Huang Tingjian, a gifted scholar in the Northern Song Dynasty, wrote a poem "Shuidiao Song", which is a brilliant treasure in Chinese culture and has been deeply loved by the world for thousands of years. Among them, Song Ci is a popular literary form in Song Dynasty, which represents the highest achievement of Song literature. During the Song Dynasty, countless poets were born. Today, we know such a poet through a word. His words are rare in the world. He is famous for his poems, and people often call him a famous poet. He is Huang Tingjian, a famous scholar in the Northern Song Dynasty.
Huang Tingjian, one of the four bachelor's degrees of Su Men (Qin Guan, Huang Tingjian, Chao,). In terms of poetry, he and Su Shi are also called "Su Huang"; In terms of calligraphy, he, Su Shi, Mi Fei and Cai Xiang are also called "four great masters in Song Dynasty".
Huang Tingjian has been brilliant since he was a child, and he can recite it after reading it several times. His uncle Li Chang went to his house and asked him about the books on the shelf. He doesn't know everything. Chang Li is very strange and thinks he is a talent. Song San was seven years old (105 1 year). He wrote a poem for a shepherd boy: "Riding an ox far beyond the former village, playing the flute and listening to the wind across the bank, how many celebrities and institutions in Chang 'an are not as tired as you. "Song was eight years old in the fourth year (1052). He wrote a poem and asked someone to hold it up: "Wan Liyun rode the whip of his ancestors and sent you back to the jade steps. If you ask old Huang Tingjian, he has been on earth for eight years. "
After four years in Song Zhiping as an adult (1067), Huang Tingjian was admitted as a scholar and served as the county magistrate of Yexian County in Ruzhou. At that time, he was only 22 years old. Later, at the beginning of the year (1068), Ning was an examiner in Sijing, because the article was best chosen as Professor imperial academy. Huang Tingjian later served as the magistrate of Taihe County and managed the county easily. At that time, the class awarded salt burning, and other counties were vying for the majority. Taihe county is not alone, and the county officials are not happy, but all the people in the county like it.
At the age of forty, Huang Tingjian was promoted to Zuo Lang because of his outstanding talent. Later, he was demoted because he was outspoken, and his career seemed to have come to an end. Later, he was demoted again and again, much like his teacher Su Shi, and his open-mindedness was the most similar to his teacher. 1095, Huang tingjian was demoted to Guizhou. At that time, it was not a good job. The road to his post is long and dangerous. It was "eighteen bays on the mountain road", but Huang Tingjian said, "Mo Yan is far away from the gate of hell, and fifty-three hills are the imperial capital." ("Two Zhuzhi Ci Poems, Part Two").
Great changes have taken place in Huang Tingjian's living environment and state of mind because of his constant relegation. Therefore, the erotic songs and ditties of his youth have lost their life foundation. On the contrary, the indignation and depression caused by his demotion changed the content and style of his poems, and most of them expressed their grievances, which were profound and smooth. Even so, Huang Tingjian has not lost his inner pure land, but he is full of expectations for Xanadu, such as his "Mink Head Tour":
"Yao Hebi, spring into Wuling West. There are countless peach blossoms on the stream and orioles on the branches. I want to find my way among the flowers, go straight into the depths of white clouds and show my rainbow. I'm afraid that scarlet flowers will wet people's clothes.
Sit on the jade, lean on the jade pillow and brush the gold badge. Where is the fallen fairy? No one to accompany me. I am ganoderma lucidum, not a red face. What is a long whistle? Drunk dancing down the mountain, the bright moon belongs to everyone. "
Huang Tingjian said, how green Yao grass is, and spring has arrived in Wuling West. There are countless peach blossoms on the stream, and orioles are on the flowers. I tried to find a way out among the flowers, but I went deep into the white clouds, and the top of the rainbow showed my heroism. I'm afraid the dew deep in the flowers will wet my clothes.
Huang Tingjian said, sitting on the jade, leaning on the jade pillow, holding a gold badge. Where are the relegated immortals? No one will drink snail cups with me. I'm looking for ganoderma lucidum and grass, not for the sake of superficial prosperity, but for the sake of something. Drunk dancing down the mountain, the bright moon accompanied me all the way.
This word is Huang Tingjian's Spring Tour. Huang Tingjian once participated in the compilation of Records of Zongshen, mocking Zongshen's water control measures with words, and was later falsely labeled as a "country of schadenfreude", so he was exiled to the southwest twice in his later years. This word is about the author's relegation in his later years.
In this poem, the poet describes the wandering in the Peach Blossom Garden with a fantastic lens, which reflects his outlook on life, his dissatisfaction with the dirty real society, and his moral quality of not being willing to flatter the world, pursuing glory and drifting with the flow.
The above picture depicts the beautiful spring scenery of the western hills. The first four sentences "Yao Hebi, spring into Wuling River. There are countless peach blossoms on the stream and orioles on the branches. " Describe the beautiful scenery of green Yao grass, peach blossom and oriole singing on both sides of Wuling River. Then three sentences "I want to find my way among the flowers, go straight into the depths of white clouds and show my rainbow." The writer got lost while enjoying the beautiful scenery of Wuling Creek, but when he wanted to find a way out, he found a place with better scenery. The last two sentences are "I'm afraid that the scarlet flowers will wet my clothes." The writer wants to leave this place, but he can't bear the ambivalence of this beautiful scenery. These two sentences imply the contradiction that the author is tired of the chaotic world but unwilling to leave.
The screenwriter of the next movie is narcissistic and different from ordinary people. The first three sentences are "sit on a jade pillow and brush a gold badge." Write the author's ambition noble and unique. Then two sentences "Where is fallen fairy? No one is with me. The writer laments that the world lacks bosom friends, feels extremely lonely, and expresses his dissatisfaction with reality in a tortuous way. Then three sentences "I am Ganoderma lucidum, not a red face, what is a long whistle?" "The writer wants to pursue a different life, but he can't, so he can only sigh. The last two sentences are "drunken dancing down the mountain, the bright moon belongs to everyone." "The writer doesn't want anything at the moment, just get drunk and go home with the moon.
In this poem, the poet described the natural mountains and rivers in a quiet, peaceful, self-satisfied and saintly style. In fact, he wants to build a world of self-enjoyment by imagining the world, reveling in it and lingering in it, so as to fight against the real society full of power and deception and forget the world's troubles.
It is said that Huang Tingjian's "Water Turning Around" was written in imitation of his teacher Su Shi's "Water Turning Around". "If you want to go home by the wind, you are afraid of the beauty of the building, and the top is too cold. Dance to find out what shadows look like on the earth. Therefore, we can see the shadow of Su Shi in Huang Tingjian's "Water Diversion Course Tour".
Huang Tingjian was deeply influenced and loved by Su Shi. Once, Su Shi saw Huang Tingjian's poems and thought that his poems were extraordinary and independent of thousands of poems. There was no such masterpiece in the world for a long time. Huang Tingjian was deeply moved by this evaluation, and his reputation began to shake everywhere. Later, he became a pivotal figure in the literary history of the Song Dynasty.
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