1. The fascinating folk songs of the She people 2. What are the folk arts of the She people? 3. An 86-year-old She ethnic minority still remembers the folk songs of his hometown despite his declining memory. Why does the old man remember this song so deeply? 4. The origin of the She nationality folk song "Gaohuangge". Please help. 5. The artistic characteristics of She folk songs are mesmerizing.
Each folk culture is the result of the labor of the local people. Folk songs of the She ethnic group can be seen everywhere and are expressed in the form of singing in the She language. The singing forms of the She people include solo singing, duet singing, and chorus singing. Most of them used songs to talk during important festivals, working in the fields and visiting relatives and friends. So, let’s delve into She culture and take a look at their fascinating She folk songs.
The She people are a member of China’s multi-ethnic family and are distributed in some mountainous areas in more than 60 counties and cities in five provinces: Fujian, Zhejiang, Jiangxi, Guangdong and Anhui. Eastern Fujian and southern Zhejiang are the main areas where the She people live. The She people have a long history. The word "She" means "slash and burn", and its use as a national name began in the late Southern Song Dynasty. Since the Yuan Dynasty, "She people" as the proper name of the She people has generally appeared in Chinese historical records. As late as the 7th century, the She people had settled in the border areas of Fujian, Guangdong and Jiangxi provinces.
Songs and customs
Songs and customs mainly include road-blocking love songs, visitors "comparing their talents", "being a cousin", "being an in-law's uncle", etc. The main singing performances include the "Fan Long Festival" in the fourth lunar month at the Niushigang Singing Festival in Suti Mountain in Muyang, Fu'an, the singing performance at Liuyang Baiyun Mountain in Fu'an on the first day of June, and the singing performance at Shekou and Yingkeng Baiyun Mountains in Fu'an on the seventh day of July. , the singing performance in Fu'an Chengguan Town on the Mid-Autumn Festival on August 15th, the singing performance at Ma Yangmu Lian Mountain in Xiapu Chengguan and Geyun Mountain in Xinan on September 9th, etc.
When working in the mountains, people often sing to drive away loneliness when they are alone. If someone hears it in the distance and recognizes that they are of the opposite sex of similar age, they often pick up the song and develop into a love-making duet. People often sing antiphonally on the mountain, so some people call She Township a sea of ??songs, and some people call She songs folk songs. The guests sing in antiphonal style, mainly singing love songs. If the couple is married, there are no restrictions and they can act as if they are real. If both parties are unmarried, they often want to sing a life-long partner.
The guests usually sing to each other all night long. At midnight, the host cooks snacks to entertain all those present. At dawn, the twelve zodiac songs are sung to send off the God of Song. When the light of day comes, I will send you the God of Singing to a foreign land, sing songs to make the incense burner, and keep you healthy all year round." At the end of the duet, Murakami's main duet singers collected some money to give to the guests as "hand wages". Of course, when you sing with real feelings, you don’t just give some “hand salary”.
In addition, there are three lively scenes in the wedding customs of the She people. The first is when the wedding team arrives at the bride’s house; the second is when the pot is borrowed and the chicken is killed; the third is when the wedding banquet is over and the bride and sisters raise their glasses to toast, and the bride carries a pair of red candles, a wine cup, and a silver bracelet. For the toasting plate, the sisters accompanying the bride will sing "Toast Song" to the guests according to their seats. The toast starts with the first guest, the uncle, who sings the toast song and gives a pair of shoes to the uncle. The uncle then puts the prepared red envelope on the plate, drinks the wine in one gulp, and then toasts the others one by one. guest.
The lyrics of She nationality folk songs are very particular about rhyme and have a poetic rhythm. They are usually seven words per line, two lines per line, two lines per line, and four lines per line. The tunes of She nationality folk songs are mostly the traditional Chinese five-tone national mode. The melody is relatively simple and consists of five tones: Gong, Shang, Jiao, Zheng and Yu. Shang mode and Jiao mode are more common. In some areas, there are also six-tone modes and In the four-tone mode, Qingjiao, Biangong, and Bianzheng are rarely seen.
