I haven’t heard of it.
The following is for reference.
Famous purple clay pot makers in the past dynasties
Wang Youlan was a famous pottery artist from the Shunzhi to Kangxi years of the Qing Dynasty.
Zheng Ninghou was a famous pottery artist during the Kangxi period of the Qing Dynasty.
Hua Fengxiang lived from the Kangxi to Yongzheng years of the Qing Dynasty. He was good at imitating antiques. The pots he made were elegant yet simple in flavor. They also had long purple sand furnaces. His imitation Hanfang pots were exquisite and excellent, and most of them were evenly glazed. , ingenious but not slender, workmanlike but simple, and the style is distinguished by Fangzhang [made by Jingxi Hua Fengxiang].
Chen Mingyuan, known as Hefeng, Hetun, Huyin, Shixiashan, etc., was a famous pottery maker during the Kangxi period of the Qing Dynasty. His birth and death are unknown. This was a generation of famous teachers after Da Bin. He was good at sculpture and decoration, good at making new patterns, and had superb skills. His works were elegant and robust in calligraphy, with the style of the Jin and Tang Dynasties. His works were highly sought after by scholars, scholars, and famous ministers, and they were well-known at home and abroad. At that time, there were praises in Beijing for "overseas competition for Ming Yuan Dishes". The works he designed and produced include dozens of pots, cups, bottles, basins, and study room decorations, including "Tianji Pot", "Begonia Pot", "Gao" "Treasure Pot", "Flower Bottle", "Chrysanthemum Pot", "Incense Plate", "Assorted Cups", etc. The handed down works "Pumpkin Pot" and "Bamboo Shoot Water Bowl" are now in the Nanjing Museum.
Yuan Yulong was a famous pottery artist during the reign of Emperor Kangxi and Emperor Yongzheng of the Qing Dynasty. His "Plain Flat Pot" has been handed down to the world.
Jiang Delin’s courtesy name is Wanquan. Daoguang of the Qing Dynasty - a famous pottery artist during the Tongzhi period. According to Guangxu's "Yixing County Chronicles", Dexiu "is extremely skilled in all kinds of arts. His tea pots, flower pots, cups and plates, and all the writing and display equipment are all exquisite in color and color, and he is the best at that time."
He Xinzhou was a famous pottery artist during the Daoguang period of the Qing Dynasty.
Wang Dongshi was a famous pottery artist during the Daoguang-Tongzhi period of the Qing Dynasty.
Shili Pavilion was born in the Tongzhi-Guangxu period of the Qing Dynasty. There is an "engraved folding flat pot" handed down to the world.
Fan Dingfu was a famous pottery artist during the Xianfeng-Tongzhi period of the Qing Dynasty.
The information on Wendan is ominous
The information on ancient lotus seeds is ominous
The information on mineralization is ominous
Deng Kui’s character was born in the Qing Dynasty, and he was a descendant of Qu. Ziye's friends cooperated with purple clay artists to design and produce purple clay pots themselves, write their own inscriptions, or carve flowers and bamboos, and stamp "Fu Sheng and Deng Kui supervised" on the bottom of the pot.
Mei Tiaoding is named Youzhu and Nanweng. He was born in the Daoguang and Xianfeng years of the Qing Dynasty. Gong calligraphy, carving calligraphy and painting on purple clay pots, has its own style.
Pan Qianrong, also known as Huxuan, was a pot-making artist during the reigns of Yongzheng, Qianlong, Jiaqing and Daoguang in the Qing Dynasty.
Shao Suogen was a pot-making artist during the Jiaqing and Daoguang years of the Qing Dynasty.
Shao Weixin was a pot-making artist from Daoguang and Tongzhi of the Qing Dynasty
Shi Weigao was a pot-making artist from the Qianlong and Jiaqing reigns of the Qing Dynasty.
Yang Jichu was a pot artist during the Qianlong and Jiaqing reigns of the Qing Dynasty.
Zhu Jian, courtesy name Shi (Shi Mei), was born during the Jiaqing and Daoguang years of the Qing Dynasty. He is good at epigraphy, calligraphy and painting, and was a scholar slightly later than the collaboration between Chen Hongshou and Yang Pengnian. His decorative calligraphy and painting are elegant in style, rich in epigraphy and stone, and powerful in knife skills.
