Shu Ting's poems are novel in conception, full of emotion and profound in language expression, which shows her personal creative style. To the Oak Tree is a beautiful lyric poem with profound content. The love expressed is not pure love, not passionate love, but great love with noble feelings. It expresses the idea of love with oak trees, which is the embodiment of ideals and beliefs.
2 Shu Ting's "To the Oak" features
Shu Ting's poems have the function of introspection. By capturing the inner feelings between the lines, she realized the unique sensitive thoughts of a female poet. Complex emotions, rich connotations, and every sentence contains profound thoughts, which makes this thought very logical. From this point of view, she directly expresses her mind through various metaphors, metaphors, symbolism and local metaphors, which is a kind of image representation in multiple senses. To the Oak profoundly expresses the poet's profound personality and ideological connotation, shows the content with great poet's personality, depicts the independent images with different characteristics, and profoundly shows the connection between the oak tree and kapok, thus showing the symbolic content, denying the traditional relationship of "green vines clinging to trees", surpassing the category of self-sacrifice and increasing the relationship between the two. Thus, the modern concept of love richly depicts the ideological content and embodies the modern love quality with perfect humanistic characteristics, that is, sincere and noble love and the independent thought of never giving up. Under the concept of love in the new era, it transcends the shackles of tradition and the status of self. The poem expresses the independent and lofty connotation of the ideal love concept through the symbolic techniques of oak and kapok, and has a strong sense of identity. The whole poem is 36 lines. First of all, it adopts the symbolic analogy of natural acquisition, depicts the love concept that one side suppresses the other side and the other side shrinks and sacrifices with the performance of Jin Baohua, and profoundly denies this love, thus gradually establishing the opposing love values and showing the ideal love concept that the poet admires. The poem depicts the idea of paying attention to the relationship between respect and equality, and shows the ideological connotation of mutual support, mutual support and hand in hand. The second half of the poem depicts the true love view in the poet's eyes, which is the biochemistry of love ideal and the connotation of loyalty and love for the motherland. "Oak" in To Oak mainly depicts a man with strong perseverance, while "Kapok" represents a gentle and honest woman. The transformation of kapok fully symbolizes the ideal personality and ideological connotation of independent young women. In the form of poetry and inner monologue, it expresses the independent, sincere and sincere love that Kapok pursues. This philosophical love has strong affinity and sensibility, and it is a vivid and poetic description. The strong philosophy of poetry is deeper, showing the educational charm with strong rational temperament, which has been widely welcomed by readers.
3 the symbolic meaning of Shu Ting's To the Oak Tree
3. 1 The basic definition of symbolism in vague poetry
Symbolism originated in Greece, which means putting similar objects together. Although these two objects are pieced together, they are independent individuals, thus expressing the meaning of the whole thing. Symbolism is to express the deeper meaning in the text. Symbol can be defined as replacing profound content with something, which not only expresses its content meaning, but also profoundly expresses its inner artistic conception. Symbol is the image of things, the metonymy between things, and the real suggestion and expression. Symbol is a tangible and intangible metaphor, which realizes infinite possibilities with limited content and grasps eternal ideological connotation. Symbolic content consists of two parts, one is a symbolic body, a tangible thing, and the other is a symbolic meaning, which is another eternal thing greater than symbolic content. It may be an emotion or an idea. It shows the meaning that the author wants to express behind the symbol, which needs readers to ponder and ponder seriously. For example, Shu Ting's To the Oak Tree.
It is a masterpiece of misty poetry. The author takes oak as a symbol of description and love as a symbol, thus showing the author's enthusiasm, determination and tenacity for love. The oak tree in the poem represents not a specific object, but a love figure in the poet's mind. To some extent, this poem does not simply show the poet's own passionate love thoughts, but shows an ideological belief with love ideals. Through the detailed and intimate description of the oak tree, it gives full play to its internal image and has the artistic conception of supporting things and expressing emotions. Being able to share joys and sorrows with Qi Fei is a rare concept of love. The poet compares himself to a kapok, a small tree standing by an oak tree. The branches and leaves of these two trees are closely linked and interlocking, just like two lovers with coaxial noses, which shows that the love that the poet hopes can last forever, and it is better than Qi Fei's concept. Oak and kapok stand firmly together, the wind will not blow away and the rain will not rot. The two trees are swaying branches and leaves, signaling each other, showing empathy. Comparing things with people, it seems that both are human. In their world, they communicate with each other and seek spiritual understanding and comfort. This is a tacit understanding without language, and no more languages and words are needed. Presenting a dynamic picture without sound for the reader's mind, digging deep into the reader's inner thoughts and feelings, and seeking ideological harmony with Shu Ting's poets, thus completing the expression of the written content of poetry.
