What are the characteristics of Meng Jiao's poems and Meng Jiao's poems?

1, simple and dignified, avoiding familiarity and vulgarity. Meng Jiao's poetry is different from the prevailing superficial style at that time. It has the characteristics of simplicity and solemnity, and creates fresh artistic effects in the simple nature. Meng Jiao once drew the line "Night at Wangluo Bridge", "When the ice falls in Tianjin Bridge, a stranger in Luoyang will go. It has always been known for its concise brushwork. " Tour Nanshan ""Nanshan fills the heavens and the earth, and the sun and the moon are born on stones. The sun stays in the peak night, and the deep valley is not clear in the day. In the sentence structure, Meng Jiao avoids being gentle and elegant, breaks away from convention, and strives to be vigorous and vigorous in Gu Zhuo, taking ancient Chinese syntax as his poem. Different from the habit of five-character poems, Meng's poems have four sentences, such as "hiding a thousand words to find water, producing eighteen monks" (the first of two hermits in Huainan Yue) and "grinding a stone to embed a book, making the book shine forever" (the fourth of ten poems about hanging Lu), which changes the traditional expression of poetry and gives people a fresh artistic feeling.

2, affectionate, magnificent. Meng Jiao is not a lifelong poet, and his poems are not all hard words. Han Yu saw his "soft and redundant" side and loved his "vulgar and quite modern" poems. Many of Meng Jiao's poems are quaint, and they express deep feelings in plain poetic language, making them fresh and elegant. He not only has poems with distant feelings, but also works with the spirit of "bravely crossing the sea".

3. Danger is unfamiliar and difficult. Think hard and sing hard. Meng Jiao's poems are tough in wording, and he is used to using harsh words such as death, cutting, burning, bone, recording, folding, breaking and saving to create a peculiar artistic feeling. This aspect is related to his depression and depression. In Interpretation of Night Feeling, he said that he "reads at night and talks about ghosts and gods. How not to be idle, the heart is the enemy. " To write poetry hard, we must deliberately seek new words and expressions, and use strange words and cold images that are rare in past poems; The psychological oppression and injustice make the new language expressions he pursues mostly have cold, lonely and withered colors and meanings, so as to portray his inner sadness as deeply as possible and shock people's hearts. In these poems, he carefully chose penetrating verbs such as _, comb, seal, brush and steep wind.

4. Corresponding to deep affection, Meng Shi also has the characteristics of imposing manner. He used hard words such as "swing", "vibration" and "lock" to embody the broad atmosphere of mountains and buildings, and wrote the buildings and mountains high into the sky, spanning between heaven and earth. "The ridge is a cliff, and it is unexpected." The buildings in Root Carving are full of clouds, and the wings of the temple are flying dangerously ("Climbing the Huayan Temple Building and Looking at the Zhongnan Mountain as a Gift to the Lin School Book Brothers") and "Nanshan fills the heavens and the earth, and the sun and the moon are born on the stone" ("Traveling to the Zhongnan Mountain") depict the majestic momentum and reflect our own smallness. When Meng Jiao expresses the artistic conception of wind blowing and water whistling, he often uses "vibrating empty mountains" and "swinging heaven and earth" to describe the scope and depth.