Zhao Songting used to be named Zhiquan and his stage name was Dongxi. A native of Yuan Village, Chuanbu, Shushan, Yixing, he was a pot-making artist and industrialist in the late Qing Dynasty and early Republic of China.
Qu Zi Yeqing, Daoguang and Tongzhi years
Chen Bofang has no information yet
Zhu Shimei has no information yet
Shao Xingran has no information yet
Fan Qinfen was a purple clay artist in Yixing in the late Qing Dynasty and the early Republic of China. Gongzhi sand pot. Zhenjiang cultural relics store has a "Fan Qinfen folding waist pot", made of purple ocher mud. The upper part of the pot body has an inner arc, forming a high neck and a small mouth; the lower part has an outer arc, forming a bowl-shaped bottom. Hemispherical small cover, mushroom button, a curved flow, and ear-shaped handle. The bottom is engraved with the cursive seal inscription "Made by Fan Qinfen". The overall height is 11.5 cm and the diameter is 3.5 cm.
Zhang Chunfen was a purple sand artist in Yixing in the late Qing Dynasty and the early Republic of China. Proficient in making colorful pots. Zhenjiang cultural relics store has a "Zhang Chunfen lotus-shaped pot". It uses a large lotus root as the body, a small lotus root as the flow, a lotus stem as the handle, lotus leaves as the lid, and lotus flowers as decoration. It is ingenious in conception and exquisite in shaping. The seal seal on the bottom is "made by Zhang Chunfen". Full height 10.5 cm.
Wu Dacheng In the history of purple clay pots in the late Qing Dynasty, Wu Dacheng hired Huang Yulin and others to make pots for him. This is often mentioned in historical materials and is more credible. But as the "Yangxian Sand Pot Examination" says: "There is a large purple sand pot from Shuzhai in the Bishan Pot Museum... In the Jiawu Year, the Qing Dynasty was appointed governor of Taiwan..." People still quote today: "This pot was made in the Jiawu Period ( In 1894 (1894), when Wu Dacheng was appointed governor of Taiwan, the army was defeated by Japan. Or as Zhang Hong said, "it was recorded as a summary". (See "Yixing Zisha Treasures" edited by Gu Jingzhou, page 149, published by Sanlian Bookstore Co., Ltd., 1992, Hong Kong) The degree of credibility is not so great. Regarding Wu Dacheng's deeds, there are many domestic books published, including "Manuscript of Qing History", but they are incomplete. Mr. Gu Tinglong, the former director of the Shanghai Library, wrote the book "Chronology of Mr. Wu Suzhai", but unfortunately I have not been able to read it so far. As for whether Wu Dacheng ever served as governor of Taiwan, some of the information I have seen does not mention it. As for when Wu Dacheng became involved in the purple clay teapot affair and hired Huang Yulin and others to make teapots for him, we can find the answer from the teapots with exact dates in the existing purple clay teapots. Wu Dacheng (1835-1902) was a native of Wuxian County, Jiangsu Province.
The original name was Dachun (the current name was changed to avoid the anonymity of Emperor Tongzhi Emperor Mu Zongzai Chun of the Qing Dynasty), with the courtesy name Zhijing and Qingqing, and his names were Hengxuan, Baiyunshan Qiao, Baiyun Bingsou, Songxuan, Zhenggong, and Ertian Jushi. The late name is Zhuzhai, and the room names are Twenty-eight Generals Yinzhai, Erjiu Residence, Twelve Jinfuzhai, Sixteen Jinfuzhai, Shigui Shanfang, Ten Generals Yinzhai, Ten Bronze Drums Zhai, Eight Tigers Fuzhai, and Three Hundred Ancients. Su Zhai, Qian Su Zhai, Fifty-eight Bi, Sixty-four Cong and Seventy-two Gui Jingshe, Zhijing (Tang), Shuanglingju, Shuangyaxuan, Jade Buddha Niche, Yuguan Mountain House, Dragon Festival and Tiger Talisman Hall (also It is called the Hall of Dragon Festival and Tiger Talisman (engraved with seal), Baiyun Mountain Hall, Han Stone Sutra Room, Baier Changsheng Hall, Bai Song Tao Zhai, Shi Zhen Hall, Two Pots, Liang Qin Ding Room, Baoliu Ruizhai, Bao Qin Quan Zhai, Plum and Bamboo Shuangqing Hall, Ruizhi Hall, Piyongming Hall Mirror Room, Yaoqinxian Hall, Mirror Room, Yuzhai and Pangu Building. During his first visit to Lu in Tongzhi, he entered the Pinghua Society Calligraphy and Painting Society. When he was young, he learned seal script from Chen Shuofu. When he was middle-aged, he also participated in ancient Chinese writing, which improved his craftsmanship. He is a famous epigraphic archaeologist and philologist. (See "Dictionary of Names of Chinese Artists" edited by Yu Jianhua, page 276, Shanghai People's Fine Arts Publishing House, 1981, "Dictionary of Names of Modern Chinese Figures" edited by Chen Yutang, page 349, Zhejiang Ancient Books Publishing House, 1993, "Ancient "A Detailed Dictionary of Chinese Knowledge" compiled by Ma Wenxi, Zhang Guibi and others, page 1195, Zhonghua Book Company, 1996)
Wang Huai, also known as Xiaohai, Yizi Yuyi, was born between the Qianlong and Jiaqing reigns of the Qing Dynasty, and was good at calligraphy. Poetry, the teapots made are elegant and profound, the calligraphy is correct, and the utensils are rare
Yang Jiguang was born in the Yongzheng to Qianlong years of the Qing Dynasty. The teapots he made were decorated in the palace style, and he was good at making palace utensils and used clay materials. Appropriate, praised for its use of color, exquisite craftsmanship and rare transmission.
