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This is a book about the post-90s generation, a book about the countryside, and a book about the post-90s generation in the countryside. After 90, it has grown up and become the mainstream of the new generation. They also have childhood, they also have youth, and they also step into society. What was their childhood like? What about their youth? What is their life like? What is the post-90s generation of the city like? What about rural post-90s? Let's use a book, the growth process of a group of post-90s, to lead all the post-90s to recall our childhood, our youth, our life and our growth. Let all the post-00 s, post-80 s, post-70 s and post-60 s also enjoy our childhood, youth, life and growth after 90 s.
Most of the previous novels used to exaggerate and pile up a novel with plain description, wordy writing and spelling dialogue, which seemed redundant and lifeless and suspected of spelling words. A good novel should have its own uniqueness, rather than blindly imitating and following the rules. How to write ordinary novels, they will follow suit. How to write ordinary novels is superfluous and lifeless, and they will follow suit, because they don't know and dare not innovate, but imitate others and have no originality. Look at those good novels, which one is not unique and unconventional?
Ordinary historical novels know how to copy historical materials, how to describe lifeless things, how to imitate others, how to write by themselves, and how to write historical materials without their own opinions, arguments and innovative writing methods, so there is nothing to see. When Yue Ming wrote Those Things in the Ming Dynasty, he didn't stick to the rules. She can write whatever she wants, relaxed and humorous. She not only knows how to copy materials, but also has her own views, arguments and presentations on the original materials. This is a model of a good book. Informal, unconventional, flowing, arbitrary, how to write, have their own opinions, arguments, innovations and uniqueness. There is Jin Yinan's "Glory of Suffering", which is also a model of a good book. It doesn't just copy materials, describe them lifelessly, and has no own views, arguments and innovations. "Glory of Suffering" makes boring history as beautiful as poetry, and does not describe them as lifeless as conventional bad books, so how to write it? I have my own opinions, arguments and presentations on history, people and materials, which can bring different people in the same period into full play. There is also Jia Zhigang's Talking about the Spring and Autumn Annals, which has the characteristics of these good books and is also a model of good books. It is not limited to conventional cliché writing, but also includes how to write at will, how to write and how to write, and how to write interesting and boring books. This is a good book and a model. What theme and form of books should not be so interesting, so beautiful and so refreshing? What theme and form of books should be lifeless, with only piled materials, no personal opinions, no personal discussions and no personal innovations? No books! Only bad books do this! Therefore, books have no genre, no theme, no form, only good or bad. A good book is good, bad is bad, bad is bullshit, there is no different opinion. Just follow your own feelings. Don't dare to say bad things just because others say good things, just say your feelings, any authority and title are bullshit, and your feelings are the truth.
Bruce Lee studied martial arts all his life and pursued the highest realm of martial arts all his life. Finally, he founded Jeet Kune Do. He believes that the highest realm of Wushu is "the law is indefinite and infinite." There is no fixed form, just like water. It is the shape of the teapot when it is poured into the teapot, and the shape of the cup when it is poured into the cup changes with the change. What is the actual martial arts? Shouldn't literature be like this? Who prescribes how to write a book? Who stipulates that we must imitate the writing style of our predecessors? Without innovation, there is no progress. For better, there is no unbreakable discipline. Before there was Gu Long, who knew that martial arts could be written like that? Before Jin Yong, who knew that martial arts could write so well? Who knew that history could be written like this before the bright moon? Why do people dare not be the first person to innovate, but only dare to follow the rules, imitate others and follow the rules?
The writing style of this book, as Bruce Lee said, "The impossible is the law, and the infinite is the limit". There is no fixed form, no fixed writing style, and how to write is always changing. For a group of post-90s youths, their life, growing environment, words and deeds are also described, perceived, discussed and displayed, which is not only the accumulation of materials, but also unnecessary and lifeless descriptions. Interesting writing is interesting, and boring writing is also interesting, paying attention to relaxed humor and sharp and thorough writing.
It is understandable to describe a novel in detail before there are mobile phones, computers and televisions. Now, a thing, a thing, a scene and a picture can be seen at a glance by sweeping the internet. If in this era, the novel is still describing a thing, a thing, a scene and a picture in detail. Therefore, in this era, good writing should not use a picture or an image to describe what can be seen at a glance. The value of words in this era is to reflect the value that those pictures and images can't express. For example, pictures and images can't express people's psychological activities and elaborate on things, which should be where words play a role. For example, a novel or a story can be directly made into a TV or movie, and it is far better to express it with images than with words; The essays of a hundred schools of thought contend to express thoughts, viewpoints and arguments, which cannot be expressed by TV or movies. These places should be written. If in this era of TV, computer, pictures and images, novels are still describing what a picture and an image can see at a glance in a long and wordy way, it will be redundant and extravagant. Therefore, when writing this book, it focuses on the places where pictures and images can't be expressed, just like those things in the Ming Dynasty. It's cool to read words, but it's not that kind of feeling to express them with pictures and images; Just like "Glory of Suffering", reading words can be incisive and thorough, but if you want to express it with pictures and images, you can't reach that incisive and thorough; For example, you can read the whole history of Chunqiu with a smile, ease and humor, but if you use pictures and images to express it, you can't express the history of Chunqiu in this way.
