Riding a dust princess laughed, but no one knew that litchi came from Du Mu's "Three Poems of Crossing Huaqing Palace" in the late Tang Dynasty. The original text is: Chang 'an looks back at the embroidered pile, and the top of the mountain opens a thousand times. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
Looking back at Chang 'an, Mount Li is like piles of splendid scenery, and thousands of doors of Huaqing Palace on the top of the mountain are opened in turn. As soon as I rode, the smoke billowed and the princess smiled. No one knows that the south has sent litchi fresh fruit.
In fact, "litchi lai" is not unknown, at least "concubine" knows, "riding it" knows, and there is another emperor who doesn't mention it in his poem. This writing is to show that this matter is very important and urgent, and there is no reason for outsiders not to know. This not only exposed the absurdity that the emperor did everything he could to please his favorite concubine, but also echoed the unusual atmosphere rendered earlier. The whole poem does not need difficult words, allusions and carvings. Simple and natural, profound and powerful. It is a masterpiece of history in the quatrains of the Tang Dynasty.
works appreciation
The whole poem begins with "looking back", setting suspense at different levels, and finally uncovering the mystery with "no one knows". This not only exposes the absurdity that Emperor Tang Ming did everything he could to please his favorite concubine, but also echoes the unusual atmosphere in front of him. The whole poem is full of difficult words, beautiful and delicate, lively and natural, and profound, implicit and powerful. It is indeed a masterpiece in the quatrains of the Tang Dynasty.
One of "Crossing Huaqing Palace": Chang 'an looks back at the embroidered pile, and the top of the mountain opens a thousand times. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. Different from the above two poems, this poem uses the special image of "litchi", which makes the imperial concubine proud of her love, and the absurdity of the emperor's doing everything he can to please her. The post rider is sweating and miserable.
Through the unique perspective of seeing the big from the small, the whole poem chooses the dramatic conflict between "riding the world of mortals" and "concubine laughing" to set off the central theme of the whole poem, and its wonderful conception and layout are amazing. Of course, there are many other special writing methods that we need to savor slowly.