The stars last night and the wind last night,
On the west side of the studio and on the east side of the cinnamon room.
Although my body doesn't have bright wings like a phoenix,
The mind acts on the mind.
Through the wine of spring, when it warms me, I will remind you how to bet.
One after another, we rolled the dice under the crimson light.
Until the drums call me to do my duty,
I got on my horse and rode away, like a water plant cut off and drifting.
Explanation: I don't have Cai Feng's flying wings, but my heart is like a rhinoceros horn, connected by a small white line.
Appreciation: The poet's two poems are obviously about his love experience. He and his lover live in two places and can't meet each other, so he said, "although my body doesn't have wings like a bright phoenix." Although they can't communicate with each other, they have reached an agreement on thoughts and feelings and communicated. "However, I feel the harmonious heartbeat of the sacred unicorn" refers to this. The following sentence is often borrowed by later generations, but it is not limited to love. According to ancient records, there is a kind of rhinoceros horn called Tong Tianxi, white as a line running through the head and tail. It is regarded as a supernatural thing, so it is called Linxi, and the imagination of "one-stop communication" comes from this. Feng Shu, a Qing man, said, "This couplet is beautiful and effective in Quincy's life." (See Review of Yingkui Method and Meridian), which shows its far-reaching influence. Appreciation of Li Shangyin's Two Untitled Poems (Ⅰ)
The stars last night and the wind last night are in the west of the studio and the east of the cinnamon room (2).
Although my body doesn't have bright wings like a phoenix, I can feel the harmonious heartbeat of the sacred unicorn.
Through the spring wine, when it warms me, I remind you how to bet, where we roll dice in groups under the crimson lamp.
Alas, it was not until the drums called me to perform my duties that I got on my horse and left like a cut water plant.
Precautions:
1, Cailou, Guitang: They are all metaphors for rich people's houses.
2. Linxi: It is said that rhinoceros has miraculous effects, and there is a white line on the corner, which goes straight to both ends.
3. Hook delivery: also known as Tibetan hook. A game in ancient December was divided into two Cao to compare the outcome. After sending the hook to the other party, it is hidden in one person's hand, which makes people guess.
4. Divide Cao into several groups.
5. Shooting: There is something to guess under the cover. Dividing Cao and shooting Fu may not really mean it, but it is a metaphor for the excitement at the banquet.
6, drums: refers to more drums.
7, it should be an official: I am still at work.
8. Lantai: that is, the secretary province, which is in charge of book cheats. Li Shangyin used to be a secretary. Literally, this sentence means riding to Lantai immediately after attending the banquet, which is similar to the flying of grass, but it also implies self-injury and falling.
Rhyme translation:
Last night, the stars were shining, but there was a cool breeze blowing in the middle of the night;
Our banquet is located on the west side of the painting building and on the east side of Guitang.
Without Cai Feng's wings, you can't compare with Qi Fei;
The heart is like a soul, and the feelings are closely linked.
Guess and play with each other, and drink spring wine every other seat to warm your heart;
Let's make a toast in groups. The candles are red.
Alas, when you listen to the five drums, you should go to court;
Riding to Lantai is like Artemisia capillaris floating in the wind.
(1) "Poetry" was written in Tang Wenzong Chenghua for four years (839), when the poet served as the provincial proofreading secretary in Beijing. This is a small official, a poet in politics.
Politically, this is still a failure. The original title is * * * two songs, and the other one is four lines. Among them, there is a sentence "I am a guest in the building, and I have a glimpse of the flowers in the Royal Garden all night", which shows the poet's nostalgia for the past.
You should be the woman in your family at the dinner party. In the Qing Dynasty, Cha thought it was "the prostitute of Wang Maoyuan" ("Lian Po's Poems"), and Zhao thought it was "his boudoir" ("The Mountain is Full of Buildings").
Explain the seven-character law of Tang dynasty) can be used for reference.
(2) Painting the building, Guitang, refers to your gorgeous building.
Linxi, a spiritual rhinoceros horn. According to legend, there is a white stripe on the horn of rhinoceros, which goes straight to the brain from the corner end. It is extremely sensitive, which means the telepathy and code communication between lovers.
(4) Sending a hook, an ancient banquet game, also known as Tibetan hook, is to guess who the hook is hidden in. Divide Cao into several groups. Shooting is also a game between banquets, placing items.
Let people guess under the towel bowl, etc. Those who can't guess will be fined.
⑤ Listen to the drums. At five or two o'clock in the Tang Dynasty, drums would come from inside and the streets would be shaken. All the shops and doors will open and drums will ring at dawn, that is, they will go to work. Keywords Lantai, the palace view of the secret realm of book collection in Han dynasty,
In Tang Gaozong, the secretary province was changed to Lantai. Turning to the crown of the tree, the grass has no roots and floats with the wind, which is a metaphor for involuntary situation.
This is a love poem. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet.
The first couplet was triggered by tonight's scene, which is a good memory of the time together at last night's dinner. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings.
The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candle Lamp Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. The intention of each other is self-evident. It's really wine that doesn't make people drunk! William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.
The whole poem is deeply emotional, free from vulgarity and colorful, beautiful and beautiful. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in the history of literature largely depends on the great and lasting influence of such untitled poems.