Jiang Anqing was a famous purple clay craftsman from the Xianfeng period of the Qing Dynasty to the early Republic of China. His craftsmanship was simple and streamlined. Jin Shiheng was a famous pottery maker from the Yongzheng to Qianlong years of the Qing Dynasty.
Xu Longwen was a famous pottery artist during the Yongzheng period of the Qing Dynasty.
Chen Hanwen was a famous pottery artist from the Yongzheng to Qianlong years of the Qing Dynasty.
Fan Zhangen, courtesy name Dean, was a famous pottery artist from the Yongzheng to Qianlong years of the Qing Dynasty.
Hui Yigong was a famous pottery artist during the Qianlong period of the Qing Dynasty. The shape, size and thickness of the pots he made were comparable to those of Hui Mengchen, and he was known as "Er Hui" in the world. There are also many counterfeit products.
Pan Dahe was a famous pottery artist during the Qianlong-Jiaqing period of the Qing Dynasty.
Chen Hongshou, courtesy name Zigong, alias Mansheng, 1768-1822, originally from Qiantang, Zhejiang. He is good at clay pot design, calligraphy and painting, and is one of the famous "Eight Masters of Sirang". In the sixth year of Jiaqing (1801), he was a Tongzhi of Huai'an. Poetry, literature, calligraphy, and painting are all based on talent. When he was the magistrate of Liyang County, he distinguished the quality of sand in his spare time, created a new style of sand pot, and designed eighteen styles of pots. He invited famous pottery makers Yang Pengnian, Yang Fengnian brother and sister, Shao Erquan and others to make them. Then Chen Mansheng and his secret agent Jiang Tingxiang , Gao Shuangquan, Guo Pinjia, Cha Meishi and other inscriptions and paintings are decorated on it, and it is known as the "Mansheng Pot" in the world. The shapes include stone cross clouds, well railings, acacias, moon tiles, half tiles, square mountains, melon shapes, overturned buckets, etc. Chen Mansheng was fond of rubbing stone tablets on cliffs. He carved inscriptions in seal script, official script, and line. His seal carvings traced the Qin and Han dynasties. The bottom of the Mansheng teapot is often marked with the words "Amantuo Room" and "Sanglianli Hall", and has a small seal with the word "Peng Nian". The "Wadang Teapot" is currently in the Shanghai Museum.
Fanzhuang Farmhouse has "Guo Inscription Bamboo Pot" and "Imitation Mansheng Purple Clay Pot" handed down from generation to generation.
Old man Wei Qing has "Pine Pen Holder" handed down from generation to generation.
The pot enthusiast has "Packing Pots with Colored Seals" handed down from generation to generation.
Yuanmao's polished "Girdle Mengchen Small Pot", "Jiepu Magnolia" and "Sushen Big Pot" have been handed down to the world.
Xu Bojun's "Big Square Pot with a Straight Body and Lift Liang" has been handed down from generation to generation.
Jichang has "Han Fang Hu" handed down to the world.
Xu Feilong has "Han Fang Hu" handed down from generation to generation.
Han Zhen has the "Famous Color Landscape Bamboo Pot" handed down from generation to generation.
