1 "Bass Zone" [mainly talking about Shu Ting's works here] In other words, it requires that the arrangement of poems should fully reflect the architectural beauty of extraordinary poems. As far as the second language is concerned, it requires natural fluency, dignified and delicate emotional combination, beautiful language and soft rhyme.
Double masts require images to be put together in pairs, and the emotional line and metonymy process should be completed when images are arranged in pairs. If you have time to look at Stan's works, you may not find the "double mast" pattern in my poems: sea/boat, mast/seagull, grassland/sheep, me/sailor, reef/marine fish, hometown coast/hometown street and so on. Double masts do not mean inner contradictions or complicated feelings, but desire communication, look forward to friendship, pray for communication and understanding, and believe in spiritual communication. In the final analysis, this is the expression and externalization of concern in the emotional line. But as far as the artistic skills of poetry are concerned, I know that China's metrical poems are dual-subjective, because they are very particular about antithesis; Everyone appreciates that tension, irony and paradox in western poetry are actually two masts. However, since the 1980s, Sunway's works have been few, such as Gu Cheng's, but single: island, river, monkey, city and so on. This led to their misunderstanding of the image. Finally, I think: everything is produced in pairs-can this be said to be an interpretation of double masts! In fact, the advantage of the double mast is the transformation of synaesthesia, which can hear the color of the melody, the drift and low echo of the melody and the echo in the soul, making the multi-level meaning of the poem richer and the personality more distinct. In short, in the poem "Double Masts", various subjective symbols abound, and the combination of images is arbitrary and diverse due to the change of subjective feelings, which not only expands the language space of the poem, but also highlights the strong self-color in the poet's heart. This is the beauty of the two-masted poem.