Kou Zhun Shuhe Pavilion Wall

Shuhe pavilion wall

Author: Kou Zhun

The shore is wide and sparse, and the waves are slender. You can't just rely on the threshold of danger to think about how long it is.

The rustling trees are far from the forest, and the autumn mountains are half sunset.

Precautions:

1. This is the third of four poems (spring, summer, autumn and winter). The order before the poem shows that this poem was written when the author was relegated.

2. River, Yellow River.

3. by, by. Dangerous, high.

4, rustling, wind.

5. Danger threshold: high railing.

Appreciate:

This is a lyric poem about the scenery, inscribed on the wall of a pavilion by the Yellow River. Since autumn scenery is the main scene, it is naturally stained with some sadness.

The first sentence describes the scene on the Yellow River from three aspects. First of all, it is wide, and the banks of Wangwan Bay, which widened at low tide, were condensed into a wide shore and a vast river by the poet. Looking around, the Yellow River is magnificent and mighty; Second, it is slim, because the river is wide and the sun goes down, so it is naturally difficult to find the letter and can't see the other side; Third, sparse. There are few boats on the river. Although we can't see the lively scene of victorious battles, it makes people feel that the river seems wider and the smoke waves seem thinner. What kind of feeling can the smoke waves on the river give people?

The word "Zisi" in the second sentence answers the above questions. What is the poet thinking about leaning against the railing beside the pavilion? Maybe I thought about the endurance of the current until that day, maybe I thought that I would cross the Yellow River, but the ice choked the ferry, maybe I thought that the Yellow River fell into the East China Sea, and Wan Li, a resolute poet, might feel a little sad at this time, but when the Yellow River entered the ocean and never came back, how could he hate it until he returned?

The fourth sentence is the best sentence of this poem, full of artistic conception. Reminiscent of a sunset in Bai Juyi's Mujiang Song, half river rustling and half river red. This half autumn mountain is bathed in the soft setting sun. Although it is not as bright as the frost leaves in February flowers, it gives people a feeling of leisure, kindness and intoxication. As for the semi-invisible autumn mountain, the poet doesn't want to mention it, but what is his disappointment in front of this magnificent sunset picture of the Yellow River? At this point, how much aftertaste there is, let the readers taste it themselves.

Wang Anshi's Wall Poems by Mr. Shu Huyin _ Mr. Shu Huyin's Wall Poems

Shu Hu yin xian sheng wall

Author: Wang Anshi

The eaves of Mao Yan are long and quiet, without moss.

Flowers and trees are all planted by hand.

Fields protected by water will be green,

Two mountain platoon leaders send green.

Precautions:

1, Book: Writing, Topics.

2. Mr. Hu Yin: Yang Defeng, a hermit, was a neighbor of Wang Anshi when he lived in Jinling in his later years. The author Yuan Feng lived in Jiangning (now Nanjing, Jiangsu) (1078 1086) and was also a good friend of the neighborhood. There are two songs on this topic, and the first choice is here.

3. Mao Yan: Under Mao Yan, this refers to the courtyard.

4, no moss: no moss.

5. Ridge formation (Q): Ridge formation. Border: A field that has been trimmed.

6. Protecting fields: This refers to guarding and surrounding garden fields. According to the Preface to the Biography of the Western Regions in Han Dynasty, the western regions in Han Dynasty were cultivated and guarded by envoys.

7, will: carry. Green: refers to the color of water.

Former Shu Du Guangting's Biography of Campus Guests: [Li Jing] took the official uniform and rode away.

Zuo Liangyu lived in seclusion. Shi Wei Pailu shouted: General Zuo, you are rich! Drink me quickly!

Xu Chi's Under Qilian Mountain: Scenery as a Note.

9, send green: send green.

Translation:

The thatched courtyard is clean without a trace of moss because of frequent cleaning.

Rows of flowers and trees are filled with flower beds, all planted by their owners themselves.

A small river outside the courtyard protects farmland and surrounds green fields.

Two doors pushed open by two castle peak statues sent a piece of green.

Appreciate:

This poem is inscribed on the wall of Mr. Hu Yin's house. The first two sentences describe the environment of his home, which is clean and quiet, suggesting the elegance of the owner's life. The last two sentences go outside the courtyard, writing out the deep affection of mountains and rivers for Mr. Hu Yin, and implicitly using the two allusions of protecting fields and draining water, turning mountains and rivers into living and emotional images. Mountains and rivers take the initiative to meet people, which shows the nobility of people. Although there is no positive description of people in the poem, writing about mountains and rivers means writing about people. The scenery and people care for each other everywhere, and every sentence is closed and melted without trace. The poet's allusions are exquisite, and readers don't know the contents of allusions, which does not hinder the understanding of the general idea of poetry; The profound and interesting meaning of poetry needs to know the source of allusions in order to understand it more deeply. This paper discusses Mr. Hu Yin's selfless quality of teacher education and praises his good teaching.

