Street Living in the Wind is a classic work by Yukiko Imura and Masao Sakamoto, a famous Japanese erhu player, in 2003. The dialogue between erhu and piano is refreshing. Generally speaking, erhu has a greater proportion than piano, or its appeal exceeds piano. The sadness of erhu is better than the romance of piano here. Piano and erhu are intertwined, talk to each other and love each other, but they will never overlap, just like two lovers who can never be together.
The dialogue between the piano and the erhu in The Wind Living Street, piano and erhu are both melancholy, and they are tied together as if they are having a spiritual dialogue. Piano and erhu are one after another, which set each other off into interest, one pouring out, one listening, and a touch of sadness and pity.
Abrupt tone sandhi, short pause, mixed with all the pain and helplessness, sobriety and resentment, wandering thoughts, heartbroken, infinite melancholy. At the climax of the music, the piano and erhu are tragically intertwined, unable to overlap, and the life that is close at hand and far away is vividly interpreted.