Appreciation of Mochou Hall without Title
Li Shangyin's Seven Laws Untitled is the most mature in art, which can best represent the unique artistic style of his untitled poems. These seven laws are untitled, and the content is to express the bitterness of young women's frustrated love, the hopeless depression of lovesickness, and the way the heroine remembers late at night. Therefore, the heroine's psychological monologue constitutes the main body of the poem. Her life experience and some specific events in her love life are expressed through memories, either implicitly or explicitly.
This poem focuses on the heroine's life experience and feelings, and its writing is very general. From the beginning, put aside the specific situation and write from the environment and atmosphere in which the heroine lives. Curtains are hung deeply, and the silent room is shrouded in silence at night. The heroine, alone in a quiet room, thinks about life, tossing and turning, and feels that the quiet night is long. Although there is no positive description of the heroine's psychological state here, through this quiet and lonely environment, readers can almost touch the heroine's inner world and feel a nameless bitterness in the room with deep curtains. ?
Zhuanlian went on to write the heroine's review of her love experience. The first sentence of Wushan Goddess dreamed of meeting the King of Chu, and the next sentence used Yuefu's "Fairy Song Qingxi Sister-in-law Song": "Sister-in-law lives alone and has no lang." In retrospect, although I had my own fantasies and pursuits in love, like the goddess Wushan, it was only a dream in the end; Until now, just like sister-in-law Qingxi, Lang has no one to live on. Although this couplet uses two allusions, it hardly makes people feel the traces of useful classics, and really reaches the level of taking the classics as their own. In particular, although it is very general, it is not abstract, because the myths and legends contained in these two allusions can arouse readers' rich imagination and association. The words "original" and "original" in the two sentences are quite obvious. The former implies that she had not only pursued in love, but also met briefly, but they all became dreams in the end, so she said "it was a dream"; The latter seems to imply that although she still lives a life without any support, people talk a lot about her, so saying "no lang" seems to contain some meaning of self-defense. But the two meanings mentioned above are vague, and it is not easy to find body odor without careful consideration.
The necklace changed from an unfortunate love experience to an unfortunate life experience. This couplet uses two metaphors: it is like a weak diamond branch, but it is partially destroyed by the storm; It is also like a fragrant and beautiful laurel leaf, but there is no moon dew to nourish it. The implication of this couplet is obscure, which seems to imply that the heroine is destroyed by the evil forces in her life on the one hand, and she can't get the sympathy and help she deserves on the other. "Unbelief" refers to the destruction of rhombic branches by knowing that they are weak and seeing the fierceness of "storm"; Who teaches could have moistened the laurel leaves, but it didn't. See the ruthlessness of Moon Dew. The wording is euphemistic, but the meaning is extremely painful.
Love and dreams meet, life experience is so unfortunate, but the heroine has not given up the pursuit of love-"I know this kind of love will not have any result, but it can comfort my soul!" "Even if lovesickness is completely useless, you might as well be infatuated and disappointed for a lifetime. In the case of near disillusionment, we still insist on pursuing, and the unforgettable "acacia" can be imagined.
? Since the middle Tang Dynasty, poems describing love and pornography have gradually increased. This kind of works are characterized by more narrative elements, stronger plots and detailed descriptions of characters and scenes. Li Shangyin's love poems, on the other hand, are mainly lyrical, focusing on the subjective feelings and psychological activities of the protagonist and showing her (his) rich and complicated inner world. In order to strengthen the vividness and vividness of lyricism, it is often necessary to weave some plot fragments into poems and incorporate certain narrative elements into lyricism. This greatly increases the content density of poetry, forming a contradiction between short system and rich content. In order to overcome this contradiction, he had to greatly strengthen the leap between poems, and use metaphor, symbol, association and other means to strengthen the suggestibility of poems. This is an important reason why his love poems are not obvious and difficult to read. But because of this, his love poems often have the characteristics and advantages of profound meaning, profound artistic conception and delicate writing, which can stand repeated chewing and playing.
Whether untitled poems are entrusted or not is a complicated problem. It is completely against the law of artistic creation to leave the overall artistic image of poetry, grasp a few words in it, and add some concrete people in real life to make a speculative explanation. As in the same way, Untitled Light Phoenix Yarn, Fragrant Double is interpreted as "Liu's surname" (referring to the poet's curtain master) and "Southwest" as "Shu's land", thus, Untitled Light Phoenix Yarn, Fragrant Double and Untitled Light Phoenix Yarn, Fragrant Double are described as the poet's "going to Dongchuan, going, staying and having". But this does not prevent readers from starting from the overall image of poetry, linking the poet's life experience with other works, distinguishing different situations, and discussing some untitled poems in this respect. This song focuses on the tragic life experience of the heroine, which is dreamlike, helpless and devastated. The brushwork is ethereal and general, which is intended to be implicit, which may contain or permeate the author's own sense of life experience. Readers who are familiar with the author's life experience can easily appreciate the poet's infinite disappointment in reviewing the past. The connection between The Storm, such as simply writing about women's sufferings, seems irrelevant; However, from the perspective of metaphor and sustenance, it is easy to understand. The author's position is humble, "there is no strong proximity inside, and there is nothing to rely on outside" ("Sacrifice to Sister Xu"). Not only did he not encounter strong assistance in his official career, but he was destroyed by factional forces. Therefore, he was destroyed by the storm, and the laurel leaves were not moistened by the moon dew. He said in a poem "Deep Palace" expressing his resentment against the palace: "I don't hesitate to be thin in shade, but I know that laurel leaves are thicker than dew." The metaphor is similar to "storm" (only the meaning of "clear dew" is just the opposite of "moon dew"), which can also prove that "storm" is indeed entrusted. He Chao said that this untitled song "Tell the Truth" is more realistic. Whether this untitled poem is entrusted or not, it is first and foremost a successful love poem. Even if readers read it completely as a love poem, it will not reduce its artistic value.