experience, and the superposition of the old and the new is even sadder; The curtains are also full of people, and the blue light will go out, which is even more bleak, strongly expressing a lonely and scattered mood. "Dream broken sad, wine; The treasure pillow gives birth to cold, and the emerald screen is bright. Who sweeps the door is red, and the wind comes at night. Where does the sound of jade flute break people? Spring has gone again, and I have to bear the responsibility of returning. I hate this situation. I'm going to ask Dong Jun. "(The Hatred between the Prince and the Sun) People are" worried about wine "and" precious pillows give birth to cold ",and the scenery is the withered petals swept away by the night wind. This is exactly what people are worried about. The bleak scenery even renders a melancholy mood. The following film points out that the husband "shoulders the responsibility of going home" and even expresses the loneliness and sadness of the lyric heroine, which is a portrayal of the writer's own mood. Such examples can be said to be everywhere in Li's ci. Some commentators even regard "she poured strong and true poet feelings into her own words" as the most important reason why Li Qingzhao achieved "independence" and "became a great poet". Li Qingzhao wrote an essay "On Ci" in her early years, and put forward a unique view of Ci, which was an important theory of Ci in the Song Dynasty and also became the theoretical basis of her creation of Ci. The style of Li Qingzhao's ci is graceful, which is called "graceful ci school". In Shen Qian's Miscellaneous Notes on Ci and Hua, Li Qingzhao and Li Houzhu were mentioned together: "It is true that Li Houzhu is a man and Li Yian is a woman. "The first characteristic of her ci is' the best' and' the true colors of the times'.

Not only that, Li Qingzhao is also good at capturing and describing scenes and fragments of daily life that are coherent but not scattered, flowing and developing but not static according to the needs of the changes and development of feelings and artistic conception in Ci. In Li's poems, there is always an inner lyric heroine who is consistent with the external lyricist-the poet, who is watching, listening, enjoying and worrying, and runs through the activities; Different from other poets' ci works, the personnel and scenery in them are often all or only at the mercy of external poets. In order to reduce the quotation of the original text, some words mentioned above are taken as examples to make some brief analysis. "Like a dream, never forget the sunset in Xiting" describes the touching scene and process of a group of young girls drinking and having fun, coming back at night, scrambling and clamoring for victory. "A little red lip swings" describes a girl's life, just like standing upstairs at that time and suddenly seeing a guest coming, she took off her shoes, but soon slipped away, "leaning against the door and looking back", smelling Xiang Mei and throwing stones at the guest. "Add words to pick mulberry seeds, who planted banana trees in front of the window" even wrote the lyric heroine from the day when she saw the banana in the south in the "Yin Atrium" touching the north's homesickness, to the night when she couldn't sleep on her pillow, to the midnight when she heard the monotonous raindrops in a foreign land, which dripped endlessly on the banana leaves, adding to the feeling of a foreign land. Yong Yu Le Sunset Melts Gold not only describes the time, place, weather, scenery and atmosphere of a day, but also describes people, events, turning points and artistic conception. Really formed a coherent and complete segment of daily life, which is worth a short story. If the scenes described in many other poets' works are compared to slides spliced together, then the scenes described by Yi 'an Jushi are a film reflecting daily life, which is not short of montage means, but also has the characteristics of coherent and flowing paragraphs. The comparison between the two brings readers an incomparable audio-visual effect and artistic feeling.

When Li Qingzhao commented on Yan Shuyuan's ci in On Ci, she lamented that she was "suffering from no narrative". It can be seen that the coherent and flowing life scenes in her ci are not only daily experience, but also deliberate ingenuity. This is undoubtedly of great reference significance to today's poetry creation.