1. Two lines of ancient poetry with the word mountain
"Looking at the Mountains"
Du Fu of the Tang Dynasty
How about Dai Zongfu? Qilu is still young.
The clock of creation is beautiful, and the yin and yang cut off the dawn.
Zeng Yun is born in the chest, and the returning bird enters the canthus.
From the top of the mountain, you can see all the mountains and small mountains at a glance.
, "Looking at Tianmen Mountain"
Li Bai of the Tang Dynasty
Tianmen interrupted the opening of the Chu River, and the clear water flowed eastwards and then returned.
The green mountains on both sides of the strait stand out from each other, and the lone sail comes from the sun.
"Under the Cibeigu Mountain"
Wangwan of Tang Dynasty
Passengers travel under the green mountains and boat in front of the green water.
The tide is flat, the banks are wide, the wind is blowing and the sail is hanging.
Hai Ri is born and the night is over, and Jiang Chun is entering the old year.
Where can I find the hometown book? Return to Yanluoyang. 2. Two lines from an ancient poem describing mountains
Mountain birds have disappeared, and all traces of people have disappeared. ――――Liu Zongyuan's "Snow on the River"
I sleep in spring without realizing the dawn, and I can hear the singing of birds everywhere. ――――Meng Haoran's "Spring Dawn"
The moonrise scares the birds, and the spring calls are heard all the time. In the stream. ――――Wang Wei's "Birdsong Stream"
Green trees border the village, and Qingshanguo slopes outside. ―――――Meng Haoran's "Passing the Old Friend's Village"
Traveling thousands of miles to fight in the army, I have to fly through the mountains. ――――Mulan Poetry‖
To the north of Gushan Temple and to the west of Jia Pavilion, the water surface is initially flat and the clouds are low. ――――Bai Juyi's "Spring Journey to Qiantang Lake"
You can't be seen on the mountain winding road, leaving a place for horses to walk in the sky above the snow. ――――Cen Shen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital"
The apes on both sides of the strait can't stop crying, and the boat has passed the Ten Thousand Mountains. ——Li Bai's "Early Departure from Baidi City"
But the flying generals of Dragon City are here, and Hu Ma is not taught to cross the Yin Mountain. ――Wang Changling's "Out of the Fortress"
The sun sets over the mountains and the Yellow River flows into the sea. ―――Wang Zhihuan's "Climbing the Stork Tower"
Far above the Yellow River, among the white clouds, there is an isolated city called Wanren Mountain. ——Wang Zhihuan's "Liangzhou Ci"
There is no way out despite the mountains and rivers, and there is another village with dark willows and bright flowers. ——Lu You's "Visit to Shanxi Village"
From the top of the mountain, you can see all the small mountains at a glance. ―――――Du Fu's "Wang Yue"
Picking chrysanthemums under the eastern fence, you can leisurely see the Nanshan Mountain. ―――――Tao Yuanming's "Drinking" 3. Poems with the word "山下" Thank you for ancient poems
Poems with the word "山下": Stay at the foot of Wushan Mountain Author: Li Bai Last night at the foot of Wushan Mountain, the sound of apes was heard in my dreams.
Peach blossoms fly over the green water, and they go down to Qutang in March. The rain-colored wind blows away, traveling south and blowing the King of Chu.
Gao Qiu cherished Song Yu and visited ancient times to wear clothes. Returning to the Garden and Living in the Field·Part 3 Author: Tao Yuanming Planting beans At the foot of the southern mountain, the grass is full of bean seedlings.
In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. The road is narrow, the grass and trees are long, and the evening dew touches my clothes.
It is not a pity to have stains on your clothes, but your wishes are true. "Huanxisha·Visit Qishui Qingquan Temple" Era: Song Dynasty Author: Su Shi Visit Qishui Qingquan Temple, the temple is near Lanxi River, and the stream flows west.
At the foot of the mountain, the orchid buds are soaked in the stream, the sandy road among the pines is clean and mudless, and the raindrops are crying at dusk. Who said there is no less in life? The water flowing in front of the door can still flow to the west! Stop singing yellow chicken with white hair. 4. What are the two poems that describe mountains?