China also said that there are literature and novels, but if you carefully read China's novels and China's literature, you will find that China's so-called literature and novels are actually just making up a story. What literature, what novel, in China, there is only one story. Li Ao has a very vivid statement about the Kuomintang, which is called "psychosexuality in mainland China and masturbation in Taiwan Province Province", because when the Kuomintang lost to Taiwan Province Province, it also cried out all day "one year to prepare, two years to counterattack, three years to mop up, five years to accomplish", trying to liberate the mainland people from the hot water, but failed to do so. The rest of Taiwan Province Province is under their jurisdiction, and they are doing well. This kind of behavior is called "psychosexuality on the mainland, psychosexuality on the mainland". As it happens, China's literature and China's novels are just so. If it is called erotic novels and masturbation literature, it is fraud and fabrication. Erotic plots and masturbation stories have no thoughts, no connotations, no opinions and no discussions. They will only show you erotic plots and masturbation stories. This kind of novels and literature are called erotic novels and masturbation literature. Like Jiu Yehui's "In a hurry that year", it is said that Fang Fen fainted when the school held a flag-raising ceremony, so Chen Xun took her to the infirmary. It was written in the post-80 s era, and both men and women dared to show their love in front of the students and teachers of the whole school. In fact, this kind of scene will not appear after 90. Who hasn't been to school? Who hasn't seen a faint at school this morning? When I was in middle school after 90, I often saw girls faint in the morning. This is too common. A girl fainted, and the measure was that two girls helped me sit aside for a while, and then I was fine. I went to the infirmary. Is it that serious? Let's leave now. Is it the boy's turn to hug? Don't say that Chen Xun and Fang Fen were not boyfriends at that time. Even so, does he dare to hold his girlfriend in front of all the teachers and students? Not to mention urban schools, not to mention the post-80s era, but rural schools, that is, the post-90s era. Boys and girls can be suspended for a week if they are found dating. Those who hold girls in front of the whole school will be suspended for one month. Middle school students born in 1980s are really so handsome. Can a boy hug a girl in front of the whole school? Are the students in the city so handsome that a boy can hug a girl in front of all the teachers and students? All the girls next to you are dead? All the female teachers next to them are dead? It's the boy's turn to hug? When doing eye exercises, Chen Xun occupied the school radio room and sang to Fang Fen in the school radio. A group of teachers came, but they pushed the door and refused to let in. Finally, they were caught as if nothing had happened. I wonder what school is so chic. I wonder if the post-80s students are really so handsome? Students born after 1990 dare to do this in high school, and some dare to expel them from school directly. He wants to be good. What school is so chic? Is it a domestic school? Is it the post-80s generation in China? This is a typical erotic plot, masturbation story, erotic novel and masturbation literature. And Jing M.Guo's Tiny Times. When Lin Xiao first met Zhou Chongguang, she seemed to have lived together for many years. Is her manners, voice and smile a little reserved for girls? Is there a distance between the opposite sex? Is there a little distance between people? Not to mention ordinary girls, prostitutes can't do it without receiving customers. This is also a typical erotic plot, masturbation story, erotic novel and masturbation literature. There are six films in How Bad Guys Are Made, in which Xie Wendong, the protagonist, is bullied by Li Shuang all day at school. Suddenly one day, Li Shuang, who often bullied him, cut his face with a knife, and Li Shuang was immediately persuaded! Immediately recognize him as the eldest brother! Be dead set on him at once! Then Gao Qiang took a group of people and killed Xie Wendong. Suddenly, Xie Wendong took out a knife and stabbed Gao Qiang in the thigh. Hit Gao Qiang with a knife, and Gao Qiang took it again! Recognize his big brother again! Be dead set on him again! Then there is the third eye, a man who has practiced boxing and can fight several times. He fought Xie Wendong one-on-one and beat Xie Wendong half to death. Xie Wendong suddenly took out a knife and stabbed it in his third eye, which took it away again! Recognize him again, big brother! Be dead set on him again! It is said that the northeast people are fierce. Are Northeasters really that persuasive? Is it really that easy to recognize someone else's big brother? Is it really that easy to be dead set on others? I don't know if people in the northeast are like this, and I can't have been to the northeast, at least in Guangxi. In Guangxi, people like Xie Wendong can't be called, but if he hides the knife and plots against him, others will never take him, let alone recognize him as the eldest brother