3.2 The source of symbolism in Shu Ting's To the Oak Tree
Symbolism mostly comes from emotion, and it will be materialized to people from the aesthetic point of view. People's thoughts will show the state of things, put themselves in the position of describing the artistic conception of things, give life to things that were originally lifeless, and bring readers a kind of artistic conception with charm and thought, so as to achieve the effectiveness of people and things, the emotional exchange between people and things, form the same effect and show some aesthetic feeling. Objects have no ideological connotation, and people have different feelings about these things because they put these feelings on these objects and pour their feelings into them. The purpose of symbolic art is to make the author ignore symbolic examples such as oak and kapok, and constantly expand the rich ideological connotation behind the symbolic body, looking for the feeling and will suitable for the author's feelings and rich ideological connotation, so as to complete the hazy symbolic artistic conception. This is the author's main purpose of using symbolism to complete the theme of misty poetry, so that the poet's thoughts can be directly expressed to readers, and readers will not be unreasonable because they directly accept the author's ideological connotation, which is a kind of ideological transfer.
3.3 Classification of Symbolism in Shu Ting's To the Oak Tree
The first category is to feel the whole symbol and the artistic conception of the author's whole poem.
For example, Shu Ting wrote in "To Oak" that "cold wave, wind and thunder, thunderbolt are with us; We enjoy the fog and rainbow; It seems that we are separated forever, but we are dependent on each other for life. "This seemingly far from far, seemingly near but not near feeling shows the relationship of emotional communication between people in reality. This uncertain relationship does not bring emotional loss because of distance, but because of this profound emotional thought of constantly cutting truth and chaos, it brings some kind of relationship thought to misty poetry, which is a kind of ideological theory with simple feelings, symbolizing that feelings will not become indifferent because of distance. The second category is simple images of event symbols. For example, Shu Ting wrote in To Oak that "I must be a kapok beside you and stand with you in the image of a tree. Roots, close to the ground; Leaves, touching in the clouds. " Taking kapok as a symbol, the roots, stems and branches are compared to the state of lovers' direct love embrace, paying attention to expressing the thought of mutual love, enriching the full understanding of the relationship between men and women, rationally adopting the personality thought of the new era to realize the ideal understanding of love beyond self, deepening the relevant connection with the understanding of love thought, thus establishing the connotation of philosophical thought and realizing the state of poets' mutual exchange and mutual understanding of feelings. The thoughts of mutual trust are linked together, which makes each one enhance the significance of moral ideal, deepen the ideological artistic conception of the poet's works, and show the poet's extremely attractive ideological and behavioral art.
3.4 Shu Ting's "To the Oak" lyric symbol conversion
Hazy poets will express their feelings by lyrical expression, abandon the description of related scenery, adopt the description of self-thought, and rationally use relevant symbolic techniques, which brings opportunities for poets to express their feelings. Lyric poetry is mainly through the author's need to express ideas, starting with the description of things, describing related content and objects, and expressing his feelings by symbolic means, thus completing the effective expression of lyric. As a representative writer of lyric poetry, Shu Ting expressed the thoughts of "We greet each other" and "Although Buddhism is separated forever, it depends on each other for life" in To the Oak Tree, both of which express the feelings of related content from the perspective of poetry expression and complete the creation of related symbols in various reasonable ways. In Shu Ting's To the Oak Tree, "If I love you, I will never show off on your high branches like climbing Campbell;" If I love you, I will never learn from spoony birds and repeat monotonous songs for the shade; It is not only like spring, but also brings cool comfort all year round; It is not just like a dangerous peak, it increases your height and sets off your dignity. "Expressed the author's own emotional thoughts, symbolism completed an effective combination from a lyrical point of view, and captured her comprehensive and sensitive thoughts reasonably and meticulously.