Although the pentatonic mode of She nationality folk songs is the same as the basic sound composition of traditional Chinese Han folk songs, due to the different arrangement of the scales, the musical color presented is completely different, which often gives people the impression of being simple, clear and distant. , pure feeling. The basic rhythm of She nationality folk songs is that one note corresponds to one word, and the words are extended at the end of the sentence, which is a typical tight-front-loose pattern. Rhythm patterns include the "flat narrative type" with one word and one sound, the "tight type" with first tightening and then loosening, and the "flexible type" with first loosening and then tightening.
The main inheritance methods of She nationality folk songs include activity inheritance, family inheritance, teacher inheritance and text inheritance. The She people hold a grand singing party every year on March 3rd of the lunar calendar to compete in singing and learn from each other. In the rituals of wedding and inheritance, folk songs are used to string together the entire ceremony, and the rituals and folk songs are passed down from generation to generation.
The She people have been singing folk songs with their parents since they were young, and when a certain time comes, they have to learn songs from teachers. The She people use Chinese characters to record historical songs, and the title page of every family's folk song book is "Gao Huang Ge". In recent years, a large number of new works of She folk songs have appeared, continuing the history of the text inheritance of She folk songs.
Inheritance significance
Folk songs of the She people are oral literature created by the She people in their struggle for production and life. They are the crystallization of the wisdom of the She people and an important part of the traditional culture of the She people. Most folk songs The works are stored in the minds of the She people and passed down orally from generation to generation. Some folk songs are spread among the people in manuscripts recorded in Chinese characters in the She language. The songs of the She people mainly reflect the integrity and diversity of the Chinese national music culture. In addition, the song culture of the She people has high academic research value.
The state attaches great importance to the protection of intangible cultural heritage. On May 20, 2006, She folk songs were approved to be included in the first batch of national intangible cultural heritage lists. What are the folk arts of the She people?
She embroidery is also called "flower making" or "embroidery". The embroidery craft of She people originates from the clothing of She people.
During the Ming and Qing Dynasties, She women wore lace shirts. The lace was usually embroidered by the women themselves, but the complex embroidery of plant and animal patterns was completed by tailors. A She tailor master must not only make ready-made clothes, but also be good at embroidery. People's evaluation of their craftsmanship depends not only on their clothing-making skills, but also on their embroidery skills.
Most She embroidery artists are men, but most She women are good at embroidery. The embroidery of the She people includes embroidery on clothes and pants, bellybands, grain bags, children's hats, tobacco pouches, shoes and hats, and curtains, mainly clothing embroidery. The most common and prominent one is that women embroider on their tops and aprons. The tops are embroidered on the collar, skirt and panties, and the aprons are embroidered on the skirt. She women's dresses, mainly characterized by embroidery craftsmanship, are not only an enviable clothing art, but also an eye-catching national symbol.
There are obvious regional differences in the embroidery of the She people. The embroidery of most She people in Guangdong, Jiangxi, Anhui and Zhejiang is relatively simple, while the embroidery of She people in southern Zhejiang and eastern Fujian near Wenzhou is very complicated. This is probably influenced by Wenzhou's Ou embroidery, and is also related to the relatively developed economy and culture of the area. She people have many embroidery patterns, the most commonly used ones are the fang pattern and the centipede foot pattern. Plant patterns include peony, plum, peach, lotus, chrysanthemum, orchid, pine, bamboo, pomegranate, bergamot, honeysuckle (honeysuckle), etc.; animal patterns include dragon, phoenix, deer, sheep, magpie, squid, bat, butterfly, Mandarin ducks, unicorns, lions, etc.; in addition, there are some dramas, legendary figures, swords, gourds and other utensils held by the Eight Immortals, as well as musical instruments, books, beads, balls, wishful thinking, vases, rocks, pavilions, dragon gates, etc. An 86-year-old She ethnic minority man's memory is declining but he still remembers folk songs from his hometown. Why does the old man remember this song so deeply?
86-year-old Lei Chunhua is the first generation intangible inheritor of She folk songs. Many children in the village have learned singing from him. As age increases, the memory of the elderly gradually declines. But love will never disappear. This is the deep affection of the first generation for local traditional culture. They love the folk songs of their hometown and let the culture be passed on!