Wang Nanlin has the "Su Shen Yuan Qing Hu" handed down from generation to generation.
Yang Youlan's "Inscribed Bell-shaped Ring Pot" has been handed down from generation to generation.
Yang Luqian's "Nie Painted Landscape Round Pot" has been handed down from generation to generation.
Shao Panzhen's "Meng Chen Small Pot with a Dry Belly" has been handed down from generation to generation.
In Calyx Garden, there is a "Bent-waist Mengchen Pot" handed down from generation to generation.
Yang Pengnian's courtesy name is Shiquan and his nickname is Dapeng. A famous artist who made sand pots during the Jiaqing period of the Qing Dynasty. His birth and death are unknown. Jingxi people are said to be from Tongxiang, Zhejiang Province. Their younger brothers Baonian and sister Fengnian were both famous pot-making artists at that time. They were good at mixing mud. The tea pots they made were crystal clear in jade color, gentle in charm, simple and exquisite, with natural interest, and were highly regarded in the art world. Regarded as a treasure, the "Mansheng Pot" was often made for Chen Hongshou, the magistrate of Liyang County at that time. It has always been cherished by connoisseurs. The "Bell Style Pot" is now collected in the Shanghai Museum.
Yang Fengnian was a famous pot-making artist during the Jiaqing period of the Qing Dynasty. He was from Jingxi. It is said that he was from Tongxiang, Zhejiang. He was the sister of Yang Pengnian. She is ingeniously conceived and has exquisite reliefs, comparable to her elder brother. She is the most famous female sand pot-making artist in history. She has many works handed down from generation to generation. Her "Feng Juan Kui Pot" is elegant in shape and skillfully made, and is made of precious azure clay. It is finished, the red sandalwood color is slightly bluish, exquisite and contained, as warm and moist as jade. The "Bamboo Segment Pot" is purple in color, calm and steady. The body of the pot is in the shape of a moso bamboo segment. The mouth, lid and handle are all decorated with bamboo branches and leaves. The proportions are well-proportioned, the density is tight, and the craftsmanship is exquisite. It is a top quality teapot and is now in the collection. Yixing Ceramics Museum.
Lu Zhanyan, an old man named Haomudao, was a Taoist in the early years of the Republic of China and was born in Yong'an, Fujian.
After liberation, he was rated as a special hand-pulled pot master by the country and enjoyed a high reputation among the red clay pots! It is said that Yunqiu Guilin, Zhang Dehai and others once studied under him!
Qu Yingshao, also known as Zi Zhi, also known as Ri Hu, Qu Fu, Lao Zhi, Bi Chun, and self-named Cha Gong. He lived from Jiaqing to Daoguang years and was especially good at seal carving.
Ge Zihou was a famous pottery artist during the Jiaqing period of the Qing Dynasty. There is a "pear-shaped Mengchen teapot" handed down from generation to generation.
Yang Baonian Baonian, whose courtesy name is Gongshou. A famous pottery artist from the Jiaqing to Daoguang years of the Qing Dynasty.
Shao Dashe is also known as Shao Dashe. A famous pottery artist during the Daoguang period of the Qing Dynasty.
Wu Yuting’s courtesy name is Zhuxi. A famous pottery artist during the Daoguang period of the Qing Dynasty.
Shao Jingnan is the owner of the title. A famous pottery artist during the Daoguang period of the Qing Dynasty.
Shen Xi, also known as Zitai, was a famous pottery artist from the Daoguang to Xianfeng years of the Qing Dynasty. Making good use of white clay, he was a rising star in Yixing pot art in the Qing Dynasty. The bottom of the pot was inscribed with the inscription "The tea is ripe, fragrant and warm, the Emperor Yuan". He once collaborated with Yang Pengnian and Qu Zizhi to create works.
Jiang Delin’s courtesy name is Wanquan. Daoguang of the Qing Dynasty - a famous pottery artist during the Tongzhi period. According to Guangxu's "Yixing County Chronicles", Dexiu "is extremely skilled in all kinds of arts. His tea pots, flower pots, cups and plates, and all the writing and display equipment are all exquisite in color and color, and he is the best at that time."
He Xinzhou was a famous pottery artist during the Daoguang period of the Qing Dynasty.
Wang Dongshi was a famous pottery artist during the Daoguang-Tongzhi period of the Qing Dynasty.