The first two sentences praise the tranquility of Yang's compound. Mao Yan refers to the yard. Quiet is clean. How to write it clean? The poet refuses all plain descriptions and only uses the word "no moss", which is really unique. Why do you see it? It is rainy in the south of the Yangtze River and rainy in early summer, which is more conducive to the growth of moss than other seasons. Moreover, moss likes darkness, always grows in secluded places, and is more difficult to sweep than other weeds. Now there is no moss in the yard, doesn't it mean it is everywhere, all the time? Here, the humble image, because of the proper use of words, has an unusually rich expressive force. Flowers and trees are the most striking scenery in the courtyard. Because there are many varieties, we should plant them in separate beds. In this way, the word Chengqi not only shows the neatness of the flower bed, but also strongly implies the richness of flowers and trees, which is both neat and not monotonous.

This quiet environment is intoxicating, so when the poet's eyes move from the flowers and trees in the courtyard to the mountains and rivers outside the courtyard, his thoughts will be so distant and elegant, so the following epigram was born. The scenery in front of the door is a river, a farmland and two green hills. In the poet's eyes, mountains and rivers also have feelings for this noble master. The poet personified one river and two mountains into a kind image full of human feelings. Curved rivers surround lush farmland, just like a mother protecting her children with her hands. Protecting the word and wrapping it up looks very kind. The castle peak in front of the door saw that the yard was so neat and tidy, and the owner loved beauty so much, and they also rushed to the owner's yard to add color: pushing the door and pushing in, offering a piece of green. The poet left a famous sentence with a stroke of genius.

One water and two mountains have been transformed into a kind image full of life and feelings, which has been passed down from generation to generation. But the last two sentences are widely read, mainly because of the following two points: first, personification and description are integrated into one, seamless. A stream of water protects the field and is wrapped with words. It's like a scene where a mother protects her child with both hands. A protective word is clearly visible when you look around. As for the word "Pailu" before the Qing Dynasty, it was a stroke of genius. It not only wrote that the mountain was not only dark green, but also fascinating, but it seemed to pounce on the courtyard! This description gives readers a fresh and vivid aesthetic feeling. It also shows that the distance of the mountain is not far, just in front of Yang's compound, so it looks within reach. What is particularly touching is that the mountains are rushing, as if they had just rushed from a distance, excited and enthusiastic. These all capture the characteristics of the scenery, and all these descriptions are combined with full personification. The mood and purpose are completely like showing the scene of friends coming from afar: they rushed into the yard to give gifts without knocking at the door. The two blend seamlessly, setting each other off into interest, both strange and natural. It is both tempered and carved, fresh and meaningful, and has a long charm. Second, these two poems also conform to the image of Yang Defeng. In Qianlian, you can already see Mr. Hu Yin who is noble in character and full of interest in life. He only lives under the thatched eaves. He not only sweeps, but also sweeps for a long time (that is, often sweeps), so there is no moss; Flowers and trees grow into flower beds, not by others, but by themselves. It can be seen that he is quiet and refined, simple and hardworking. Such a noble literati, wandering between mountains and rivers, can certainly appreciate their beauty better than others and feel the closeness of one river and two mountains; The poet imagines that the mountains and rivers have feelings, and has already forged a profound friendship with Mr. Hu Yin. The title of the poem is "The Wall of Mr. Yin's Book Lake", which closely follows the theme and takes care of it everywhere, and also shows the depth of the poet's thought.

The personification of one water and two mountains in this poem is not only based on the characteristics of natural scenery, but also coincides with the specific content of life, so it is full of spirituality and has become a famous sentence in ancient and modern times.

In terms of rhetorical skills, three or four sentences can also be used as examples. Poets use rhetorical devices such as duality, personification and metonymy to describe landscapes with emotion and interest.

Landscape is a heartless thing, but the poet said that water protects the fields, mountains give green, water has a sense of protection to the fields, and mountains have a sense of intimacy to people, which makes the originally lifeless landscapes have a human touch, soft and lovely, and full of vitality. Originally, water was surrounded by green crops, but the poet did not say specific plants, but replaced them with plant colors, saying that green would be surrounded by green and surrounded by green; Cyan, which is also empty, can't be sent, but the poet said that mountains should be green, turning reality into empty and poetic. The fact is that Mr. Hu Yin's home is close to the mountain. As soon as the host opened the door, he saw the green mountain peak. But if it is written as a castle peak, there is no poetry at all. The poet put it another way, writing from the opposite side, taking the mountain as the subject, turning silence into action and creating a beautiful sentence. This is really ingenious and amazing.