Poems that describe mountains, such as:
Lushan Mountain
If you don’t know the true face of Lushan Mountain, you just know that you are in this mountain. . ——Su Shi's "Inscription on the Wall of the Western Forest"
Purple smoke rises from the incense burner in the sunshine, and you can see the waterfall hanging in front of the river in the distance. ——Li Bai's "Looking at the Lushan Waterfall"
The misty rain in Lushan Mountain and the tide in Zhejiang make me regret it before it arrives. ——Su Shi's "Lushan Mountain Misty Rain and Zhejiang Tide"
Mount Tai
From the top of the mountain, you can see all the small mountains at a glance. ——Du Fu's "Wang Yue"
Everything in the world is more important than Mount Tai. ——Xin Qiji's "Shui Tiao Ge Tou·Renzi Sanshan was summoned by Chen Duanren to give him a farewell banquet"
How is Dai Zongfu? Qilu is still young. ——Du Fu's "Wang Yue"
The clock of creation is beautiful, and the yin and yang cut off the dusk. ——Du Fu's "Looking at the Mountains"
Huangshan
When you return from the Five Mountains, you don't look at the mountains; when you return from Huangshan, you don't look at the mountains. ——Xu Xiake
The Wei River lingers in the Qin Saiqu, and Huangshan Mountain is sloping around the Han Palace. ——Wang Wei "Fenghe Shengzhi from Penglai to Xingqing Pavilion Road"
On the bright moonlit nights in the sea, Huangshan finally fell into the period of the moon. ——Wang Gong's "Returning to Huangshan Zhou Zhengqing"
Thousands of smoke trees and cicadas sound green, the dusk is clear and the birds are chirping. ——Lao She's "Ode to Huangshan"
Hope it can help you 5. What are the poems containing the word mountain
Sword Dance p9 Group Q: Hello.
"Inscribed on Lin'an Residence" by Lin Sheng of the Southern Song Dynasty
Outside the Qingshan Tower outside the mountain, when does the singing and dancing in the West Lake stop? The warmth makes tourists drunk, and they call Hangzhou Bianzhou
Lin Sheng, courtesy name Mengping, was from Pingyang (now Zhejiang). The year of his birth and death is unknown. He probably lived in the Xiaozong Dynasty (1163-1189). He was a scholar who was good at poetry and prose.
Zhang You (Tang Dynasty) "Ti Songtingyi"
The mountains are far away and empty, and the country is vast and vast to the east.
Hai Ming saw the sun first, and Jiang Bai heard about it.
The bird path leads to the plateau, and the populated path leads to it.
But the old relics are not among the five lakes.
Zhang Hu (about 785-849) was a poet of the Tang Dynasty. His courtesy name was Chengji, a native of Wucheng, east of Qinghe (now Wucheng, Shandong). 6. Are there any poems with mountains?
When Wang Wei lived in seclusion in Wangchuan, he created a number of exquisite landscape poems.
He compiled the "Wangchuan Collection" by himself, which contains twenty five-character quatrains each of which he and his friend Pei Di sang in harmony with each other. The content mainly describes the scenery near Wangchuan Villa and expresses the life of seclusion. Interesting. Let’s take a look at “Xinyiwu” among them: hibiscus flowers at the end of the wood, red calyx in the mountains.
There is no one in the stream, opening and closing one after another. In the silent mountain stream, Xinyi flowers bloom and fall by themselves, growing and dying by themselves. They are not fake, have nothing to do with the world, and no one knows about them.
This is a world far away from the hustle and bustle of the world, and it is also the unique artistic conception of the poet Wang Wei that integrates subjectivity and objectivity. It is simply a symbolic realm of the Buddhist concept of emptiness and annihilation. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work that "enters Zen". "When I read it, I forget my life experience and all my thoughts are silent."
(Volume 6 of "Shisou") Wang Wei The artistic conception created here is born outside the image. It is a combination of poetry and Zen. It has great suggestiveness and strong artistic appeal. This kind of artistic achievement can only be attributed to his study of Buddhism and the influence of Buddhist thinking.
Wang Wei was called the "Poetry Buddha" by later generations. He believed in Buddhism at an early age.
My mother, Mrs. Cui, has been practicing Zen for more than thirty years. Wang Wei and his younger brother Wang Jin "both worshiped the Buddha and lived on a vegetarian diet, which is not as good as meat and blood" ("Old Book of Tang·Biography of Wang Wei").
When Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in a room, isolated from the world, and "had no descendants" ("Referring to Brother Biao"). He also wrote many poems and essays about Buddhism and had high attainments in Buddhism.
Among the Buddhist schools of the Tang Dynasty, Wang Wei believed in Zen, and mainly believed in Southern Zen. Nanzong Zen is the product of the combination of Buddhist thought and China's native Confucianism and Taoism. Its philosophy of life of letting one's fate prevail provides the latest and most complete way of life for Chinese scholar-bureaucrats and intellectuals.
Some of the practice methods of Southern Zen are similar to poetry creation with Chinese characteristics. Yan Yu, a literary critic in the Song Dynasty, said: "In general, the path of Zen only lies in wonderful enlightenment, and the path of poetry also lies in wonderful enlightenment" ("Canglang Poetry Talk").
Wonderful enlightenment is the insight into Zen and can also be expressed as the sensitivity to art. Both poetry and Zen require keen inner experience, both emphasize revelation and metaphor, and both pursue implication.
Nanzong Zen talks about "sudden enlightenment" and often uses visual expressions to teach the Dharma, with particular emphasis on the role of intuition, suggestion, induction, and association in understanding. Wang Wei has gained experience in Zen practice, so he naturally has a deep understanding of this method of grasping the world.