Shili Pavilion was born in the Tongzhi-Guangxu period of the Qing Dynasty. There is an "engraved folding flat pot" handed down to the world.
Fan Dingfu was a famous pottery artist during the Xianfeng-Tongzhi period of the Qing Dynasty.
The information on Wendan is ominous
The information on ancient lotus seeds is ominous
The information on mineralization is ominous
Deng Kui’s character was born in the Qing Dynasty, and he was a descendant of Qu. Ziye's friends cooperated with purple clay artists to design and produce purple clay pots themselves, write their own inscriptions, or carve flowers and bamboos, and stamp "Fu Sheng and Deng Kui supervised" on the bottom of the pot.
Mei Tiaoding is named Youzhu and Nanweng. He was born in the Daoguang and Xianfeng years of the Qing Dynasty. Gong calligraphy, carving calligraphy and painting on purple clay pots, has its own style.
Pan Qianrong, also known as Huxuan, was a pot-making artist during the reigns of Yongzheng, Qianlong, Jiaqing and Daoguang in the Qing Dynasty.
Shao Suogen was a pot-making artist during the Jiaqing and Daoguang years of the Qing Dynasty.
Shao Weixin was a pot-making artist from Daoguang and Tongzhi in the Qing Dynasty.
Shi Weigao was a pot-making artist during the Qianlong and Jiaqing reigns of the Qing Dynasty.
Yang Jichu was a pot artist during the Qianlong and Jiaqing reigns of the Qing Dynasty.
Zhu Jian, courtesy name Shi (Shi Mei), was born during the Jiaqing and Daoguang years of the Qing Dynasty. He is good at epigraphy, calligraphy and painting, and was a scholar slightly later than the collaboration between Chen Hongshou and Yang Pengnian. His decorative calligraphy and painting are elegant in style, rich in epigraphy and stone, and powerful in his knife skills.
Zhao Songting used to be named Zhiquan and his stage name was Dongxi. A native of Yuan Village, Chuanbu, Shushan, Yixing, he was a pot-making artist and industrialist in the late Qing Dynasty and early Republic of China.
Qu Zi Yeqing, Daoguang and Tongzhi years
Chen Bofang has no information yet
Zhu Shimei has no information yet
Shao Xingran has no information yet
Fan Qinfen was a purple clay artist in Yixing in the late Qing Dynasty and the early Republic of China. Gongzhi sand pot. Zhenjiang cultural relics store has a "Fan Qinfen folding waist pot", made of purple ocher mud. The upper part of the pot has an inner arc, forming a high neck and a small mouth; the lower part has an outer arc, forming a bowl-shaped bottom. Hemispherical small cover, mushroom button, a curved flow, and ear-shaped handle. The bottom is engraved with the cursive seal inscription "Made by Fan Qinfen". The overall height is 11.5 cm and the diameter is 3.5 cm.
Zhang Chunfen was a purple sand artist in Yixing in the late Qing Dynasty and the early Republic of China. Proficient in making colorful pots. Zhenjiang cultural relics store has a "Zhang Chunfen lotus-shaped pot". It uses a large lotus root as the body, a small lotus root as the flow, a lotus stem as the handle, lotus leaves as the lid, and lotus flowers as decoration. It is ingenious in conception and exquisite in shaping. The seal seal on the bottom is "made by Zhang Chunfen". Full height 10.5 cm.
Wu Dacheng In the history of purple clay pots in the late Qing Dynasty, Wu Dacheng hired Huang Yulin and others to make pots for him. This is often mentioned in historical materials and is more credible. But as the "Yangxian Sand Pot Examination" says: "There is a large purple sand pot from Shuzhai in the Bishan Pot Museum... In the Jiawu Year, the Qing Dynasty was appointed governor of Taiwan..." People still quote today: "This pot was made in the Jiawu Period ( In 1894 (1894), when Wu Dacheng was appointed governor of Taiwan, the army was defeated by the Japanese. Or, as Zhang Hong said, "it was recorded as a summary". (See "Yixing Zisha Treasures" edited by Gu Jingzhou, page 149, published by Sanlian Bookstore Co., Ltd., 1992, Hong Kong) The degree of credibility is not so great. Regarding Wu Dacheng's deeds, there are many domestic books published, including "Manuscript of Qing History", but they are incomplete. Mr. Gu Tinglong, the former director of the Shanghai Library, wrote the book "Chronology of Mr. Wu Suzhai", but unfortunately I have not been able to read it so far. As for whether Wu Dacheng ever served as governor of Taiwan, some of the information I have seen does not mention it. As for when Wu Dacheng became involved in the purple clay teapot affair and hired Huang Yulin and others to make teapots for him, we can find the answer from the teapots with exact dates in the existing purple clay teapots. Wu Dacheng (1835-1902) was a native of Wuxian County, Jiangsu Province.
