Song Dynasty: Xie Yi
The catkins are light and the pear blossoms are fine. Curtains hang down in the courtyard of chun yin. Bridges cross in Bixi Shadow, and solitary smoke rises in Qinglian Market.
The mirror is about love, but the heart of the piano breaks sleep. Light and cold desert invades the quilt. When I wake up with wine, my face turns red, and when I dream back to the mountain, I frown.
Appreciation
The word "thinking of a woman and feeling sad" is written. There are many poems with the theme of leaving sorrow, but this word is quite distinctive and looks beautiful and meaningful.
The above picture depicts the scenery that is enough to set off the sadness of thinking about women. "The catkins are light in the wind, and the pear blossoms are fine in the rain", and the verb predicate is omitted from the two sentences, and the word order is also reversed. The complement should be: "The wind is light in the catkins, and the rain is fine in the pear blossoms." Here, first of all, it is clear from the scene that it is in the late spring, when the catkins are blown into the air by the gentle warm wind, and the fine spring rain makes the pear blossoms with shiny water drops. However, such a beautiful spring scenery can only serve as a foil to the homesick woman who lives alone in the air, and she has no mind to watch it. Just as Tang Xianzu wrote in Peony Pavilion, "What a beautiful day it is, who will be happy?" It's true. It's been dawn for a long time, but where she lives, it's still "the curtain of chun yin courtyard hangs down". On the door, the embroidered curtain has not been rolled up, and she is still lying lazily on the bed. She had already woken up, so she was half-awake, and couldn't help looking out of the window lattice, only to see "bridges across the Bixi shadow and solitary smoke rising in the green curtain market". She finally couldn't help looking out, and her eyes suddenly fell on the "small bridge" not far from the "chun yin Courtyard". This is precisely because her lover once went from the bridge, and her home will inevitably come from that bridge, so she has looked at that small bridge many times, and she couldn't help looking again this morning. But this time, he was still disappointed. He still didn't return from the bridge. This is really like Wen Tingyun's "Sidi Township", "Only Ruan Langchun did not return." Next, she looked to the distant town again, and there was no movement, only the "solitary smoke" Ran Ran that she had drunk in the morning rose. There is a word "lonely" here, which is just a portrayal of her inner loneliness at this moment.
Appreciation II
The next film expresses Sifu's sweet feelings towards her lover. In the film "Jing Yue", the relevant allusions of Chen Xu Deyan and Princess Lechang in the Southern Dynasties and Sima Xiangru and Zhuo Wenjun in the Western Han Dynasty were used. Xu Deyan, Prince of the Chen Dynasty, Princess Shang Lechang. When Zheng Chen was in decline, Xu said to the princess, "If the country is broken, you will definitely join the powerful family. If the love is not broken, do you still meet each other? " It is to break the mirror and sell it to the city on Lantern Festival some other day. This is the origin of the word "mirror about love", which shows that Sifu is faithful to her lover and hopes to relive the old friendship. In the Western Han Dynasty, the rich Zhuo Wang Sun of Linqiong had a daughter, Wen Jun, who was newly widowed and knew the piano. When Sima Xiangru went to Zhuozhai for a dinner party, he was drunk and played the piano music of "Phoenix Begging for the Phoenix" to pick it out. Wen Jun's heart is happy, and he runs like a horse at night, and he returns to Chengdu, where he is married. This is the source of "broken heart", which means that the thinking woman recalls her meeting with her lover, which is very similar to the combination of Xiang Ru and Wen Jun, so the more she thinks about it, the sweeter she feels, and even the drowsiness fades. After she was fully awake, she felt that the morning breeze was cool, which made the "light cold desert invade the quilt." When she caught a glimpse of Yuanyang embroidered on the quilt, she couldn't help sighing that Yuanyang would never part, but now she is alone. What a helplessness! Take a break and shoot two sentences: "The wine wakes up and the face is red, and the dream comes back to the mountain and the eyebrows are green", which is to write the shape that Sifu saw in the mirror when she got up and adjusted her makeup. She remembered drinking last night because she wanted to get rid of her worries, and red clouds rose on her cheeks. Now, although the wine has disappeared, the face is still red. And just now, her dream of meeting her lover was unfortunately disillusioned. How can her eyebrows, as green as a spring mountain, not frown and frown? In this way, it is even more memorable to conclude with her description of self-pity and self-pity, leaving people with the impression that she is overwhelmed by lovesickness.
This word is written about a woman's divorce, focusing on revealing her inner activities; However, all of them are dyed by the scenery and its own actions, which not only has no disadvantages of conceptualization and abstraction, but also has a sense of relief and three-dimensional aesthetic effect, just like the novel portrays the characters. In addition, almost every sentence in the word is refined beautifully and naturally, and the whole word is fluent. Song Hu Zai's "Tiaoxi Fishing Hidden Words" has a cloud: "It is extremely rare to have good words and phrases in the whole article".