There are only three sentences in the whole poem, which is one of the few short poems in the world structure of Changyao's big-frame poems and one of the poems repeatedly commented and highly praised by Changyao fans.
Reading this poem always reminds me of Du Fu's dream of Li Bai? Second, the sentence ":
This is the yearning for friends in the hearts of lonely philosophers. Reading it makes people feel alienated from the prosperity of the world, touching people's loneliness, nowhere to escape, long and deep sadness.
Chang Yao's poems are not about missing another person, or the poet has no thoughts at this time.
Poetry begins with a simple question. The poet's eyes penetrate his own time and space and reach the Mississippi River on the other side of the earth, which is "stormy at the moment" and "crawling away".
A myriad of thoughts have already broken through the barriers of time and space and crossed the other side of this shore.
The poet didn't follow this idea, but stopped here and looked back at himself, but he was alone, speechless and sitting alone.
Some poems can always make people see perseverance in calm, awakening in sadness, and seeing people complete a spiritual bath in fierce struggle, which makes the poems alive and enriches the poets.
After reading this poem, we can deeply feel that when a person faces an irreversible, irresistible and uncoordinated fate, he can't help but ask:
The world is vast, and everything has its place, which can accommodate downwind, rain, snow, first frost, spring and summer, autumn and winter, success or failure, and even the filth of prostitutes and the collapse of ceremonies. Can a poet sigh life, destiny, self, heaven and earth, loneliness and desolation in that moment of silence?
The poet Chang Yao is more like a philosopher.
His poems always give people strong soul shock and deep thinking close to life with grand vision and profound thoughts, as well as insight and expressiveness beyond the poet himself.
After ending his exile in 2 1 year, Chang Yao returned to the editorial office of Qinghai Lake, ended his life as a prisoner under the Qilian Mountains, and wrote a 500-year-long poem "Prisoner of the Mountain", reflecting on his ups and downs from the perspectives of thinking about individuals and times, individuals and fate.
Later, he created Cihang, Hiking and Snow. Song called the Tubo woman, her man and three children the "Exile Tetralogy".
In the article "Changyao: the soul asceticism in the wind and rain of the century", Liaoyuan has a profound description of Changyao's experience.
In these poems with unique light, there is no anger, no curse, no resentment, no trace of self-pity and sadness, and no one is small and powerless in the face of great times.
On the contrary, from these poems, we found a noble soul, who broke the tragic self through poetry, put the individual in the torrent of the times, and thought deeply about his own destiny from one fragment to another, thus reaching the pilgrimage of individual awakening.
The personal awakening leads to the awakening of poetry and praises the nobility of life itself.
From another point of view, exile, prisoners and poets are inseparable, which is embodied in Chang Yao's poems and floating life experiences.
Back to poetry itself, his writing and his poetry not only contain obedience to fate, but also support the greatness of art.
Everyone, as long as they love poetry and sharpen their hearts, may wander in broad or profound spiritual contradictions.
This is the appearance given to the poet by poetry, and it is also the result of the mutual choice between the poet and the poem.
Suffering makes the poet profound.
Nevertheless, the ordinary daily life that can't be surpassed is like purgatory, and only the howl of anger after waking up conveys a broad and distant voice of sadness, which makes the readers feel shocked.