The original name was Dachun (the current name was changed to avoid the taboo of Chunzai, Emperor Mu Zong of the Qing Dynasty), with the courtesy name Zhijing and Qingqing, and his names were Hengxuan, Baiyunshan Qiao, Baiyun Bingsou, Songxuan, Zhenggong, and Ertian Jushi. The late name is Zhuzhai, and the room names are Twenty-eight Generals Yinzhai, Erjiu Residence, Twelve Jinfuzhai, Sixteen Jinfuzhai, Shigui Shanfang, Ten Generals Yinzhai, Ten Bronze Drums Zhai, Eight Tigers Fuzhai, and Three Hundred Ancients. Su Zhai, Qian Su Zhai, Fifty-eight Bi, Sixty-four Cong and Seventy-two Gui Jingshe, Zhijing (Tang), Shuanglingju, Shuangyaxuan, Jade Buddha Niche, Yuguan Mountain House, Dragon Festival and Tiger Talisman Hall (also It is called the Hall of Dragon Festival and Tiger Talisman (engraved with a seal), Baiyun Mountain Hall, Han Stone Sutra Room, Baier Changsheng Hall, Baisong Tao Zhai, Shi Zhen Hall, Two Pots, Liang Qin Ding Room, Baoliu Ruizhai, Bao Qin Quan Zhai, Plum and Bamboo Shuangqing Hall, Ruizhi Hall, Piyongming Hall Mirror Room, Yaoqinxian Hall, Mirror Room, Yuzhai and Pangu Building. During his first visit to Lu in Tongzhi, he entered the Pinghua Society Calligraphy and Painting Society. When he was young, he learned seal script from Chen Shuofu. When he was middle-aged, he also participated in ancient Chinese writing, which improved his craftsmanship. He is a famous epigraphic archaeologist and philologist. (See "Dictionary of Names of Chinese Artists" edited by Yu Jianhua, page 276, Shanghai People's Fine Arts Publishing House, 1981, "Dictionary of Names of Modern Chinese Figures" edited by Chen Yutang, page 349, Zhejiang Ancient Books Publishing House, 1993, "Ancient "A Detailed Dictionary of Chinese Knowledge" compiled by Ma Wenxi, Zhang Guibi, etc., page 1195, Zhonghua Book Company, 1996)
Wang Huai, also known as Xiaohai, also known as Yuyi, was born between the Qianlong and Jiaqing reigns of the Qing Dynasty. He was good at calligraphy. Poetry, the teapots made are elegant and profound, the calligraphy is correct, and the utensils are rare
Yang Jiguang was born in the Yongzheng to Qianlong years of the Qing Dynasty. The teapots he made were decorated in the palace style, and he was good at making palace utensils and used clay materials. Appropriate, praised for its use of color, exquisite craftsmanship and rare transmission.
Jiang Anqing lived from the Xianfeng period of the Qing Dynasty to the early Republic of China. His workmanship was simple and his craftsmanship was streamlined. He was a famous purple sand craftsman. He did not have many pots and pots. Mature, with a [case minister] square seal as the mark.
The first work of Huang Pengnian (1823-1889) (1823-1890), named Zishou, was from Guizhu, Guizhou (now Guiyang). In the 27th year of Daoguang reign in the Qing Dynasty (1847), he was a Jinshi and served as the chief envoy of Jiangsu. It is said that he was the chief envoy of Hubei. Throughout his life, he took it as his own responsibility to regulate morals and discipline and cultivate scholars. He once took charge of Baoding Lianchi Academy and achieved great success for the public. His father, Fu Chen, was also a Jinshi in Daoguang, and he was promoted to Fengping Road. Zi Guojin, editor and editor of the Imperial Academy. The family education has been passed down from generation to generation, and there is a collection of books from generation to generation. Peng Nian is good at painting things and working on flowers. If you like tea, try the custom-made Yixing clay teapot. Cai Hanqiong saw a "white Ni small square teapot" with a seal seal of "Peng Nian" on the bottom and a small rectangular seal of "Zi Shou" on the inside of the cover. Peng Nian compiled "Jifu Tongzhi" and published "Taolou Collection". He died at the age of sixty-seven and was born at the age of sixty-eight.
