Here, south of the Yangtze River, there is a red orange tree. The danju in the south of the Yangtze River is flourishing and evergreen all the year round after winter. It has both the warmth of the south and the nature of pine and cypress. The recommended guests will be praised. How can the mountain be blocked by water? Fate is often different, and the mystery of causal cycle is difficult to find. Just that peaches and plums have fruits and forests, isn't Dan orange cloudy?
Note 1: auxiliary word. Chilling: indicates the characteristics of cold resistance. Recommended: Jin Fengyi. Tree: planting intention.
In the first two sentences here, a red orange tree grows south of the Yangtze River. In his appreciation poem, the poet praised the dried tangerine peel with full enthusiasm for being able to stand the test of severe winter, and painted a beautiful picture of the orange forest in the south of the Yangtze River, forming a beautiful artistic realm. Citrus is a top fruit tree, which can resist severe winter and frost and is evergreen all the year round. Therefore, the poet's metaphor for Dan orange is profound. This is the poet's analogy to Chenpi's character of "being ordered not to move" and "being horizontal but not flowing". Here, the poet not only describes the appearance of citrus, but also deliberately shows its indomitable spirit, realizing the organic combination of form and spirit. At the same time, what is presented to readers is not an orange forest, but an orange forest. The poet is describing a "collective portrait" including himself. This makes the artistic conception of the poem more profound and open, and the image more tall and vivid.
In three or four sentences, write the characteristics of dried tangerine peel. The poet told readers that the citrus in winter is green, not because of the warm climate in the south of the Yangtze River, but because of its cold-resistant nature. Here, the poet adopts the form of question and answer, which is natural and surprising, and the answer is particularly interesting, and briefly summarizes the characteristics of dried tangerine peel itself. On the one hand, the poet skillfully pointed out the cold-resistant nature of citrus, and at the same time used it as a metaphor for the poet's noble virtue. This is the beauty of the poet's soul based on the nature of citrus. It is not only a self-portrait of the hero in the poem, but also a portrayal of the moral character of Qian Qian's absolutely upright intellectuals at that time. As a result, the theme of this poem deepened.
The following six sentences are narrative and lyrical. These sweet oranges could have been sent to distant places and presented to distinguished guests, but the mountains overlap and the passage is impassable. The implication is that he could have recommended a sage to the court, but the road was blocked. These two sentences are wonderful and natural, leaving no trace. With the scenery in front of him and rich imagination, the poet shows that an intellectual who is loyal to the monarch and patriotic in feudal society is still unwilling to sink into the abyss and still cares about the precious quality of the country's future and destiny. Seven or eight sentences are the poet's judgment from emotion: fate is good or bad only because of different experiences; And this is like a natural law that goes round and round, and the truth is really elusive. This is the poet's sigh based on his own experience. The last two sentences are closely related to the sentence "luck". The poet shouted: Don't just say to plant peaches and plums. Can't oranges enjoy the cool? It is obvious that the poet is complaining for the dried tangerine peel and the sage. In other words, a sage can make a person, and he will not be worse than Li and others. These two sentences are a severe reprimand to the court for listening to slanders and not distinguishing right from wrong, and they are also the main theme of the whole poem. Because of the poet's profound insight and high artistic generalization, these two comments are very cordial and natural, profound and powerful, which greatly increases the connotation of the poem. Using metaphor to attack the disadvantages here can make people think deeply and give people great enlightenment.
Structurally, this poem is just 50 words, with exquisite conception, tight structure, lyrical freehand brushwork and ups and downs. Start with orange, end with orange knot, call first and then respond, deepen the theme. Especially in the end, the unexpected questioning shocked people and added artistic charm to the poem. Zhang Jiuling's poems are vivid in language and appropriate in metaphor, without affectation and obscurity. Liu Xizai said in "Introduction to Art" that Zhang Jiuling's poems are "unique, Li and Du Kaixian". This evaluation is very appropriate. Liu Yuxi said that at the age of nine, "I have been in peace (now Guilin) since I was a herdsman, and there was a plaintive cry; After I retired, I had the idea of being detained. Mock birds, send a message to the grass tree, and share the same wind with the poet. " It refers to this kind of "feeling poem".
Here, south of the Yangtze River, there is a red orange tree. S Creation background In the 25th year of Emperor Xuanzong of Tang Dynasty (737), Zhang Jiuling was demoted from the prime minister of Shangshu to the long history of Jingzhou. Old age was ruined by greed and infidelity. "Every time I read Han Fei's Indignation, I burst into tears" (Xu Hao's "Zhanggong Tombstone"), so I wrote down twelve kinds of feelings. Poetry: Experience here, Jiangnan, with a red orange tree. Poet Author: The classification of Zhang Jiuling's poems in Tang Dynasty: 300 Tang poems, chanting things, writing trees, containing people and personality.