The Image World of a Poetic Giant

I read Gu Cheng's A Bucket Not Full.

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Fortunately, we can all understand this poem. Some people divide Gu Cheng's poems into four stages in chronological order: the natural stage, the second stage, the cultural stage, the counter-cultural stage and the non-ego stage. This poem was written in 1986, which should be the intersection of the second stage and the third stage. With the disillusionment of utopian society and the spiritual crisis that followed, he began to oppose civilization, and he only talked with nature. The fourth stage is simply a mental illness stage because we can't understand it. We only know how mental illness is formed, but we can't be there. He used language that deviated from normal usage as a tool and deviated from his normal spiritual life and artistic life. It is the social image that creates words, onomatopoeia and disorderly flow. Gu Cheng didn't give up his skills when he wrote this poem. I thought he could put a hundred "wishes" side by side without any conjunction. This dangerous structure is that he is as comfortable as a dragonfly and easy to succeed. This is the third section, the main content of the whole poem. You don't need to explain your wishes. Where's the bucket Wooden, oval, barrel symbolizes happiness or carrying capacity, and I like it, too. And walls, doors, walls. Objectively speaking, these inorganic images are meaningless images from purely accidental personal experience, but they are very in line with his choice, and he wants to use them to reverse the inherent order. We can still capture their hidden poetic information, a phenomenon reduction of "returning to things themselves". So I said, Gu Cheng's poetry is a world of music and pictures. He writes poetry, just like bees or silkworms lay eggs, which turn into pupae and then into moths. The whole process is the most beautiful and incisive, and people without poetic features cannot understand all the mysteries. There are only four words in the second paragraph: my wooden bucket. The first paragraph echoed in the fourth paragraph, and suddenly denied it after completing the succession: three "no" were used. The position is arrogant but euphemistic, which is the beauty of poetry and language. What is "no"? It's a long story Later, after 1989, all the poets died, and the novel died out, and literature entered the Soviet tune. This is proof, so it is easy to make up.

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He is a master of poetry. His talent for language sense, emotional ability and associative ability are almost innate, even though Haizi, the son of poetry, stood in front of him and immediately grabbed him, looking short. Bi's Not Full Bucket tells the story of "that world" and shows us a group of extremely depressed, distorted, deformed and hoarse desires, which has a shocking effect. His talent enabled him to write anything at will when he was young. We didn't fail, but we couldn't keep up. When he was 12 years old, he wrote a short four-line poem "Chimney". We have seen a poetic giant standing side by side with the "Chimney" of thinking. I read his seven laws when he 15 years old. In ancient times, he could have won the top prize, but the ancient top prize poems didn't have that aura. He comes from nature, and he only talks to nature. There is no trace of "human" in all his works. He doesn't care about anyone. I feel a little simplistic about some comments in this regard, and I reserve my objection. (to be continued) 20 18.2. 12 nights