Zhou Yongfu lived from the reign of Daoguang to Tongzhi in the Qing Dynasty. He was good at learning the techniques of the tycoons, but there was no imitation. Most of the pots he made were square and round. One of the passed utensils is a white clay flat pot. This pot has fine workmanship and a lid. There is a [Yongfu] seal inside, and he is also good at making oval-shaped pots.
Jiang Zhenxiang lived from Tongzhi of the Qing Dynasty to the early years of the Republic of China. He was a purple clay pottery artist at that time. He was good at making flower and fruit pots, and the chrysanthemum petal pot type was the best. There are many clay pots, and the craftsmanship is exquisite, which cleverly creates the beauty of the pot. However, there are few handed down vessels, such as a "chrysanthemum petal pot", with a poem on the bottom and an auspicious inscription.
Wu Yueting No information yet
Qianliu Qianliu, this person is not found in the books, but he is very good at making pan pots. I once saw a vessel with the inscription "Qianliu" in regular script in Yin with a borderless seal. The body of the vessel was smooth and clean, with excellent earthenware glaze. The body was mixed with coarse yellow clinker. The body of the device is a little heavier, but easy to use.
Wang Dongshi lived from the reign of Daoguang to Tongzhi in the Qing Dynasty. He was good at imitating ancient pots and had fine carvings. There are many and exquisite ones, such as the [Dongpo Tibetan Teapot], with complete artistic styles and perfect design. The body of the teapot was inscribed by the mountain people!
Chen Jiexi, who lived from the Kangxi to Yongzheng years in the Qing Dynasty, was good at imitating antiques, especially the cover The craftsmanship is said to be unique, and its utensils have not been found in history.
Shenghe, whose surname was Shao, was an expert pot maker during the Qianlong period of the Qing Dynasty. I saw a small red clay pot with the Chinese characters "Shenghe" in regular Chinese characters engraved on the inside of the lid, and "Made in the Qianlong Period of the Qing Dynasty" on the bottom. ”. The "Jingxi Purple Clay Ware" written by me contains a Zhuni pot with a Liushan style, with the bottom inscription: Liushan and the cover inscription: Shenghe. This pot is of very good shape, but unfortunately the lid was broken into two pieces when it was unearthed. The whole vessel is made of a pure barrel, and the body of the pot is slightly wrinkled and dense, as the saying goes, "no wrinkles, no scars." The base is engraved with "Liu Shan" and the cover is "Shenghe". Both are carved with the three-knife technique. The knife is sharp and sharp, especially at the point of entry. The knife is precise, but the brushstrokes are continuous. It is sincerely recognized by Zhuni. A rare masterpiece. According to the convention of inscription on Zhuni pots, the figure on the bottom of the pot should be the scholar or dignitary who ordered the pot to be burned.
Pan Shicheng According to the "Illustrated Research on Yangxian Sand Pots", Pan Shicheng, also known as Dehui, was a native of Panyu, Guangdong during the Daoguang period of the Qing Dynasty. Pan's family has always been fond of drinking tea, so he ordered exclusive clay teapots in Yixing, one for personal use and one for giving as gifts. The shape of Pan's custom-made sand pots is fixed, and he is accustomed to placing the stamp on the lid rim, leaving the bottom and other places unmarked. All the seals used are in Yangwen seal script with the character "Pan". Because Pan's reputation spread far and wide, people in the world called this shape "Pan Hu", and the inscription method generally followed the precedent. Occasionally, there are regular scripts without a seal edge, or inscriptions with an iron blade, and there are also pottery people's names stamped on them. The one sealed inside the cover. The shape of the pan pot has been developed to this day, and can be roughly divided into three types. Those with a flat persimmon-shaped ampulla are called "dwarf pans"; It's called "Gao Pan".
Pan pots are generally used by people in southern Fujian to make Gongfu tea, but according to local people, Pan Shicheng's ancestral home is Putian. Because he is proud of the Pan family, he will give a Pan pot as a dowry when his daughter gets married, hoping to support her husband and educate her children. Can be as prosperous and wealthy as Pan Shicheng. Therefore, most people ask for Yixing Pan pots, and rarely use local Shantou pots. Usually this kind of pan pot that comes with marriage is not necessarily used to make tea, but is also placed on the dressing table to hold hair oil. And after a hundred years, the hostess is often buried with her to show her support for her mother's family. The meaning of gratitude.
