Lushan prose 100 words

Lushan line

mei yao chen

In the early morning, the rolling Lushan Mountain, with thousands of peaks competing and beautiful, is spectacular, which just caters to my interest in natural scenery.

Along the way, the mountain range in front of me is constantly changing, and a person is immersed in the winding and deep wild road, but forgets where to go.

The sun rises, the snow melts, the mountains look more silent and empty, the silly bear is slowly climbing the tree, and the deer is leisurely sipping the stream.

I can't see any buildings or smoke, so I can't help wondering if there are people living in the mountains. Just then, I suddenly heard a crow crowing on the distant mountain.

[Edit this paragraph] Translation

Lushan Mountain is mountainous, with thousands of beautiful peaks, one high and one low, which is spectacular, just in line with my preference for natural scenery.

Go to one place, you can see a good mountain peak, and then go to another place, you can see another strange ridge. A person walking on a mountain road, winding, even don't know where to go, and sometimes get lost.

The mountains are empty, and in first frost, blind bears can be seen climbing to bare trees; Through the sparse tree cracks, you can also see wild deer drinking water by the mountain stream.

Walking in the mountains, in the quiet autumn mountain, I can't see houses and smoke, and I doubt whether this mountain is inhabited. I can't help asking myself, "Where are they?" I was meditating when I suddenly heard a cock crow in the white clouds in the mountains. Oh, the original home is still at the top of that high mountain.

[Edit this paragraph] Note

Lushan: In Lushan County, Henan Province today.

2 Right: Just right. Crazy Love: Love for Shan Ye. Just: I am satisfied.

(3) Change everywhere: refers to the change of mountain peaks with visual angle.

4 secluded path: path.

⑤ Bears climb trees: Bears climb trees.

⑥ Why: Where, where.

⑦ Beyond the cloud: describe it as far away. A chicken: a hint of someone.

[Edit this paragraph] Appreciate

Enjoy 1:

This poem is a five-character poem by Mei, a great poet in the Northern Song Dynasty. Mei was the founder of the Song Dynasty. The first couplet: I saw Shan Ye's love, and I was very satisfied. The mountains are undulating, sometimes high and sometimes low, and a nice word is enough to understand the author's mood at that time. Couplet: The beautiful mountain peaks fluctuate, walking on a quiet path, as if walking into a maze, indicating the poet's loss at that time. William skillfully used the method of asking questions and wrote the context of "there seems to be no one on the empty mountain, but I think I heard a voice", which changed the scene. An original ecological picture comes into view, expressing the poet's detached and indifferent leisure and quiet mentality.

Appreciation 2:

This poem is about the scenery of Shan Ye seen in Lushan Mountain.

The first sentence expresses my love for Shan Ye scenery, and the second sentence explains the reason for my love: "Qianshan Mountain is high and low". According to common sense, it should be a scene of "Qian Shan rising and falling", which makes the poet feel just in line with his interest in Shan Ye scenery. Now he writes in reverse, emphasizing the poet's love for Shan Ye scenery, which is also determined by the conception of the poem. In the first sentence of the second couplet, Qian Shan wrote that "the heroic style can be changed everywhere". "Shanfeng" is "Qianshan"; "Changing everywhere" can be seen everywhere in Qianshan's different gestures, which is the embodiment of "high recycling and low". The title of the fourth sentence is "hiking". It is easy for a person to get lost when walking on a deep path, which is also the result of the change of good peaks everywhere. Of course, through the "secluded path", the depth of the good peak in Qian Shan was written, which opened up the realm of Shan Ye. The last two sentences further describe the scenery of Shan Ye through Xiong Sheng Shu and Lu Yin Xi, and point out the hiking festival: "first frost". If "the height of Qianshan Mountain is low" is a relatively static landscape, these two sentences are devoted to dynamic landscape. So the two sentences in the middle have the effect of dynamic and static contrast. Write the last two sentences about where people are. Where is he? Beyond the distant white clouds, because I heard the cock crow.

The language of this poem is simple, describing nature, in which feelings are born by scenes, and scenes move with feelings, expressing the poet's "wild feelings" with typical scenery. In addition, the revelation and development of poetic realm also left people with endless aftertaste.

Appreciation 3:

Lushan Mountain is mountainous, with thousands of beautiful peaks, one high and one low, which is spectacular, just in line with my preference for natural scenery. This is the meaning of the first two poems, which shows that we are going to Lushan Mountain because it is fun inside and beautiful outside, and it will be a trip.

