Wang Wei is known as the "Poetry Buddha". He is a famous poet in the Tang Dynasty of my country. His poems were based on meditation and understanding of philosophy. He studied Zhuang Daoism and was proficient in poetry, calligraphy, painting, music, etc. He was famous for his poetry in Kaiyuan. , Tianbaojian, which is especially long in five words and sings many poems about landscapes and countryside. Together with Meng Haoran, it is called "Wang Meng".
Wang Wei, courtesy name Mojie, also known as Mojie Jushi, was a native of Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qi County, Shanxi. Wang Wei was born in the Wang family in Hedong. He became a Jinshi in the ninth year of Kaiyuan of Emperor Xuanzong of Tang Dynasty and became Tai Lecheng.
Wang Wei's literary achievements are mainly reflected in his poetry creation. Wang Wei's poems depicting natural scenery such as mountains, rivers and pastoral areas, and praising secluded life, depict shadows and forms, which are expressive and expressive, and both form and spirit are wonderful. With his fresh, distant, natural and refined style, Wang Wei created an artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry", setting up a banner in the poetry world.
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Wang Wei's poems often use the form of five rhymes and five uniques. They are short in length, exquisite in language, and have relatively soothing syllables. They are used to express the quiet landscape and the poet's comfortable mood. , especially suitable. People often comment on the works of poet and painter Wang Wei by saying "there are paintings in poems and poems in paintings", which indeed summarizes his artistic characteristics.
Wang Wei wrote many landscape and pastoral poems, most of which have the characteristics of this fusion of poetry and painting. The so-called "painting in poetry" refers to a high degree of imagery, that is, using language to depict a picture of life that seems to be visible and tangible.
The painterly beauty of Wang Wei's landscape and pastoral poetry is mainly manifested in two aspects. On the one hand, there is layered beauty. Wang Wei's landscape pastoral poems skillfully use artistic composition techniques, which are reflected in many poems.
For example, in "Zhongnan Mountain", the poet first used an exaggerated technique to describe the big wheel of Zhongnan Mountain. This outline can only be seen from a distance, but not close-up, otherwise it will make Zhongnan Mountain lose its mystery of mist. Beauty.
Then the poet was in Zhongnan Mountain, describing the scene as if he was walking on the clouds; then the poet was in Zhongnan Mountain again, looking at the scenery in the distance that had changed, and all the looming scenes under the sunlight were taken in In the eyes; finally, the poet's writing quickly turned to look for a place to stay, and found the figure of the woodcutter in the mountains on the other side.