Terminology for writing old-style poems. When writing metrical poems and poems, it is said that there are even mistakes, and the rhyme is incoherent. That is to say, use a flat voice to misuse a flat voice, or use a flat voice to misuse a flat voice. According to Chen Kun's "Continuing the Past" in the Song Dynasty, the words of parallel couples, such as table qi, were also called sticky at that time if they were out of balance. The correct statement should be like this. On the "stickiness" and "righteousness" of rhyme: the so-called "stickiness" means that the types of parallel lines in the upper part and the lower part must belong to one category: the upper part is "A parallel line", the lower part is "A parallel line", the upper part is "B parallel line" and the lower part is "B parallel line". The so-called "right" means that the sentence and antithesis of each couplet must be of opposite types: the sentence is A. flush, and the antithesis is B. flush; The sentence is B. Ping Ping, and the sentence is A. Ping Ping. That is to say, in the antithesis, the level balance is completely opposite. This is in line with the law of fitting. Those that do not conform to the law of adhesion are called "adhesion"; Those who don't meet the correct rules are called "out of the right" in the early Tang Dynasty. The rules of "sticking" are not strict, so there are a few sticking phenomena until Wang Wei. In Tang poetry, even a poet like Li Bai has a common phenomenon of adhesion in his regular poems. In Henan literature and art edition "Masterpieces of Famous Poets in Li, Tang and Song Dynasties", there is a comment that "Taibai Seven Rhythms are too sticky, but their sound rhythm is not reduced because of the rhythm in the individual". As for the stipulation of "right", it seems that it is determined earlier, so there are few cases of losing power in Tang poetry. After the Song Dynasty, it became taboo to lose adhesion and accuracy, and no one committed these rules.
Poetic terminology. Taboos in regular poetry. The first word of the five-character "flat and even" sentence pattern is flat, and the third word of the seven-character "flat and even" sentence pattern is flat, so the whole sentence has only one flat voice except rhyme, so it is called flat voice. The regular poems of the Tang Dynasty are the most taboo. If vowels must be used in the position of the first word of five words or the third word of seven words in the above sentence pattern, the method of "saving as much as possible" should be adopted. Loneliness has the following characteristics: 1, which only appears in the above-mentioned rhyming sentences; 2. There is only one flat and even sentence pattern outside rhyme, such as "flat and even", which is not lonely.
(1) From the perspective of three characters, common awkward sentences have the following four three-character endings: 1. Pingping. This sentence pattern is called Sanpingdiao, which is the most obvious feature in classical poetry. 4. Keep balance. 4. Keep a balance.