Another solution:

The first sentence of the long sweep has always been interpreted as: clean frequently, long sweep usually, Mao Yan refers to the courtyard, which is quiet and clean. Because of frequent cleaning, the courtyard is clean without moss at all.

If you don't ask, this explanation makes sense because it has been used for hundreds of years. However, if we want to delve into it and connect with life, we will find that this explanation is unreasonable.

It is reluctant to say that Mao Yan is a metonymic courtyard. If scanning is regarded as cleaning, then borrowing should also be able to clean; Substitutes should also be part of the cleaning. The yard can be cleaned, but the eaves cannot be cleaned. Sorry, I often climb the ladder to sweep the eaves. Raise your hand if someone sweeps! If it's a tile eaves, if it's a cement eaves, it's okay to clean it, but the autumn wind can still sweep away the triple thatch on the house, and the thatch eaves can't be swept away. Sweep the house once and the thatch will come down. Sweep the house several times and the rain will leak. It is not appropriate to replace the courtyard with unshakable eaves.

Even if thatched eaves are allowed to replace the courtyard, moss should not be swept in the courtyard. Moss grows in wet places and adheres to other objects. You can't sweep with a broom. The moss marks on Liu Yuxi's humble room are green, which does not mean that the humble room is not hygienic. The health inspection team never grades whether there is moss. It is also inappropriate to use moss to explain that the yard is clean. In fact, some courtyards covered with moss are quiet and beautiful pursued by literati, which is also a kind of interest.

There are so many unreasonable places that we have reason to re-examine Mao's long eaves.

The common meaning of sweeping is to remove dust and dirt with a broom, and it is explained that the eaves of thatched roofs refer to courtyards, which are long and common, all for adapting to a sweeping, and it is not easy to find examples in other occasions. We should see that sweeping has another meaning, that is, painting, painting. And Zhang Hu's poem "Picking the Lingtai" is too greasy and dirty, which makes Emei look supreme. This sweep is painting. Si Kongtu's "Snuff" (II) The fighting grass in Ming Dynasty should be more joyful, and snuff cuts eyebrows. This sweep is also painting. Wang Jian's letter to Zhongshu Xue Tao School: A book for Wan Li Qiaobian Girls' School, loquat flowers are closed. It's better to lead the spring breeze than to sweep your eyebrows. This sweep is also painting.

Most people who explain Mao Yan have never lived in a cabin, so they made these excuses and left. Obviously, it is to cater to the helplessness and compulsion of cleaning.

If you jump out of the usual sense of sweeping the floor, choose painting to show that the eaves are long and clean without moss, which can be interpreted as: the eaves without moss are as long as a big pen. The grass used in the house is mostly under the tip, which is convenient for water flow; On the contrary, the water is scooped up, and the water may enter it along the grass. House grass that has not been changed for many years will rot and contain water, and grow moss. The mossy house is dying. The eaves of new houses are naturally moss-free. The grass in the new house is long and soft. If it is seen by literati, it is just a brush.

This explanation, first of all, is very troublesome. The length is still the original long eaves or the original eaves. Second, it is more poetic. An eaves without moss, a painting as long as a pen, poetic and literary. This is the reader's field of vision. In fact, what Mao Yan said is that the house is new; Flowers and trees grow into flower beds, indicating that the owner works hard. The house is new and the flowers and trees are planted by hand, which means that the owner is full of enthusiasm for life.

The whole poem is about a fresh and quiet life. Re-interpret a scanned word to make it a description and a dynamic and aesthetic metaphor. Compared with sweeping the yard, the tension of poetry is much greater.

Spring Festival Evening Shu Wu Bi

Guanxiu Spring Festival Evening Shushan Jiawubi

One room in Chai Men is quiet and fragrant with fragrant rice, and after the spring rain, there is a clear sky in Wan Li.

The flowers in the yard are misty and clear, and the children are crying for Oriole in the tree.

Make an appreciative comment

The first two sentences write that Chai Men is quiet inside and outside, and the smoke is curled up; The smell of yellow rice comes to the nose; After a spring rain, farmers who don't go against the farming season naturally want to rob the soil for spring ploughing, so Chai Men also appears silent. It can also be seen that the spring rain falls in time, the weather is sunny in time, and farmers grab the soil in time, not to say that they like the rain, but to see how they feel about it.