The second part is about hiking. When you go to a place, you can see a good mountain peak. When we get to another place, we can see another strange ridge, so we say "everything changes". The word "change everywhere" is beautifully written. If you sit still in the mountains and always look at the mountains from one angle, Haofeng will not "change". Because of the "line", Haofeng will change everywhere, from one picture to another. The word "change" embodies the word "line", which is in line with the meaning of the poem "mountain line". A person walks on the mountain road, winding and walking, even without knowing where he has gone, and sometimes he gets lost. The reason for "wandering alone in a secluded path" is exactly what the poem says. First, the winding path is deep and easy to go wrong. Second, walking alone, without direction, is easy to go wrong, so "get lost". Here, a person's experience of traveling in the mountains is vividly displayed.

From the first half, we don't know when he climbed the mountain, whether it was spring or autumn. We didn't know that he climbed the mountain in autumn until we saw the third film "first frost" and "The Forest Empty", because there was frost in autumn, which dropped all the leaves and made the trees in the mountain bare and empty. This feeling of "empty forest" is only available in autumn. The mountain forest is empty, and you can see the blind bear climbing to the bare tree; Through the sparse cracks in the trees, you can also see wild deer drinking water by the mountain stream. This couplet depicts a very moving picture of a bear and deer in Lin Qiu. This painting is moving, the bear is climbing the tree, and the deer is drinking water, but the poem is static, showing the secluded and very quiet realm in the mountains, which is also the so-called writing method of moving and static.

Walking in the mountains, in the quiet autumn mountain, I can't see houses and smoke, and I doubt whether this mountain is inhabited. I can't help asking myself, "Where are they?" I was meditating when I suddenly heard a cock crow in the white clouds in the mountains. Oh, the original home is still at the top of that high mountain. This last sentence, "Smell a chicken outside the cloud", is natural and does give people the feeling of "a thousand words can't be said".

[Edit this paragraph] Author introduction

Mei (1002- 1060), the word Wan Ling, was a poet in the Northern Song Dynasty. Xuanzhou Xuancheng (now Anhui) people. Xuancheng was called Wanling in ancient times and Mr. Wanling in the world. He has been visiting the Emperor for three years (105 1) and is endowed with a scholar background. Officials to ministers are officials and foreign ministers. His early poems were influenced by western learning, and later his poetic style changed, and he put forward the idea of tit-for-tat with western learning. Emphasize the tradition of The Book of Songs and Li Sao, and abandon the flashy and empty poetic style. In art, it pays attention to the vivid and implicit artistic conception of poetry, advocates the "plain" artistic realm, and requires poetry to describe landscape images, which is intended to be implicit. His poems, such as Four Seasons of Family, Family Talk, Like a Poor Girl, From Xiangcheng to Snow, A Trip to Lushan Mountain, Watching Cockfighting at Night, Things, and After Dreams, all reflect this plain and implicit poetic proposition. In the Northern Song Dynasty, he was as famous as Ouyang Xiu and Su Shunqin, and was also called "Mei Ou" and "Su Mei". Liu Kezhuang called it "the ancestor of Song Dynasty" in Hou Hua. He is the author of 60 volumes of Collected Works of Mr. Wan Ling and four series.

According to Zhide County Records, Mei was appointed as the magistrate of Jiande County from the first year to the fifth year of Jingshou in the Northern Song Dynasty (1034- 1038), and her residence was clean. After he became an official, the people remembered him, renamed the county town Meicheng, and dedicated it to Meigong Hall in the west of his official residence. Later, a Meigong Pavilion was built on the hillside of Baixiangshan Mountain behind Meicheng to comfort his admiration and get to the beautiful scenery. Meigong Pavilion was founded in the years of Jiading in the Song Dynasty, in the second year of Yuan Dynasty (1342), the fifteenth year of Zhengde in the Ming Dynasty (1520), the tenth year of Kangxi in the Qing Dynasty (167 1) and the seventh year of the Republic of China (19/kloc-0). Pavilion, a rectangular brick-wood structure with carved beams and painted buildings, is a cylindrical pavilion-style building with black pottery tiles and cornices and walls, surrounded by ancient pine and bamboo, with pleasant scenery. Meigong Pavilion was destroyed during the Cultural Revolution. Now only the ruins are left, and it is now a county-level key cultural relics protection unit.

For thousands of years, people have built and repaired Meigong Pavilion five times. What is the reason?

Born in a peasant family, he was born in a poor family when he was a child and loved reading. 16-year-old went to Luoyang, Henan Province with his uncle after failing to obtain the post of master book (equivalent to today's documents), and then continued to hold the post of master book in Mengxian County and Tongcheng County. After being appointed as the chief of the three counties, he was promoted to magistrate of a county, called for a test, given the background of Jinshi, and moved to Shangshu as an official, so he was called the official of Du Mei. After Mei became an official, she was ambitious and ambitious. His original name was "Yu Sheng" and later changed to "Yao Chen", which meant that he was determined to be a sage of a wise king. However, he did not meet a wise king.

