It turns out that the heroine of this story is Jian Zheng herself who was in her prime many years ago. Many years later, the experienced author reviewed the past and wrote this book. This gives this book the greatest difference and value from other love stories, that is, a rational examination of love. In the book, the author discusses the reasons why the hero and heroine fall in love but separate, and the view of love presented in it is extremely worth thinking about and learning from. Love has pursuit, direction, charm, ability, difficulties and conditions. Danger is the norm, disillusionment is the duty. So, if you love, you will get a lifelong partner. If we are separated, we can still bless each other, just as the article says, "Then, I have to be the moon and shed moonlight for you." Because the author has little experience in love, I won't discuss it here.
A rational examination of love is probably one of the reasons why the author chooses to describe love from the perspective of "I". She disguised herself as a bystander, which separated her from the story, but instead of looking down at the story from the perspective of God, she observed and felt equally as a friend. Therefore, the author can discuss calmly and rationally, but he can always warm people's hearts and make readers unconsciously attracted and moved.
At this time, you will understand that the author's self-report and "her" notes are as essential as adding a proper amount of creamer and sugar to coffee. Because my perspective is limited, it is necessary to introduce her notes to make this story more complete and credible. When it comes to the application of this perspective, probably many people will think of The Great Gatsby. The Great Gatsby uses restrictive first-person narrative perspectives and multiple perspectives to enhance its artistic appeal. So is the moonlight.
What attracts me most is that Moonlight uses many interesting metaphors, which is also the consistent style of teacher Jian Zheng. She compared the past to "the reflection of a precious rose in her heart" to show that recalling the past is a "dangerous but fragrant thing". She compared the awkward gap in their conversation to "an icy road" and then said, "We stopped at the same time. But there is a shrinking peach blossom not far ahead. Go ahead, I know I can see it open for a few minutes. " The most amazing thing is the metaphor when writing "self-defense". "Amber magic liquid falls into the throat, the temperature of ripe spring and stuffy summer rushes to the dining table, animal hormones are in chaos, and suggestive or sexually suggestive sentences are like small stones and fruits in the hands of wild monkeys, which are thrown at their companions, so a tree of monkeys twitters and throws at each other, jumping branches and clapping for fun."
The first time I read teacher Jian Zheng's book, The Rouge Pot, the title of which involved a wonderful metaphor: "Taipei has a strange rouge smell, like a perfume mixed with various flower essences, which inadvertently falls into a crumpled waste pond, and slowly rises to Xu Yasheng's life in the rainy sun, learning to catch passers-by, making them suffer between wildness and conservatism, cycling between chaos and Qingming, and being bound by infatuation and forgetting.
Teacher Jian Zheng seems to be very good at this metaphor, which can fit the form and essence of metaphor, which is one of the reasons why I admire and like Teacher Jian Zheng. In addition, her writing is always inseparable from classical images, but she does not pretend to be gorgeous, but can use it as a sword to add a heavy feeling to her articles and thoughts.
It is worth mentioning that Mr. Jian Zheng was especially sincere at the meeting. When he spoke, he insisted on standing. When answering readers' questions, he talked about a lot of things at the exhibition, as if he wanted to tell everyone about his life experience. When he signed his name, he also said thank you to every reader seriously. Her signature is like a person, gentle and calm, like flowing deep still water.