Li Qingzhao is an outstanding and versatile woman writer in the history of Chinese literature. She is good at writing and writing. Li Qingzhao's poetry creation has a distinctive and unique artistic style, with delicate feelings, beautiful artistic conception, fresh language and rich love and literature. It is unique in the ci world and is called "Yi 'an Style", ranking first among the graceful and restrained schools, which has a great influence on later generations.
First, the lyricism is sincere and delicate
Art originates from life, and true emotion is the soul of art, and the "emotion" in Li Qingzhao's ci is full of rich flavor of life.
Li Qingzhao lived a quiet and comfortable life before going to the south, and her poems mostly described her life in the boudoir, focusing on natural scenery and lovesickness, showing a leisurely mood with narrow thoughts and contents. For example, in Li Qingzhao's early work "Little Red Lips", "See the guests come in, socks?" Golden hairpin slips away. And look back at the door with shame, but sniff the childhood ",which makes the naive and timid attitude of the girl in the boudoir vivid and natural, bold and clear, and the carefree life in the boudoir is also vivid on the paper.
Li Qingzhao has experienced national ruin, family death and husband death successively after crossing to the south. The wandering life of more than 2 years has given her a heavy mental and psychological blow, and her psychology is even more sad. "Old weather, old clothes, only feelings are different, old home time" in Nan Gezi; "Wulingchun" "I am afraid that the boat will not move and I will be worried"; "Picking Mulberry by Adding Words" is "a little bit of rain, worrying about hurting northerners, not used to listening"; In Qing Ping Le, "This year, the ends of the earth are far away, and the rustling temples are full of flowers" ... In these works, Li Qingzhao expressed the pain of wandering with sincere and delicate feelings, missed her dead husband, recalled her past life, and also showed deep thoughts about her motherland, which has a distinct color of the times.
second, she is good at blending feelings into the scene
Li Qingzhao is good at casting strong feelings in artistic images and creating an artistic realm of blending scenes.
For example, "Like a Dream": "I always remember the sunset in the Xiting, and I don't know where to go when I am drunk. Always play to the fun to return, but lost to the fengzhu pool in the depths of the pool. Fight for crossing, fight for crossing, and start a beach of gulls and herons. " The whole word is only 33 words, but it writes scenes and characters. The language is clear and smooth, the style is relaxed and lively, and the scenery, things, people and feelings blend together, which is lively and interesting, thus creating an intriguing artistic conception.
Li Qingzhao's ci poems often endow natural scenery with spirituality, and poets sometimes even regard them as their bosom friends and friends. "When flowers are arranged in drunkenness, you don't laugh, and poor spring is like people getting old" ("Butterfly Lovers"), and flowers are regarded as friends with the same fate. People are old in spring and dusk, and their hearts are sad; "Only the running water in front of the building should read me and stare at me all day. Looking at the place, from now on, there is a new sorrow "("Recalling the Flute on the Phoenix Platform "), spring flowers and flowing water all have feelings, accompanying the sorrowful and sensitive poet, and setting off her loneliness; "Water, light, mountains and scenery are close to people, which is inexhaustible and infinitely good" ("Complaining about the King and Sun") broke the traditional pattern of "sorrowful autumn". Although it also wrote the scenery of the autumn, the artistic conception was not sad, but it was filled with infinite autumn fun.
Third, the language is simple and natural
Li Qingzhao said that "Ci is a family". Her ci language is fresh and natural, sweeping away the rich fragrance of Huajian Ci and replacing it with lively spoken language and common sayings. The language is unique, fresh and lively, and it is still simple and elegant to read so far, which is refreshing.
the sound is slow, which has always been praised by Li Qingzhao. At the beginning, there are 14 overlapping words of "searching, cold and clear, sad and miserable", which go from shallow to deep, and the teeth are staggered. "Xing Xiangzi": "Petunia Weaver Girl, it is nothing but separation. It's sunny, rainy and windy. " It's all spoken language, which seems to be handy, and there is no trace of carving and carving, but it's meaningful and affectionate when it's carefully tasted. Another example is "Like a Dream": "Do you know? Do you know? It should be green, fat and thin. " The words "fat" and "thin" not only vividly describe the scene of lush green leaves and withered red flowers after the storm, but also vividly express the delicate feelings of young women in boudoir who cherish spring and love flowers, which are both appropriate and profound and praised as "artificial ingenuity"
Fourth, the techniques are flexible and diverse
The artistic originality of Li Qingzhao's ci lies in that she is very good at capturing fleeting life scenes and real feelings, brewing into poetic and mellow themes, and at the same time, she does not rely on the ancients in expression techniques, and is often innovative. For example, Drunken Flower Yin describes a woman who misses her lover during the Double Ninth Festival. Li Qingzhao grasped the feature that the protagonist was emaciated because of homesickness, and creatively used the special image of "people are thinner than yellow flowers". Yellow flowers were used to describe people's thinness, and thin images were used to illustrate the pain of homesickness. The lyrics were ingenious and novel, and the metaphor was novel, which made the emotional expression concrete and sensible. Contrast is often used in Li Qingzhao's ci to reproduce life and express feelings. For example, in "Eternal Joy", the different situations of the Lantern Festival in the two capitals of the Song Dynasty and the different moods of the poets constitute a bright and strong contrast, which shows the deep thoughts of the motherland, contrasts everywhere, contrasts layer by layer, and shows the characters' feelings of the past and the present and the sadness of things that have changed.
Editor: Shen Liqiong