During his five years as a magistrate in Meijiande County, he was honest and upright, and he was self-reliant. He was able to observe the sufferings of the people and did many things beneficial to them. He often went to the rural people's homes to visit incognito, talked with farmers, bricklayers and poor women, understood the sufferings of the people, and personally rushed to the scene of forest fires and flooded streams for on-the-spot inspection; He got rid of dereliction of duty and did everything by himself. Jiande was a small mountain county at that time, and there was a dilapidated bamboo fence outside the county government, which needed to be repaired all the year round, which became an excuse to extort money from the people. After Mei Yao Chen came, she decisively replaced it with an earthen wall and planted a pile of bamboo in the courtyard. Wu Shidao praised him as "kind, easy-going, gentle and sincere" in "The Palace of Mei".

For such a great writer, poet and celebrity, when Jiande was an official, he loved the people and expressed their sufferings in the form of poetry. People naturally respected and loved him. Therefore, after more than 900 years, Mei Gong's moral and benevolent policies are still recited among people in the East.

Although Mei Gong was extremely dissatisfied with his rule, he enjoyed a high reputation in the field of poetry. With infinite grief, anguish, longing and pain, he wrote many exciting poems. At that time, he was as famous as Su Shunqin and enjoyed a high reputation in the poetry circle. He is called "Samui", and he and Ouyang Xiu are good friends. They were all promoters of the poetry innovation movement and had a great influence on the Song Dynasty. He actively supported Ouyang Xiu's ancient prose movement, and his poems were divided into ancient prose and simple prose, which were highly praised by people at that time. Ouyang Xiu once thought that his poems were inferior to Sebrina's. Lu You once quoted the poems of Ouyang Xiuwen, Cai Xiangshu and Mei in Preface to Mei Bie Ji. His poems can reflect social life in many ways, with unpretentious style and profound meaning. Among a large number of poems he wrote in Jiande, Tianjiayu is about farmers. "Who teaches the field, the spring tax is not enough!" This poem tells the sufferings of farmers in the tone of farmers. The poem "Little Village" said: "In western Western jackdaw, people have to eat and call their companions every day, but the old people still hold their grandchildren and don't wear clothes. How does he make a living? Liao is in Wang Min Edition! " In the poem Tao Ren, he shows the social phenomenon of the opposition between the rich and the poor in a rough way. The poem says: "In front of the pottery door, there is no tile on the house, and there is no mud between the fingers, so the scales live in the building." Sharp and clear, people feel a strong sense of injustice after reading it. In his spare time, Mei Gong often walked out of the county government and wandered among the green mountains and green waters of Jiande, Liu Dong and Chizhou, writing many poems about scenery and friends. From the hundreds of poems left by Mei in Jiande, we can see that Mei's unique style is simple and profound, delicate and appropriate, concise and free, innovative and inflammatory, and he can make a breakthrough in the short form of lyric poetry. In the description of landscape scenery, it has also formed the characteristics of depicting personality and copying details, giving people a fresh and meticulous feeling.

"There are mountains and plains in the south. If you don't dig or camp, you will produce good tea ..." This is the prologue of Mei, a great poet in the Northern Song Dynasty, who wrote "There is Good Tea in the South of the Yangtze River". Mei was transferred to the county magistrate of Jiande (now dongzhi county) in the first year of Jingyou in the Northern Song Dynasty (1034), until she left office in the fifth year of Jingyou (1038), and served as an official in Jiande County for five years. This well-known "Nanyou Zhujiafu" was written after he personally inspected the whole process of tea growth, picking, production and sales in Guanbu tea area. "Tea Picker" is a kind and modest self-metaphor. How amiable and respectable it is that the parents' palace in feudal times can closely connect itself with tea pickers!

To the east is an old tea area. As early as the Tang Dynasty, the tea in Guanbu was very prosperous. Bai Juyi's "Who stole money first, careless about how he left her, had already left, and went to Fuliang to buy tea a month ago" refers to the official port in Fuliang area at that time. Mei Gong appreciates the tea in Dongzhi. He not only wrote "There is a good blessing in the south", but also wrote a poem saying: "Tea leaves are green when they are ripe, and lotus leaves are more colorful", combining tea and lotus leaves into the beauty of Jiande. Therefore, Jiande's tea became famous after the Northern Song Dynasty, and it became one of the top ten famous teas in the Yuan Dynasty.