He integrated his understanding of Buddhism into his outlook on life, turned religious emotions into poetic thoughts, and created a poetic artistic conception of "emptiness", "silence" and "idleness". Zen Buddhism advocates the style of scenic mountains and forests, and it also guided and inspired Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.
Wang Wei described his inner experience in the poem "Zhuli Pavilion": Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People in the deep forest don't know that the bright moon comes to shine.
The poet sat alone in the deep bamboo forest, playing the piano and screaming. No one knew his existence, only the bright moon came to accompany him. Nature understands his inner loneliness best, and the clear brilliance of the bright moon brings him a kind of quiet happiness.
Things and I are one and things and I are forgotten, Zen and poetry are in harmony. The same is true in "Deer Chai": No one can be seen in the empty mountain, but people's voices can be heard.
Returning to the deep forest, the light shines on the moss again. There is no one in the empty mountain, only intermittent human voices can be heard floating in the deep forest, and a ray of sunset shines on the moss deep in the dense forest, making it so trance-like and desolate.
This is exactly the kind of empty and lonely realm far away from the hustle and bustle that Wang Wei pursues. Although it is lonely, it is also enriching. Wang Yuyang of the Qing Dynasty said that "every word of Wang Wei's small poems is Zen" and "the wonderful truth is spoken in a subtle way, which is no different from the World Honored One holding a flower or Kasyapa smiling" ("Silkworm Continuation").
In other words, Wang Wei's landscape poems have Zen interest, Zen joy, and Zen flavor. They are full of words and endless meaning, conveying the meaning of Zen. Naturally, it fully expresses the poet's unique taste for the beautiful scenery of mountains and rivers.
Wang Wei does not necessarily only go to deserted places to seek Zen. He also looks at the vast world and the lively farm life: the clear fields and open fields, as far as the eye can see are unsullied. . Guomen faces the ferry, and the village trees connect to the mouth of the stream.
Beyond the white water fields, behind the green peaks coming out of the mountains. There is no idle person in the farming month, and the whole family is busy in the south.
——"New Sunny Ambition" A spring rain washes away the dirt and makes the scene completely new. Farming is busy, and people and scenery are bathed in the fresh air.
The two sentences "White Water" combine the close-up and distant views into a hierarchical picture. The water is bright, the peaks are green, and the contrast between light and color is very harmonious. On the surface, we cannot see the Zen meaning of this poem.
In fact, the spring rain is more like the holy water pouring from the Buddhist purification bottle, washing everything until it is clear and ethereal. It's just that Wanwu combines Zen and poetry so wonderfully that he doesn't let Zen principles overwhelm poetic taste.
Of course, what we pay attention to is the kind of praise of farm life, and what we appreciate is the aura of the beauty of the landscape, without necessarily seeking its Zen philosophy. Wang Wei was a versatile cultural giant who was good at poetry, music, painting, and calligraphy.
Su Dongpo, a great writer in the Song Dynasty, said: "When you taste the poems of Mojie (Wang Wei), there are paintings in the poems; when you look at the paintings of Mojie, there are poems in the paintings." ("Shu Mojie Pictures of Misty Rain in Lantian") His words are insightful and to the point.
Wang Wei was an accomplished landscape painter in the Tang Dynasty. He used Xiaoshu and light ink brushwork to paint, created ink landscape painting, and became his own brand. He is called the founder of the Southern School of landscape painting by later generations.
His paintings emphasize freehand brushwork, pursue spiritual resemblance, and express subjective emotions. Therefore, "there are many paintings regardless of the four seasons. For example, when painting flowers, peach, apricot, hibiscus, and lotus flowers are often used to paint the same scene." Seeking for it." (Zhang Yanyuan quoted in Shen Kuo's "Meng Xi Bi Dan") Therefore, Wang Wei is also known as the ancestor of Chinese literati's freehand painting.
If paintings can achieve spiritual resemblance, they will also have the charm and interest of poetry, that is, there is poetry in the paintings. If you use this kind of painting idea to gaze at the natural landscape, chant it, and create a scene into a poem, you will inevitably have the charm of painting in the poem.
Wang Wei’s profound artistic qualities in painting, music, and calligraphy enabled him to feel and capture the wonderful scenery and beauty of nature more accurately and meticulously than ordinary poets when creating poetry. Magical sounds and the ever-changing nature, and put them into writing. He is also better at using words and colors, and pays attention to the harmony of the tone of poetry.
There is the artistic conception of painting in the poem, the flow of music in the poem, and the changes in calligraphy in the poem. In this way, his unique poetic artistic style of "paintings in poems" and "hundreds of warblers and palace merchants playing in succession" was formed.
When appreciating his landscape poems, we should closely grasp this feature. Wang Wei is good at describing the majesty and splendor in general.