and be dead set on him. As soon as it was over, people took a knife and asked someone to cut him half to death. Xie Wendong couldn't call anyone, so he surrendered to a group of people with a knife. I'm afraid it's too easy for the northeast people to convince others, at least no one in Guangxi will convince him. He takes the knife, but others don't? He has a knife. Who doesn't know? In Guangxi, cross-strait confrontation will never occur. Only when one party is completely destroyed and beaten can it never provoke the other party again will it give up. Nothing will ever be taken away because it hides a knife and plots against others. They plot against others once, and then kill you. And Xie Wendong not only conquered a group of Northeasters with Tibetan knives, but also competed with the local underworld with the age of 16! I don't know if the underworld in the northeast is junior high school students' level, at least in Guangxi. In Guangxi, a person of 16 years old, if he is not a rich second generation or an official second generation, let alone a group of classmates, even if the whole school can call him, he can be killed by local ruffians and hooligans anywhere. Oh, in the northeast, the underworld can also play 16 middle school students. It can be seen that this is also a typical erotic plot, masturbation story, erotic novel and masturbation literature. China's novels, China's literature and so on. Even China's film and television dramas have inherited this psychosexuality stunt, such as The Legend of Wu Mei Niang, in which Li Shimin loves Wu Zetian to death. People in China will look at it and say, Oh, love is great. "Ask what the world is like" and "Even though there are many customs in the world, I still have a special liking", which makes thousands of girls moved by it. What is the actual situation? Li Shimin, a man who dares to kill his brothers and family and bully his parents, will he love a woman to death? Everyone grew up in the era of monogamy and fell in love with one person. When was Li Shimin born in the era of monogamy? When somebody else Li Shimin insisted on going all the way to Qianshan, he tried every means to say a thousand words to chase a girl, coax a girl and love a girl? Who's Li Shimin? He can choose any beauty in the country, and whoever he points to will come. Will he still love a girl to death? In fact, when Li Shimin was alive, Wu Zetian was the level of cleaning toilets and scrubbing floors in the palace. Until the death of Li Shimin, Wu Zetian was just a "talent". Do you know the level of talents in the Tang Dynasty? Is the level of cleaning toilets and emptying toilets. If Li Shimin really loves her that much. She also used "talent", but she remained a "talent" until Li Shimin died. What does this mean? It means that when Li Shimin was alive, it was not her turn to wait in line, let alone love her to death. But when it comes to TV series, Li Shimin loves her. What does this mean? The erotic plot and masturbation story come down in one continuous line. The same is true of Taiwan Province's play Princess Zhu Huan, which is very popular among thousands of girls in China. A pair of men and women like brother, princess and Erkang fell in love to death and eloped and destroyed. Emperor Qianlong fell in love with a fragrant princess, but they let him go, only in anger. Thousands of girls can imagine how many days and nights they have such love and such a life. What is the actual situation? Who is Emperor Qianlong? Exaggeration, bloodthirsty, provoked him, my father dared to kill him, not to mention that a foreign minister like Er Kang dared to jump in front of him, even his brother and Gege dared not catch their breath in front of him, eloped, and dared to destroy his love for ChristianRandPhillips, not to mention killing his head and hanging up. They had already fought. This is also a typical story of psychosexuality and masturbation. Also, of all the Three Kingdoms operas in China, Lu Bu is definitely the best; Of all the Sui and Tang dramas in China, Li Yuanba is definitely the best. What is the actual situation? Look at the records of the Three Kingdoms, Lu Bu is a second-rate valiant soldier. On the contrary, the real top fighters, such as Gan Ning, Ling Tong, Zhou Tai and Ding Feng, are all direct walk-ons in China's Three Kingdoms Opera. Look at the old and new Tang Shu, Li Yuanba, who died without attending preschool. Qin Qiong and Weichi Gong, the real top experts, could just find a group that could blow them up nine streets during the Sui and Tang Dynasties in China. The erotic plots and masturbation stories in China's plays are absolutely wrong for the country and the people. There are all the costume dramas in China. People with a little martial arts always hurt and kill a group of people, as if there were no laws in ancient times; Today in the 2 1 century, people are robbed in the street. Maybe we can meet robbers in the street another day. If this kind of people want to stay in ancient times, the government will directly serve them with fire roasting, frying, knife cutting, acupuncture, peeling and cramping, and dismembering. .........................................................................................
