In the introduction of the work, "talking about wheat when driving in a car", "driving" should be an onomatopoeic word and "wheat" has a long metaphorical sound. What is the significance and beauty of this poem? The key to a correct understanding lies in the interpretation of the word "Rong Ming" at the end of the article. Rong Ming has two interpretations, ancient and modern. One said that honor is a good name, and the other said that honor is Rong Lu and fame. From the front, the two sentences mean that life is easy to do, or it is important to cherish fame and fortune; Life is too short, so it is better to take Yung Yung's fame as early as possible and have fun in time. The fields of these two theories are completely different. The word greed for honor is very common in ancient books. For example, "Qi Ce Warring States Policy": "Besides, I can't achieve great things when I hear small things, and those who suffer evil will not be famous." "Huai Nan Zi Xiu Wu Xun": "There is a legacy in death, and there is a glorious name in life." Everyone has a clear meaning, which is to make a good name.
original work
Get in the car and talk.
Get back in the car and drive. It's a long walk.
Looking around, the east wind shakes the grass.
What happens for no reason? How can we not get old quickly?
The ups and downs are different, and it is not early to stand up.
Life is not a stone, how can we live longer?
Elections are materialized, and honor is precious.
Annotation of works
1, enter and leave: "back", turn also. "Ci" is an auxiliary word. "Step", travel far.
2, leisurely: far from the appearance.
3, involved: the original intention is to walk in the water. By extension, crossing the water is called "wade". By extension, it is not limited to wading. This is a "long-term road", meaning "long-term road".
4. Vastness: the appearance of vastness. It is used here to describe the objective scene of "the east wind shakes a hundred herbs" and to express the empty and unstable mood of distant guests with the promise of "traveling far away".
5. I met two sentences for no reason: "So", Lao Ye. "Get something for nothing" means "Dongfeng shakes a hundred herbs". "East wind" refers to the spring breeze, and "hundred herbs" are new grass. The passage of festivals, metabolism and hay last year have all become "old things", of course, they can't be seen. "How to grow old quickly" is the association of current things; The grass is very strong and withers easily from its glory. Why don't people get old too soon?
7. There are two sentences: "Every time" and "Every time" refer to both a hundred herbs and life. Although the length of "time" varies, there will be ups and downs in this certain period of time, and it will decline from prosperity to decline; In this case, "standing" must be done early. "Early" means prosperous times. "foothold" is to establish a lifelong career foundation.
8, life is not a stone: "gold", its firmness, "stone", in fact. The fragility of life. "Examination", Lao Ye. "Longevity test" is still a cliche. The next sentence is that even if you are old, there is an end, and it won't last long.
9. Sudden materialization of the election: "Sudden election", also. "With materialization" is death.
10, honorable name: refers to Rong Lu and his fame.
1 1, Description: This poem is associated with the shortness of life from the update of objective scenery, and thus gives a sigh of "not getting up early" and falling into frustration.
Translation of works
Turn around and drive far away. It's hard to get far away.
Along the way, the fields are vast and boundless, and the spring breeze blows up withered weeds.
Everything in front of us is strange, just like the glory of grass. Why don't people grow old quickly from young? Although grass and life are different in short and long, they are the same from prosperity to decline. Since it is so prosperous, we must catch it at once.
People are not as hard as stone, and their lives are fragile. Even if they live long, there is an end. How can they last?
Life is rapidly aging and dying, so we should make progress at once to maintain our reputation with Rong Lu.
works appreciation
Once doubts are explained, poetry and structure are self-evident. Poetry starts with scenery and expresses feelings about life. It's a long way back to the car, but when you look back, you can see the wilderness, and the wind is blowing in the east. This scene made the poets who didn't travel and didn't know where to drive the tax full of thoughts, so they made the following sentences, one sentence or two, and turned to the depths again and again. The sentence "meet" is the fulcrum from the scene to the emotion. Seeing the sadness of Baicao, I feel that winter has gone and spring has come, and the "old things" of the old year have been completely shocked, so the self-harmony of the New Year can't help but rush to the old. This is the first feeling. Life is like grass, how to spend it? "The ups and downs are different, and it is not early to stand up." "Standing" means a lot from the above sentence "ups and downs". It refers to livelihood, fame, morality, career and all outstanding self-reliance. The poet said that in our short life, we should lose no time to show our glory. This is the poet's further thinking. But instead, I thought, "Life is not a stone. How can we live long?" Even if you stand early, you can't be rock-solid and illusory. This is the poet's third idea. Then at first there was only honor-fame. When people's bodies are naturalized, if they can leave a little reputation for people to miss, then maybe this life is worth it. Finally, the poet got this insight through repeated thinking.