She folk songs can be found everywhere and are expressed in the form of singing in the She language. On every festive occasion, singing fills the air. Even when working in the mountains and fields, or when visiting relatives and friends to welcome guests, they often use songs to converse. The singing forms of the She people include solo singing, duet singing, and chorus singing. Among them, unaccompanied folk songs are the favorite form of folk songs among the She people. "Double tone" is a two-part duet singing method that the She people are good at, also known as "double tone". The She Ethnic Customs Village is located in Zengcheng District, Guangzhou. The She ethnic group here was called the Yao ethnic group before 1956, and their genealogy is also called the Yao ethnic group. Although the village has become somewhat Chineseized, you can still see the customs of ethnic minorities. The high mountains contain primeval forests, and the villages also have various unique landscapes with a long history. The She people have their own language, folk songs and costumes, and are good at singing folk songs. They also have their own totem worship.
On a moonlit night in Yaodong, men and women sing to each other across the ridge, and they are in love with each other. The lingering sound is lingering, and the legacy of the singing immortals still remains. Each word is full of twists and turns, sad and long, commonly known as folk songs, especially those written by Mei and Chao guest. The so-called Yaodong refers to the settlements of ethnic minorities such as Liao, She and Yao people. It generally refers to the mountain village settlements in eastern Guangdong. As for the origin of Hakka folk songs, it mainly inherits the barbarian music cultural tradition of the south, mainly She and Li, although its culture still belongs to the Chu cultural system. Therefore, "Hakka folk songs have their roots in the guestland", not in the Central Plains.
The She ethnic customs village is located in Zengcheng District, Guangzhou. The She ethnic group here was called the Yao ethnic group before 1956, and their genealogy is also called the Yao ethnic group. Although the village has become somewhat Chineseized, you can still see the customs of ethnic minorities. The high mountains contain primeval forests, and the villages also have various unique landscapes with a long history. The She people have their own language, folk songs and costumes, and are good at singing folk songs. They also have their own totem worship. The origin of the She nationality folk song "Gaohuangge". Please help
The She people are one of the ethnic groups with a small population in my country. They are scattered in Fujian, Zhejiang, Jiangxi, Guangdong and Anhui provinces in southeastern my country. More than 90% of them live in the vast mountainous areas of Fujian and Zhejiang. The She ethnic group is one of the typical scattered ethnic groups in my country. They call themselves "Shanha". "Ha" means "guest" in She language, and "Shan Ha" refers to customers who live in the mountains. But this name is not recorded in history books. In the Tang Dynasty, the ethnic minorities, including the ancestors of the She ethnic group, living in the border areas of Fujian, Guangdong and Jiangxi provinces were generally called "Barbarians", "Barbarians", "Dongman" or "Dongliao". In the late Southern Song Dynasty, the clan names "She people" and "Boxing people" began to appear in history books. "She" means slash-and-burn farming. In the long feudal society, the She people were forced to migrate continuously. After liberation, they were renamed "She". According to the fifth national census in 2000, the population of the She ethnic group was 709,592. The She people speak the She language and belong to the Miao-Yao language group of the Sino-Tibetan language family. 99% of the She people speak a language that is close to the Hakka dialect of Chinese, but its pronunciation is slightly different from Hakka, and a few words are completely different from Hakka. There is no ethnic language, and Chinese is generally used.
The She people from all over the country regard Fenghuang Mountain in Chaozhou, Guangdong as the birthplace of their nation. Legend has it that their ancestor Panhu was buried here, and they believe that women's headdresses dressed in the form of phoenix are to commemorate their ancestors. Among the She people, there is a widely circulated Panhu legend, which is a totem worship in primitive society. It is said that their ancestor Panhu helped the emperor quell the foreign invasion and was able to marry his third princess. After the marriage, he moved to the mountains and gave birth to three boys and one girl. The eldest son was named Pan, the second son was named Lan, the third son was named Lei, and the son-in-law was named Zhong. Their descendants gradually multiplied and became the She people.
This legend is not only well-known to every household, but also included in the family tree. It is painted into a serial portrait, called an "ancestor picture". It is hung up during festivals to hold grand ancestor worship ceremonies and is worshiped with great piety. Each family has an ancestral staff, which is carved into a dragon head, which is also the main symbol of the She people's totem. The She people still use Lan, Lei and Zhong as their main surnames.