Chen Guangming lived from the Daoguang period of the Qing Dynasty to the early Republic of China, with the courtesy name Runxian. He lived in Shushan, Yixing since he was a child. He was good at making purple clay toys. Most of his products were miscellaneous flower and fruit items, such as beans, walnuts, persimmons, etc. , the craftsmanship is exquisite and exquisite, almost like the real thing, the color and shape are excellent, and the pot is extremely beautiful. However, the pot made has been rarely circulated so far. Take a [three-sided diamond-shaped pot] as an example. The pot has coarse purple sand mud, neat shape, and a bottom. Chen Guangming Zhang, [Guangming] Xiaoyin.
Shao Jizu lived from the Yongzheng to Qianlong years of the Qing Dynasty. It is said that his pot making is exquisite, his body is strong and pure, and he is also known for his pastel technique.
Si Ting, surnamed Lu, was a pottery man in the early Qing Dynasty. His birth and death are not recorded in history. Among the Zhuni ware, Mengchen, Yigong, Junde and Siting were all good pot makers in the Qing Dynasty. Because of their great reputation, they successively borrowed their names from later potters and became the masters of small Zhuni pots in Yixing. pronouns, among which Junde and Siting have become the names of specific forms.
Shao Luda was a purple clay artist from Yixing in the late Qing Dynasty and early Republic of China. Gongzhi sand pot. The Yixing Zisha Craft Factory has a "Hanjun Pot", a pot made by Shao Lu and written by Yu Youren. It is made of lavender clay, well made, neat and simple. The body of the pot is engraved with the following six characters: "Mr. Hanwen, Your Ren" in regular script. The overall height is 8.1 cm and the diameter is 6.6 cm. It is recorded in the book "Yixing Zisha".
Fang Zeng lived from the Shunzhi period to the Yongzheng period in the Three Qing Dynasties. The pots he made were simple and pure, elegant, exquisite, and solid. Most of them were bare goods. The pots he handed down were rare, such as a "short square pot". The pot is square, solid, thin and neat, with Fang's seal script on the bottom. The calligraphy is in the style of the Jin and Tang Dynasties. This pot is extremely rare. The weathering and grain changes of the soil are quite serious, which is rare.
Zhang Huairen was born between the Yongzheng and Qianlong reigns of the Qing Dynasty. His family was poor and he made a living by making pots!
Qiu Guilin is the master of making red clay pots. His representative works include "Captive" and "True Body". The pots he makes are all exquisite. He once studied under Lu Zhanyan (see above)!
Zhang Dehai is a famous pot maker in Fujian. His representative works include "Six Cypresses". He and Qiu Guilin are fellow students!
Bayuan There is no historical record, but I have seen a small pot unearthed and identified it as "original made by Shao Bai in Jingxi." Because I know his surname is Shao, and judging from the style of the pot he handed down, he should be a skilled craftsman in the early Qing Dynasty. The shapes of the vessels seen are varied, the styles are simple and simple, and the inscriptions on them are also elegant. The signature format includes a small oval seal "Jingxi" first on the upper right, and a square seal with the seal character "Kashiwahara" in Yangwen on the lower left (such as this one); there are also seals with "Jingxi Shao" in the middle of the bottom of the pot. There are seals made by Kashiwahara with six characters in Yang script; there are also those with the long seal character "Kashiwahara" printed on the upper right corner of the poem; there are also those with the two characters "Kashiwahara" in regular script inscribed with a steel knife. The utensils passed down from time to time are all made of purple sand, red clay, and duan sand, especially red clay. My "Jingxi Purple Clay Ware" contains five models of red clay pots. The base model is: Cedar Xuan Wan Kashiwahara, and the wall model is: Xiu Wu. Kashiwahara wares are often made in shapes that do not adhere to traditional ancient styles, and often contain unexpected surprises. The bottom of this vessel is engraved with "Cedar Xuan Wan Kashiwahara", the wall inscription is "Xiu Wu", the inscription is elegant, the knife work is simple and smooth, and it exudes a strong literati atmosphere.
Wang Shengyi Wang Shengyi is a pot-making master of the older generation. It is said that Wu Yungen and Zhu Kexin once studied under him.