The structure of adjectives: strange and dangerous, flexible and flexible, effective in scaling and uprightness.
The shape of the adjective: fresh and elegant, vigorous and powerful, powerful through the back of the paper, beautiful and tall, graceful, casually arranged, no clothes or shoes, both square and round, with one stroke, it looks like a runaway horse soaring into the sky. It comes and flies away; it is like a dragon flying in the sky, moving around.
Descriptive brush: flowing clouds and flowing water; swaying vertically and horizontally; penetrating and jumping; strong and soft; the hidden edge is slightly sharp, the exposed edge is also subtle, and the hanging edge ends abruptly, like a sharp knife. The place where the needle is suspended and the pen is collected can be upright or sideways, either curved or straight; the lifting and pressing are clear, and the thread pulling is strong and firm; it is both dense and slender, neither perverse nor violent, both middle and sideways, neither dry nor moist.
Extended information:
Good descriptive sentences:
1. The writing is like clouds and smoke.
2. With a few scribbles, a picture of a flying dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied. When Chen Rong painted a dragon, he often did not paint the entire dragon, but painted the head or claws of the dragon, which flickered in and out, as if hearing its sound or seeing its shape. He also splashed ink to form clouds and sprayed water to form mist. It was so magical that people called it " Suo Wenglong" (Chen Rong's nickname is Suo Weng).
3. The fonts are interlaced, large and small, open and close, and the thickness of the lines changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering its wrath". He writes quickly, uses the pen forcefully, and exerts heavy force.
4. The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, or like a graceful beauty, or like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers. One piece may be as deep and cold as the north wind entering the pass.
5. The majestic brushstrokes and unintentional gestures are due to the forgetfulness of both hands and palms, which gives the most vitality to the painting.