In the long feudal society, the She people were forced to migrate continuously. During the migration process, the She people created colorful culture and art while pioneering colonial lands, with distinctive national characteristics. The literature and art of the She people are very rich. Folk songs are an important part of She nationality literature and are mostly expressed in the form of singing in the She language. Therefore, She literature is basically folk oral literature. On every festive occasion, their singing voices soar. Even when they are working in the mountains and fields, or when visiting relatives and friends to welcome guests, they often converse with songs. There are more than 1,000 folk songs with 40,000 to 50,000 lines handed down. Among the long narrative poems, the most famous one is "Gao Huang Ge". "Gao Huang Ge", also known as "Pangu Song", "Dragon Emperor Song" and "Panhu King Song", is a seven-character epic with a length of three to four hundred lines. In the form of a myth, it narrates the legend of Panhu, the founder of the She nationality, who performed extraordinary feats and defied all odds to breed descendants with four surnames: Pan, Lan, Lei and Zhong. It reflects the original religious beliefs and totem worship of the She people. In particular, they also painted this legend into a comic-style portrait, called the Ancestor Picture, that is, on a piece of cloth about ten feet long, they used colored pens to draw more than 40 portraits of this legend in a comic scroll. Above, cherished for generations. The artistic characteristics of the folk songs of the She people
The main folk customs include roadblock love songs, guests competing for talents, being a cousin, being an in-law's uncle, etc. The main singing performances include the Niushigang Singing Festival of She folk songs in Suti Mountain in Muyang, Fu'an during the Dragon Festival in the fourth lunar month, the singing festival in Liuyang Baiyun Mountain, Fu'an on the first day of June, and the singing performances in Shekou and Yingkeng Baiyun Mountains, Fu'an on the seventh day of July. , the singing festival in Fu'an Chengguan Town on August 15th, the singing festival in Ma Yangmu Lian Mountain and Xinan Geyun Mountain in Xiapu Chengguan on September 9th, etc.
When working in the mountains, we often sing to drive away loneliness when we are alone. If someone hears it in the distance and recognizes that it is someone of the opposite sex of similar age, they often pick up the song and develop into a love-making duet. People often sing antiphonally on the mountain, so some people call She Township a sea of ??songs, and some people call She songs folk songs.
In the off-season, guests came to the village, and people of the same age in the village became active. As soon as it got dark, singers went to the door of the guest's house to set off firecrackers, and then poured into the central hall to start the song: The sun sets on the mountain. Li Huang, Tai (see) saw brother (sister) Niangdong (langdong) coming, sister (brother) risked (no) to accept (things) to entertain, An Han (tonight) came to open a big shop (right) Song). If the guest is a singer, he will get along quickly. If the guest does not have a singer, he will be scolded with songs so that he must learn to learn after returning home. If guests come and no one in the village sings to them, the village will be considered incompetent. When looking for guests to sing antiphonally, the singers in the village must be of the opposite sex of similar age, and the guest must be someone who is not married in the village. Folk songs of the She ethnic group; if the host's family is in mourning for three years or when building a house and erecting pillars, if they do not sing the song, they must also sing it in other people's homes. Go right. The guests sing in antiphonal style, mainly singing love songs. The married couple is not restricted and can completely pretend to be a real person. If both parties are unmarried, they often wish to sing a life-long partner.
Visitors usually sing to each other all night long. In the middle of the night, the host cooks snacks for everyone present. At dawn, they sing the twelve zodiac songs to send off the god of singing. The song ends with a nagging song. The sky is bright, sending you the folk songs of the She people to the foreign land, singing songs to soothe the incense, and ensuring health all year round. At the end of the duet, Murakami's main duet singers collected some money to give to the guests as salary. Of course, when you sing with real feelings, you don’t just get some salary.