The last two sentences are written in the courtyard, and the water is misty, just like putting a veil on the court flowers, which is unclear; In Shan Ye, the flowing water is so crisp and pleasant; The birds hiding in the nest from the rain flew to the branches again and sang happily; A child came out of Chai Men, crying to catch birds. All this is about the scenery after the spring rain and the love for the rain. Not to mention the misty scenery and the sound of water, it's just the sound of warblers in the trees. The warbler in the tree is still so jubilant and noisy that it makes the children cry. It is even more conceivable that the farmers in the field are scrambling to plow the fields.

Late spring is a busy season for families in mountainous areas. However, the poet said nothing about farming, but wrote about peace and looked at farming from peace. Late spring is also a rainy season. After the spring rain, the happy mood is the general mood of farmers. The beauty of a poet is that he does not write about people or feelings, but only about scenery, from scenery to people and from scenery to feelings. This writing is not only closely related to the characteristics of late spring, but also short and pithy. Fang said that short poems are profound and short chapters are metonymic, which is a good poem. One of the artistic features of this poem is that it is short and pithy, simple and profound, with feelings in the scene, people outside the scene, beauty hidden in the water (Xue Xue's "A Ladle of Poems"), and vitality in a quiet place.

Guan Xiu's poems make good use of reduplication in language. For example, in his old age, Qian Shan ("Emperor Chen Qingshuxian") can get it, so people call him a monk who can get it. Another example is the vastness and complexity, the stem is worried ("Song of the Mang"), the horseshoe is kicking, the tree is rustling ("Thin Man"), and so on. This poem also has this artistic feature. In the four poems, there are three overlapping words: silence, which describes the characteristics that the mountain family is busy with spring ploughing after the spring rain is fine, and there are no idle people in every family: the flowers in the backyard are like gauze in the drizzle, and the modality is unknown; it describes the sound and rhyme of the spring water flowing. The use of these reduplicated words is not only appropriate in creating environment, drawing shapes, making sounds and expressing feelings, but also melodious and melodious, with the musical beauty of folk songs. In the beautiful and delicate poetic style of the late Tang Dynasty, this poem gives people a sense of freshness and bodybuilding. Mr. Yin's Poems on the Wall of Shu Lake

Mr. Yin's Poems on the Wall of Shu Lake

Shu Hu yin xian sheng wall

Author: Wang Anshi

Grass eaves are long and quiet without moss, and flowers and trees are planted by hand.

One water protects the field and surrounds the green, and two mountains send green.

Precautions:

1, Book: Writing, Poetry.

3. Mao Yan: Under Mao Yan, this refers to the courtyard.

4, no moss: no moss.

5. Ridge formation (Q): Ridge formation. Border: A field that has been trimmed.

7, will: carry. Green: refers to the color of water.

8. Exhaust (T): Open the door. Lu: Xiaomen. Biography of Fan Guan in Historical Records: Gaozu was seriously ill and hated people, and he was in the Forbidden City. Those who petitioned the family could not get close to the courtiers. Dare not enter the court. More than ten days later, the minister also came. Justice of Zhang Shoujie: Lu, the small gate in the palace. Former Shu Du Guangting's Biography of Campus Guests: [Li Jing] took the official uniform and rode away. Zuo Liangyu lived in seclusion. Shi Wei Pailu shouted: General Zuo, you are rich! Drink me quickly! Xu Chi's Under Qilian Mountain: Scenery as a Note.

9, send green: send green.

Poetic:

The thatched courtyard is often cleaned,

So clean without a trace of moss.

Rows of flowers and trees are covered with flower beds.

It was planted by the owner himself.

A small river outside the courtyard protects the farmland.

Around the green fields.

Two doors pushed open by two green hills brought a piece of green.

Appreciate:

The first two sentences praise the tranquility of Yang's compound. Mao Yan refers to the yard. Quiet is clean. How to write it clean? The poet refuses all plain descriptions and only uses the word "no moss", which is really unique. How can I see it? It is rainy in the south of the Yangtze River and rainy in early summer, which is more conducive to the growth of moss than other seasons. Moreover, moss likes darkness, always grows in secluded places, and is more difficult to sweep than other weeds. Now there is no moss in the yard, doesn't it mean it is everywhere, all the time? Here, the humble image, because of the proper use of words, has an unusually rich expressive force. Flowers and trees are the most striking scenery in the courtyard. Because there are many varieties, we should plant them in separate beds. In this way, the word Chengqi not only shows the neatness of the flower bed, but also strongly implies the richness of flowers and trees, which is both neat and not monotonous.