China's novels are basically long stories full of eroticism and masturbation, and then they are called novels and literature. They have no thoughts, no connotations, no opinions and no arguments, and basically belong to erotic novels and masturbation literature. Moreover, the style of writing is mostly lifeless and redundant. He will only tell you stories, but he won't tell them in a relaxed and happy way. This is a bad work, this is a bad novel. If a novel is lifeless and wordy, why read a bunch of words? Wouldn't it be better to watch movies and TV pictures directly? Reading words should be something that TV movies cannot express. Only through words can we feel the feeling of agitation, relaxation and humor. Only through words can we appreciate that kind of viewpoint, discussion, thinking and connotation. Why else would you read this article? What is there to see in a pile of words? Can words compare with movies and TV plays to express plots and stories? When we look at words, we should look at words that cannot be expressed by film and television. This is the value of words, and this is the irreplaceable advantage of words. Novels that can be expressed by film and television, and novels that can replace words by film and television, are all bad novels, novels with no thoughts, connotations, opinions and arguments, and novels of erotic novels and masturbation literature.
Zhu Guangqian said in "Talking about Reading Poetry and Cultivating Interest", "First-class novelists are not all people who can tell stories. Most of the stories in first-class novels are like flower stands made of dead trees, just used to support a flowery and vibrant kudzu garden. In addition to these stories, there are poems in novels. Reading a novel, only seeing the story without seeing its poem is like seeing a flower stand and forgetting the flowers on it. " Can you really find this kind of novel in China? Does China have such a novel? China's novels also make up stories and fictional plots, without thoughts and connotations. A novel is a story, a novel only has a story, and a story only exists in China. As early as the last century, foreign literature and story novels have become a kind of dirty literature, while China literature is still in the stage of making up stories, but it is still in the dirty stage in foreign countries. Don't you feel sad? If the novel is just a stage of making up stories, what literature is there to talk about? Who can't make up stories and who can't make up plots, but does it make sense? In fact, many realities are wonderful and legendary. There is no need to falsify and fabricate things that have nothing to do with reality. China's novels are basically erotic plots and masturbation stories, and are basically erotic novels and masturbation literature. Foreign literature has developed to the point where a novel can express ideas without plot or story, while China literature still stays in the primitive stage, only making up stories to coax children, and almost no novels with thoughts and writing can be found. No wonder the German writer Gu Bin said that China's contemporary literature is all rubbish. It is said that China's novels are full of words and stories, but without words, words are redundant, backward and disgusting. If you turn over a hundred pages, you can't find a meaningful word. This kind of novel is not called garbage?
China's current literature is vernacular literature. When China just advocated vernacular literature, Hu Shi wrote an article about the improvement of literature, saying that the serious illness of China literature "lies in the lack of words", that is, a novel consists of erotic plots and masturbation stories, which has no practical significance or ideological connotation. Hu Shi said this in the early years of the Republic of China. What age is it now? How many years have passed between the people and the country? China literature remained at the level of the early years of the Republic of China. The so-called novels, the so-called literature, are almost all composed of erotic plots and masturbation stories, and have no practical significance or ideological connotation. Typical "words without substance", doesn't China literature feel sad? To this day, it still stays at the level of the early years of the Republic of China! It is said that there should be literature of every era, innovative literature and new style literature, but what about China's literature? Take a look around. China's novels are almost the same, all of which are a routine, a pattern and a style of writing. It seems that novels can only be written in this way, as if novels can only be written in this way, as if they don't understand innovation at all. It seems that China's novels will stay in this fixed pattern forever. What else is mysterious, true, martial arts, romantic, realistic and dazzling, as if there are many types? Even if you take out 10 thousand copies, as long as you stamp the author's name, it looks as if they were all written by one person. This is the present situation of China literature. Qian Qian, who writes novels, can almost always copy the same routine, the same pattern and the same writing style, and has no own style, language characteristics and writing style at all. They are all models, and there is no innovation. Therefore, German writer Gu Bin despised China literature as a garbage factory, because it is enough to read one novel of one type, because all Qian Qian's novels are the same routine, the same pattern and the same style. After reading one, there is no need to read the second one, which is a waste of time. But when Hu Shi said this, it was the early years of the Republic of China, and China literature is still in the stage of the Republic of China today. Don't you feel sad? Are foreigners wrong? China people dare not face up to their mistakes? Don't even have the courage? Do you have to lie to yourself? Even the conscience can't face this thing? Is a nation that has no courage to face its mistakes proud or shameful?
