Understand the meaning of Liu Yuxi's poem "Langtaosha"?

langtaosha meaning

It means, don’t say that gossip is as deep as a strong wave, making it impossible for people to escape, and don’t say that people who are relegated are like sand that sinks forever. Gold panning requires thousands of filtrations. Although it is hard work, only when all the sand is removed will the shining gold be revealed.

The poet has been repeatedly demoted and has gone through ups and downs, but his fighting spirit remains unchanged and his spirit is optimistic. , broad-minded and heroic, despite going through a lot of hardships in a remote place, in the end he was able to show that he is not useless sand, but bright gold. The poem summarizes the self-development through concrete metaphors. With the profound feelings gained through the experience, I firmly believe that those who have been victimized by slander will one day be exposed to the truth and their charges will be cleared. The last two sentences can also be used as a metaphor for learning, which requires careful screening and removal of the dross in order to extract the essence.

The waves wash over the sand in the Tang Dynasty. Liu Yuxi's nine-bend Yellow River has thousands of miles of sand. The waves wash over the sand and the wind blows from the end of the world. Now we go straight up to the Milky Way, and we go to the home of the Morning Glory and the Weaver Girl. Notes 1. Langtaosha: the name of a song in the Tang Dynasty.2. Waves and winds: The way the Yellow River rolls with sand and wind and waves. Tianya: horizon. 3. Milky Way: The ancients believed that the Yellow River and the Milky Way were connected. 4. Morning Bull: The legendary Cowherd. He and Weaver Girl were separated on both sides of the Milky Way because they offended the Emperor of Heaven. They were only allowed to meet once a year on the seventh day of the seventh lunar month. Translation: The winding Yellow River is long and carries a lot of yellow. Sand, the Yellow River is turbulent and surging, coming from the horizon. Now I want to face the wind and waves straight up the Milky Way, and walk to the door of the Cowherd and the Weaver Girl. Appreciation of this poem was written in Kuizhou. It is a political lyric poem in the folk song style, and is a part of "The Waves". The first two lines of the poem "Nine Poems on the Sand". The first two sentences of the poem use line drawing to describe the magnificent picture coming from the horizon and galloping thousands of miles. "Nine Songs" uses an exaggerated technique to describe the twists and turns of the Yellow River. "From the End of the World" will The long history of the Yellow River is superbly written, and is similar to the sentence "The water of the Yellow River comes up from the sky, rushes to the sea and never returns" in Li Bai's "Jinjinjiu". The latter two sentences use Zhang Qian's search for the source of the river for Emperor Wu. The allusion of being separated from the Cowherd and the Weaver Girl by the Milky Way, galloping imagination, means facing the strong wind and huge waves, carrying thousands of miles of yellow sand, and going upstream to the home of the Cowherd and the Weaver Girl, which expresses the heroic spirit of the poet.