In addition, there are three lively scenes in the wedding customs of the She people. The first is when the wedding team arrives at the bride’s house; the second is when the pot is borrowed and the chicken is killed; the third is when the wedding banquet is over and the bride and sisters raise their glasses to toast, and the bride carries a pair of red candles, a wine cup, and a silver bracelet. For the toasting plate, the sisters accompanying the bride will sing "Toast Song" to the guests according to their seats. The toast starts with the first guest, the uncle, who sings the toast song and gives a pair of shoes to the uncle. The uncle then puts the prepared red envelope on the plate, drinks the wine in one gulp, and then toasts the others one by one. guest. The two-part folk song "double tone" of the She ethnic group is popular in Houdun She Village and its surrounding She villages in Badu Town, Jiaocheng District, Ningde City, Fujian Province. The "double tone" of the She ethnic group is a treasure in the cultural heritage of the She ethnic group and is a folk song of the She ethnic group. The strange thing among them is that it is the only surviving two-part folk song of the She ethnic group in my country. The "double tone" of the She ethnic group is different from other She ethnic minority folk songs in its unique singing method and polyphonic combination of part music. It has great academic and practical value.
The main forms of expression of She nationality’s two-part folk song “Double-tone”
1. The two-part folk song “Double-tone” is a cappella singing form, with at least one person per part , the number of singers in each part can be large or small, regardless of whether the part is sung by a male or a female, or both parts can be sung by the same gender, but when singing love songs, both men and women must sing one part each. 2. The structure of the lyrics of the "double-tone" two-part folk song is basically seven characters and one sentence, four sentences in one line. 3. The "double-tone" part combinations of two-part folk songs include the following types: (1) The branch-part type consists of two parts singing the same melody and its variations at the same time, (2) The two-part harmony type The rhythms are basically the same and the melodies are basically different, forming a variety of different interval relationships. The ending notes of the phrases are the same. (3) Between the two parts of the response type, when one part comes, the other part follows immediately. Overlapping head and tail.
(4) The imitative style consists of the same melody and its variations appearing one after another in imitative form regardless of the part.
The academic value of the "double-voice" folk songs of the She ethnic group: in the history of music, the common folk songs of the She ethnic group have only one voice, while the "double-voice" folk songs of the She ethnic group are multi-voice folk songs. Among ethnic folk songs, it is also rare to see folk songs with musical polyphony like the "double tone" of the She ethnic group. Secondly, the rich content, basic characteristics, and historical heritage of the "double tone" of the She ethnic group are rare in the folk music culture of the She ethnic group and in the folk songs of other ethnic minorities across the country. Saving and protecting the "double tone" of the She people will have a certain role in enriching and improving not only the history of Chinese music, the history of music of Chinese ethnic minorities, but also the history of world music. The practical value of the "double tone" of the two-part folk songs of the She ethnic group lies in the construction of spiritual civilization in the She ethnic group and even the whole country, enriching cultural life, improving the cultural quality of the people, promoting the comprehensive development of national unity and progress, and building a socialist harmonious society , will produce important promotion effects. Folk songs of the She people can be roughly divided into narrative songs (including mythological and legendary songs and novel songs), miscellaneous songs (including love, labor life, imparting knowledge, ethics and morals, entertainment life, etc.), ritual songs (including wedding ceremony songs, Ancestor worship songs and merit songs, etc.).
The tunes of She nationality folk songs can be roughly divided into two categories: folk songs and Shigong tunes. Folk song tunes include: Funing tune, Fuding tune, Xiapu tune, Luolian tune, Lishui tune, Jingning tune, Longquan tune, Wencheng tune, etc. Shi Gong Tune includes chanting the tune and singing accompanied by doing ethical actions.
She folk songs are often sung in falsetto. Depending on the singing method, there are three variations: flat tone, falsetto, and high pitch. In Qidu, Badu, Jiudu and other places in the north of Ningde, Fujian Province, there is also a two-tone singing form. It is sung by a man and a woman with the same lyrics, and the tunes form a supporting, imitative or harmonic relationship. This form of singing was popular for a period of time, and representative songs include "Wind Blowing Bamboo Leaves Tail Titi" and so on. It is now endangered and in urgent need of rescue.