Hu Shi also said that China's literary habit of "moaning without illness" has no practical significance. When he said this, it was the Republic of China. Today, China literature is still so. Don't you feel sad? It's all erotic plots, masturbation stories, erotic novels and masturbation literature. It doesn't have any practical significance, does it? Is this the only literature in China? Is this one of China's novels? Is this the appreciation level of China people? Just erotic plots, masturbation stories, erotic novels, masturbation literature?
What is this book about?
People born after 90 say they are brain-dead. What kind of group are they? What is their growth process?
Youth, a subject that has been hyped all over the sky by various movies, televisions and novels, and a subject that has been seen by thousands of men and women, then what is the youth after 90?
Campus violence, similar to a video posted on the Internet, shocked people all over the country. Campus violence seems to exist only today, which seems to be beyond their imagination. What is the reality?
College entrance examination, every school season, people in China are talking about it, as if all school-age children in the country are immersed in the college entrance examination, as if all school-age children in the country are running on this wooden bridge. Is that really the case? Are all children in the countryside like this? Is there only one city in China? That is a phenomenon in cities, but what is it in rural areas? Do city children represent all of China? Aren't rural children from China? What do you hear and see about urban children every day, and what about rural children? Where can I hear it? Where can I witness it? Rarely heard? Rare witness? Is that really the case?
The Spring Festival Evening before the Spring Festival is hotly debated. It seems that at this time, people all over the country are immersed in the Spring Festival Gala. It seems that people in China don't watch the Spring Festival Gala at home every Spring Festival, but it's just the New Year. Is it the same in the countryside? Is there only one city in China? Cities in China are like that, but what about rural areas in China?
Migrant workers, every time on the eve of the Spring Festival, major media are scrambling to report this group. What is this group really like? Does Spring Festival travel rush show up every year, and then out of thin air for a whole year, and Spring Festival travel rush shows up again next year? The migrant workers seen by major media seem to be honest farmers' uncles and aunts. Don't migrant workers have young people? Aren't migrant workers born after 8090? After 8090 in the city, everyone often hears about it. What about the rural post-8090 s? Is China only the city's 8090? What about the 8090 in rural China?
What about Guangxi, which is rarely seen in major media and various books and periodicals? People in Beijing, Shanghai, Guangzhou and China often hear about it, but what about Guangxi? People in China often hear and witness the living conditions of people in the North, Shanghai and Guangzhou. What are the living conditions of people in Guangxi? As a native of China, do you know the whole of China by knowing the three cities of North, Shanghai and Guangzhou? One China, are these three cities? I've heard a lot about North, Shanghai and Guangzhou. Don't want something new, listen to Guangxi?
In Guangdong and China, the media are open to the North and Guangzhou, but this "wide" only refers to Guangzhou. Is it a province in Guangdong and a city in Guangzhou? I have heard a lot about Guangzhou. Don't you want to hear about other cities in Guangdong? A China person knows not only China city people, but also China rural people; It is necessary to understand not only the urban post-8090 s, but also the rural post-8090 s; It is necessary to know not only the three cities of North, Shanghai and Guangzhou, but also other cities in China. Know not only this group of people, but also that group of people; Know not only these places, but also those places; Isn't this an interesting thing?
Is the countryside, another world in the eyes of urban people, really what they think? Is it really what they say?
Rural people, among the urban population, seem to be a simple and kind group. Are rural people really like this?
They are all talking about how developed the 2 1 century was, as if China had reached its peak, as if some people got rich during the reform and opening up in China, and now all people in China are well-off, China has no rural areas, and China has no poor people. China always said that there are hundreds of millions of people, and how many of these hundreds of millions are urban people? Farmers in China are the largest group in China. What is the life of farmers in China in this developed era? What is the situation in rural China? What is the post-8090 generation in rural China? Can you see them in China's news media, literary and artistic works, and film and television works? Can you understand their lives? Can you understand them? Are there only citizens in China? Are there no farmers in China? Is there only one city in China? Is there no countryside in China? What is the largest group in China? As a China person, don't you want to know the other side of China? Don't want to know about the biggest group in China? I don't want to know what the largest group in most parts of China is like in this developed era.
This book introduces you to another group of post-90s generation, another group of post-80s generation, another group of people, another place, another living environment and another state of life in China, and lets you know that China is not only a city in the north, but also a city, a city resident, a city born after 80s, a city born after 90s and major media. As a China person, you should know everything about China. As a China person, you should know all aspects of China. As a China person, you should know all kinds of China. This is China and this is China. People of China, let's recall the past time together.