Complex emotions, through reasonable assumptions, metaphorical expressions, reasonable logical structures and direct emotional expressions, show the author's inner thoughts, distinctive rhythms and smooth substantive process ideas. "I must be a kapok beside you, standing with you in the image of a tree. Roots, close to the ground, leaves, lingering in the clouds. Every time a gust of wind passes, we greet each other "is the embodiment of chastity, symbolizing the emotion between oak and kapok." The rational use of these techniques has deepened the overall artistic emotional atmosphere of poetry, ensured its artistic expressive force with sharp contrast, inspired people to think about reality, more vividly demonstrated the feelings expressed by poetry, the contrast between sadness and joy, and highlighted the pain and heaviness of sadness.
The Role of Symbol in Shu Ting's To the Oak Tree
4. 1 symbolism adds the rational plot function of Shu Ting's lyric in To Oak.
Shu Ting's To the Oak adopts the idea of philosophical beauty and uses symbolism reasonably, which deepens the charm of rational lyricism. It is a philosophical poem with beautiful images, and is compared to "Oak and Kapok", which is a person with ideological character. Oak and kapok remain unchanged, which have the original artistic characteristics of things and deepen the artistic conception that the poet wants to express. The poem says, "Roots cling to the ground and leaves touch the clouds." This is to use "oak and kapok" to symbolize this emotional blend and break through the insurmountable traditional poetic expression. The poet used a philosophical language: "This is great love, and loyalty is here: not only love your stalwart body, but also love the position you insist on and the land under your feet." It realizes the poet's emotional attitude and is a symbolic lyric description of things.
4.2 The Moral Characteristics of Shu Ting's To the Oak Tree
Hint is a symbolic method. Symbolists believe that reasonable literature and art is not a description of existing life, but another unattainable ideology, which transcends the time limit, the recognition of time and space, the requirements of material basis and the content of sensory thought. Only through suggestion can this sensory thought be expressed by symbolic means. Symbolism connects real life and ideal life, and builds a good bridge between them. It is easy for people to understand the poet's subjective expression through poetry. Symbolic content is not the basic attribute of things, but the characteristics endowed by subjective feelings. Please use the language form in life and refined moral techniques to deepen the rich ideological connotation and moral implication of poetry. Symbolism mostly uses metaphor to express the artistic conception of poetry, which conforms to the subjective object content. Poetry brought by symbolism is a description of the poet's inner time, and meaningless hints are not obscure poems, let alone poems. A meaningful poem can make something thoughtful, which is worthy of people's praise. This kind of praise is extremely independent, solemn and sacred, without superfluous edges and aura, and it is a real cultural and ideological art, which gradually grows up in silence. Shu Ting lived in a period of War of Resistance against Japanese Aggression. Because of the poet's underground party status, her education is "moist with rain and dew" and she can calmly face the wind and rain. In To the Oak, it is written that the position of the tree is independent rather than lonely, but the moonlight brings it light and ideals, which brings the poet an ideal dream. The silence and fullness of the tree are gradually enriched with the tempering of wind and frost. Its silence is more powerful than "Xia Chan" and more lasting and profound than the chirping of "autumn insects". This is a powerful silence, a precipitation in the change of social laws. In this lyrical meaning, readers gradually feel its profound meaning. The characteristics of art are expressed by symbolic means. When the poet writes "tree", he metaphors people everywhere, highlights its symbolic meaning, reasonably understands the penetrating connotation in the symbol, and reasonably combines "tree" with "person", thus realizing the strong double charm of symbolic meaning and increasing the implicit moral beauty. This symbolic metaphor of poetry is very vague. It is not reflected in the intuitive description, but in its profound symbolic body, showing the connotation and artistic conception with strong misty poetry color.
5 conclusion
The linguistic features of Shu Ting's To the Oak completed the poet's creative thinking through reasonable metaphors, metaphors, symbols and other forms, portrayed the poet's emotions reasonably, showed profound thoughts with different emotional meanings, and constructed symbolic meanings with profound connotations such as "Oak" and "Kapok", thus deepening the poet's central idea. Through the appreciation of Shu Ting's To the Oak, strengthening the study and research on the language of misty poetry will promote our research on the poet's poetry and be more conducive to using this language feature to effectively sublimate literary literacy.