She people like to sing folk songs, not only for weddings and festivals, but also during production and labor, entertaining guests, resting, falling in love, and even singing instead of crying during funerals. heartfelt emotion. She nationality folk songs generally have four-character or seven-character rhymes as one line and four sentences as one line. There are also a few lyrics where the first line has three or five characters, which pays attention to rhyme, and the last word of the third line must have a oblique tone. There are many folk songs of the She ethnic group, including solo singing, duet singing, and chorus singing. The types include narrative songs, custom songs, labor songs, seasonal songs, novel songs, revolutionary songs, children's songs, miscellaneous songs, etc. Included in the "Collection of Chinese Folk Literature·Zhejiang Province" are 935 marriage customs songs and 642 lamentations of the She people, as well as "Drinking Bureau", "Defying Salt Ba", "Old Songs" and "Songs of Mrs. Tang" compiled using local historical facts. 》 and 4 other long couplets. The singing forms of the She people include solo singing, duet singing, and chorus singing. Among them, unaccompanied folk songs are the favorite form of music of the She people. The tunes of She nationality songs vary from region to region. For example, there are 4 modulation areas in eastern Fujian, namely Fuding Diao District (popular in Fuding, Zhelong, and northern Xiapu County. It belongs to the five-tone Shang Diao style), Xia Shang Diao District (popular in most of Xiapu County, Funing County and other areas) , belongs to Shang Diao District), Funing Diao District (popular in Fu'an, Ningde, Shouning, Minnan, Gutian, Zhouning, Zhelong West and other places), Luolian Diao District (popular in Luoyuan Lianjiang, Ningde, southern Feiluan and other places), Zhejiang She people also have five basic tunes, namely Lishui tune, Jingning tune, Wencheng tune, Longquan tune and Ruian tune. Throughout the She nationality's songs, they are characterized by soft voices. In terms of lyrics and music structure, the songs are relatively neat, with more than 7 words per sentence and four sentences forming a paragraph (also called a piece). A folk song has at least 1-2 lines and as many as 7-8 lines; the mode is mostly pentatonic mode, and there are five modes: Gong, Shangjiao, Zheng, and Yu. Among them, Shang mode has the widest distribution, and Jiao mode is the second. Then, the Zheng, Yu, and Gong modes are repeated.
The She people are good at the two-part duet singing method, which people call double tone and the She people call it Shuangtiaoluo. In terms of singing, it has the nature of rotation singing. Duanyin was originally sung by two people, but it has developed to include 3 or 4 people. Generally no more than 4 people. For the two-part part, two people sing. The two singers can be one man and one woman, or two men. If there is a duet of one man and one woman, the man can sing first or the woman can sing first, and the second singer can sing first. The singer who sings the last two words or four words must sing the same lyrics and similar but not exactly the same tune as the previous singer. In terms of double-tone singing, generally both men and women used falsetto. Later, men dared to sing in their real voice, which sounded clearer. The falsetto singing method of the She people pursues tranquility, delicacy, elegance and simplicity. Due to different singing methods, the same song can generally have three different tune adjustments: flat tone, falsetto singing and high pitch. There are no strict regulations on the time or occasion for singing double tone, but it must be during the singing season, that is, from the 15th day of the eighth lunar month to the third day of March the following year, it is the singing season for the She family. Especially on festivals such as the first lunar month, March 3rd, August 15th, and September 9th, the She family always gathers in groups to visit relatives and friends, sing songs, and hold grand antiphonal singing parties. This is a good time to appreciate the double tone of the She family.
The folk songs of the She people pay attention to the rhymes of the She language. Many people can improvise and sing, and some singers can sing duets for one or two nights without repeating themselves. When singing, use a falsetto with notes such as Li, Luo, ah, Yi, Le, etc. When learning songs, sing without falsetto, which is called flat singing. Each county has its own tune when singing happy songs, and the whole nation has the same tune when singing sad songs. The forms of singing include solo singing, duet singing, and chorus singing, and are rarely accompanied by movements and instrumental music.
