At the beginning of Linjiang Fairy, Yan Jidao wrote "The balcony is locked up after the dream, and the curtain is lowered after waking up", which set off the gloomy mood of "when I hated it last spring" with the gloomy scenery of "the curtain is lowered". Lu Zugao's poem "Jiangchengzi" begins with the words "The curtain of the painting building rolls with new sunshine", which contrasts his gloomy mood of "calling for life every day" with the bright scenery of "new sunshine". The word "new" in "new sunny" stands out from the bright scenery of rain, fresh air and sunshine, and the atmosphere is cheerful. The word "Juan" is more romantic, and it is as flexible as the word "Juan" in Wang Bo's "Pearl Curtain Twilight Rolling Rain on the Western Hills". "Painting the curtain of the building" brings in "new sunshine", and the room is a clear atmosphere. The host simply put away the screen as white as silver, so that the sunshine can shine through the building. But now, Xiao Lai's chill came gently again. The phrase "hide the screen, Han Xiao is light" records ordinary actions and feelings, but it implies an emotional transition: the original warmth of "Xin Qing" gives people a cheerful feeling, but here it is infused with a "cold light". This is still the feeling of indoors. When the next sentence is written outdoors, it is "falling powder and fragrance", which is really a great sight for the "new sunny" scenery. "but now I remember the night, the storm, and I wonder how many blossoms were broken", it turns out that after the storm, pear flower falls, apricot blossoms fly, flowers are fading, and spring scenery is getting old. And for such a situation, can an affectionate poet not feel the feeling of hurting spring and dying? Therefore, it is natural to "call for sorrow every day". This sentence clearly points out the word "sorrow", from the scene to the emotion. This sad feeling of hurting spring and dying is incompatible with the atmosphere of "new sunny", so the first sentence is to set off the sad feeling with the happy scene; However, it is close to the "cold and light" atmosphere, so it is a transitional sentence to say that "the screen is hidden and Han Xiao is light". What is the content of "worry"? The following is a footnote. "The lake has been on the road for decades, and it can be a few degrees, and it is graceful." "Dark number" is full of feelings of low self-pity, and "ten years" indicates the length of time. For many years, on the picturesque West Lake Road, how many times can I have a good time with my sweetheart? Here, questions are used to express the feelings of asking yourself, lingering and sorrowful. The whole film, written in three layers, is mainly about touching the scene and hurting the spring.
After the beginning of the film, the phrase "I feel lost in the sky" is followed by the word "sorrow" in the previous film to open up a deeper artistic conception. A word "empty" has the meaning of wasting away. How many days can it last? Wandering around, the career is difficult and dangerous, and the love field is full of twists and turns. Can you not "worry"? How can I pass the time under this lingering sorrow? I have to "always get sick before flowers bloom every day" and "wake up in spring"! I hope to forget my troubles when I am drunk, but there is always a time when I wake up, so what? "Wake up to whom" is the inversion of "wake up to whom". Who will you tell your heart to when you wake up? "People are rich and idle, and there is nowhere to find the sound of flute", and here Du Mu's poem "Twenty-four Bridges on a moonlit night, where do jade people teach flute" is used. "The sky is vast and the clouds are idle", which is both realistic and imaginary. It is both a vast sky and a leisurely parting. It can be described as a blend of scenes and profound artistic conception. There are questions and answers here, which express the deep pain of separation and drifting. At the end, it says, "It's a young age to buy flowers with wine, but it's not like the old mood." When people are old, they have experienced many vicissitudes, and they no longer have the leisure of having fun when they were young! This conclusion is full of melancholy. The whole film is also divided into three layers, mainly to fondle the present and recall the past, and sigh and fall.
The whole word is euphemistic, low-spirited, gloomy and profound, with scenes as background and scenes blending. The word "worry" runs through the whole article, and it is through the detailed description of psychological changes that the "worry" realm is gradually developed. At the end, there is a rhyme with endless meaning, which brings readers into this endless melancholy mood; Can't help but sigh with the author.