When the ups and downs of the society in the late Han Dynasty lavished low-level soldiers, they all thought about the true meaning of life with one voice. Some sang "Why don't you aim high, follow the Tao first, do nothing to keep the poor and humble, and always suffer hardships" ("Nineteen Ancient Poems Today's Good Banquet"), showing the enthusiasm for the world; Others whispered that "seeking immortality by eating is mostly caused by medicine." It is better to drink wine and dress cauliflower "("Nineteen Ancient Poems Driving East Gate "), which shows the decadent days of eating, drinking and having fun. And this poet, willing to honor as a treasure, is out of self-discipline. Although he can't get rid of the centuries-old worries about the mysteries of life, by contrast, his thoughts are deeper and his style seems to be higher.
This is a philosophical essay, but it is full of emotion rather than dryness. On the one hand, of course, it is because his thoughts are close to life and natural and amiable, which is different from the excessive abstraction of metaphysical poems later. From the four levels of thinking, we can feel the poet's emotional rhythm changes from repression to promotion, from promotion to repression, and from repression to promotion. On the other hand, perhaps more importantly, the poet began to consciously or unconsciously come into contact with the truth that the realm of poetry is dominated by beauty, and reached an unprecedented new realm in the creation of scenery and the blending of scenes. The first four sentences of this poem have always been praised by people, so we might as well compare them with similar writing in the Book of Songs.
"He millet from, he millet seedlings. The line is decadent and the center is shaken. Those who know me make me worry, and those who don't know me make me want. Who is this? "
This poem "Li Shu" is a famous article in the Book of Songs. If it is not limited to the enlightenment theory of Chow Tai Fook's rural life thought, it is not difficult to see that this is also done by pedestrians. Compared with this poem, although the mechanism of expressing inner worries from the scenery is slightly closer, the brushwork of constructing the scenery is different. Li Shu, as a typical ancient poem, is a simple and effective way to convey feelings and strengthen the atmosphere with overlapping words such as "separation", "decadence" and "vacillation". And this poem is even more ingenious. "Go back and drive, and it's a long way. Looking around, the east wind shakes the grass. " The words "striding", "leisurely", "boundless" and "shaking", and the overlapping use of overlapping words and single words also render an endless sad atmosphere. However, not only did the sound fall, but it also developed from a point-"car" to a line-"long road" and even to the whole face-"looking around" the wilderness. Then, from the vast landscape to a "grass", the word "shake" not only vividly expresses the form of grass in the wind, but also conveys the god of spring grass in the wind. The delicate taste contains the poet's thinking and swaying mentality. Compared with the "central vacillation" in Li Shu, the word "vacillation" in this poem is quite useful. No wonder predecessors commented on this word as "the first sight". This kind of scenery construction and the development of refined words, as well as its pivotal role in the layout of the first "encounter" sentence, all slightly ridicule the characteristics of literati poetry. Tang Jiaoran's "Nineteen Poems" says: "Nineteen Poems are refined and elegant, written in chapters, and only then can they see their functions." (function is artistic conception), which is eye-catching; This poem is a good example to let readers know the history of Jiao Ran's poems.
Jiao Ran's thought of "first achievement" is very interesting, pointing out that the artistic conception of Nineteen Ancient Poems is still in the primary stage. In fact, the scene structure and practice of the first four sentences of this poem are still close to Su Li, but it is much simpler and more natural than the poets in the prosperous Tang Dynasty of the Six Dynasties. For example, Lu Yun's answer to Dr. Zhang Ran: "It's getting more and more chaotic." . The waves are fierce and I hate the thin hills. "Looms are close, but more refined, but not smooth. If Ten Poems is "a scholar told an ordinary story" (Xie Zhen's Four Poems), then Lu Yun is a scholar. From Li Shu to this poem, and then to Lu Yun, we can clearly see the evolution of China's classical poetry, which is very suitable as an intermediary. Therefore, Lu Shiyong's "A Mirror of Ancient Poetry" said that "there are nineteen poems, which are called" wind "and" mother of poetry ".
The first hazy philosophical thinking about the purpose and meaning of life, the first hazy awakening to the essence of poetry and literature. These two "forethoughts" may be the eternal artistic charm of this poem and even the whole set of "Nineteen Ancient Poems".