The host division of the division ceremony played rhythmic drums and sang military songs at the banquet table. When imparting instruction to a master, the master would sometimes recite incantations and recite words, and sometimes sing and dance amidst the sound of blowing, shaking, pulling, and banging of props and musical instruments such as bell knives, dragon horns, flat drums, bells, harps, and flutes. . Folk songs of the She people can be divided into short songs and long couplets according to the number of songs. An independent song is a short song, and short songs are usually sung. Folk songs with several, dozens or even hundreds of songs as a whole are called long couplets (or narrative songs). ), such as "King Gao's Song", "Sealing the Golden Mountain", "Song of the Hour", etc., and there are also long couplets in Jingning such as "Playing the Salt Pa", "Playing the Wine Bureau", "Song of Mrs. Tang", etc. "Song of King Gao" is a long couplet that records the origins and legends of the She people. The She people regard it as a treasure passed down from generation to generation. It is a national epic. It is a household name among the She people and has been sung from generation to generation. There are 112 poems in total.
Labor songs express the farming seasons that must be followed in various production labors in the form of singing, introduce production knowledge, how to strive for a bumper harvest, and achieve a better life. The widely circulated ones include: twenty-four solar terms songs, twelve o'clock songs, farming songs, diligent farming songs, tea-picking songs, etc. "Chopping Firewood Song" is one of the labor songs widely circulated in the She area. Everyone in the She people, men, women, old and young, can sing it. The specific age of its formation is unknown. This song is an impromptu work song composed and sung by a young man chopping firewood when a girl from the She ethnic group is working in the mountains or fields. The content is rich in philosophy and has the sentiment of love between a man and a woman.
Love songs, also known as Yuan songs, are the most numerous, most widely circulated and most touching folk songs among the She nationality folk songs. Most love songs use something as a foil to express the love between men and women. Young men and women talk about love through love songs, express their sincere emotions to each other, eliminate all resistance, and achieve the purpose of getting married. Even middle-aged and elderly singers sing in antiphony, He is also good at interspersing exciting love songs to add to the fun. "Love Song Duet" is called Laoge in the She language, which means men and women singing duet to each other. It is a cultural life form with a unique national style. As long as you walk into She Village, you can hear the singing of men and women in the mountains and fields. Love song duet singing is basically a duet between a man and a woman. Each sings a song, and each sings in harmony. When young men and women meet, the female is usually the lead singer, and the male responds according to the lyrics of the lead singer. Therefore, the backup singers have to sing along with the composition, which is difficult. larger. In addition to duets sung during field work, love songs also include duets sung at night, starting after dinner and ending at dawn. First, it does not hinder working time; second, it can attract a large audience.
She people like to sing folk songs, use songs to speak for themselves, communicate feelings, use songs to discuss matters, promote good and punish evil, use songs to convey knowledge, and compete with wisdom. What is more distinctive is that they use songs to express their feelings during funerals and mourning. Cry on your behalf and express your sorrow. "Elegies" is also known as funeral songs. It has been formed for a long time. To this day, after an adult of the She people in She Village dies and is placed in a coffin, benches are placed on both sides of the mourning hall. The descendants of the deceased sit down and sing elegy songs. There are no loud cries in the whole mourning hall, only lamentations. Most of the elegies in Gao Hang commemorate the deceased, miss his good deeds during his lifetime, express respect for the deceased, pray for the deceased to rest in peace, repent of the poor care of the deceased, praise the filial son, and rebuke the unfilial. The tune is low and sad.
The She people also have merit songs to remember their ancestors and recount history. The merit songs are popular in manuscripts with unified lyrics and are danced by specialized priests. They are must-sing songs for performing various types of meritorious deeds. The difference is that the merit songs have movements and props, and are placed in the master's room or beside the family stove. The titles of the songs are: Cheering in Unison, Singing in the Moon, Big Farewell, Little Farewell, Wife's Suffering, Reel Line, Legend of the Cowboy, Twenty-Four Filial Piety, There are 12 sections including sighing at the fifth watch, performing filial piety, protecting the kitchen god, and singing songs. When singing, three rounds are required. When singing the content of the singing song, it is performed in groups of three. One person carries a bamboo basket on his shoulder (guchi is also used) and holds it with his hands. A handful of white rice, and the other two people carrying a cloth bag, go around the coffin in the mourning hall, singing and dancing in antiphonal style, like catching a white crane, by leading the crane, releasing the crane, and talking about the crane, which means to lead the soul to ascend to heaven. The deceased immortal master rides on the crane In heaven, sing the crane song and dance the crane dance.