Summarize the basic contents of Li Ping's quotations.

Wu Si extremely is made of delicate crickets, and the music is playing in the clear late autumn. Hearing the wonderful music, the white clouds in the sky condense and no longer linger; The Hunan-Hubei love spilled tears all over the bamboo forest, and the nine-day trip to Motome was also full of sadness. Where does this wonderful music come from? That's Li Ping playing cricket in Guodu. Like the plum rain in Kunlun, the voice is crisp, like the passionate and loud voice of the phoenix; Like hibiscus sobbing in dew, like orchids blooming in the wind, laughing softly. The cold air in front of the twelve gates of Chang 'an was completely melted by the crickets. Twenty-three strings were strung high and tapped lightly, and the heartstrings of the gods were also attracted by music. High-pitched music soared into the sky, shaking the canopy of Nu Wa's alchemy. It's like the sky was broken by a shocking stone, which led to the sound of autumn rain all over the sky. In the dead of night, music brings people into dreams, dreaming that Ping Li taught his skills to the goddess; The old fish in the lake also rose and jumped in the waves, and the thin dragon in the pool danced happily. WU GANG was deeply attracted by the music in the Moon Palace and lingered under the osmanthus tree all night. The rabbit under the laurel tree also stood there listening, regardless of the oblique flight and cold of dew! Comments: This poem was written in Yuan and six years (8 1 1) to Yuan and eight years. At that time, Li He was appointed as Feng in Chang 'an. The poet used a lot of rich and peculiar imaginations and metaphors to describe music, which was full of romanticism and breathtaking. This poem is one of the representative works of Li He's poems, and it is a famous piece describing music in Tang poetry. In the Qing Dynasty, Fu Nan's Notes on Li Changji's Poems said: "Bai Xiangshan's Pipa Trip, Han Tui's Ying Qin Shi, and Li Ping's Quotations all imitate the essence of sound. Han is enough to be surprised, Li is enough to cry, and white is enough to move. " Bai's "Pipa Story" is mainly based on the narrative brushwork and the realistic creation method; Li He's poem does not show the order of time and space, but emphasizes the earth-shattering effect of music, but it is not written abstractly, but with the help of concrete artistic images and romantic artistic techniques. Seven of the fourteen sentences in the poem describe the musical effect, and four myths and legends are used to make the artistic conception confusing. Han Yu's "Listening to the Skillful Teacher Playing the Piano" mainly describes the poet's own feelings of listening to the piano, and also uses metaphors and exaggeration, but it does not use myths and legends, so it is more realistic. Appreciation: Let's "listen" to the wonderful music in famous sentences —— Reading Li Ping's Elegance. In late autumn, somewhere in Kyoto, Li Ping set up a beautiful elegance, telling unbearable grief from the beginning, and the piano sounded like a long dike burst. Huge sound waves surge and hit people's hearts; The loud sound went straight into the sky, hitting the sky, making the idle clouds floating in the lonely mountain move and stop sadly. "An empty mountain condenses clouds without flowing" is this kind of musical effect and a prelude. Then, the first piece of music began. The rhythm slows down, the intensity weakens, and the melody is soft and long. First, ChristianRandPhillips, who was heartbroken, caressed the bamboo and wept, tears dripping on the bamboo branches. Then, Motome, a drummer and instrument expert, came. She couldn't bear to witness ChristianRandPhillips's miserable situation and listen to her sad cry. She tapped the strings to explain her misfortune and express her sadness. The story is sad and touching, and the piano is weeping. Play, the mountain is listening, the water is listening, everything is listening, and Li He is listening. Motome is playing, and so is Li Ping. At this moment, I'm afraid our poet can't tell who is playing. "Kunshan jade broken phoenix, lotus cry dew vanilla smile. The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor. " This is the second paragraph of the music. Suddenly, there was a loud noise on the string. Short, beautiful jade is as fragile as broken; It sounds like a phoenix. The purpose of describing those noble vocal bodies is to set off the elegant music of musical instruments, thus showing wonderful and extraordinary piano music. Bai Juyi used "like pouring pearls, large and small, into a plate of jade" to describe the rolling scales, which were beautiful, but not as graceful as Li He's "Lotus Crying Dew". You see, whose beauty is lovesickness and bitterness, tears are like lotus flowers. Tears roll, dewdrops roll, and scales roll. The scales roll out the sound of dew, inject aura into them, and make up for the lack of tangible silence. Dewdrops and tears make the rolling scales appeal to images, making up for the lack of sound and invisibility. Pairs complement each other, which is the best combination of poetry and music. Let's look at them again: they roll and roll and become delicate orchids. Flowers open their lips and smile at the sky; Sound bursts, exquisite string sounds ding-dong, string after string. Obviously, music is like laughter, and laughter is music. Here, music unconsciously turns from sadness to joy, just like a tearful smile. Otherwise, Li wouldn't have put Laughter of Lan Xiang and Tears and Dewdrops of Lotus together. This change has made preliminary preparations for the climax of music. This clear and cheerful voice, and the cold light and autumn warmth of the capital, went straight into the sky and touched the emperor. The music is further spread, that is, the peaks are protruding. "Nu Wa tempered the stone to make up the sky, and the stone broke the sky to tease the autumn rain." I don't know when the situation changed. Strong winds, lightning and thunder appeared together and it was raining cats and dogs. Isn't that the day when Nu Wa made up for it? Unless the emperor exclaimed? In fact, this is Li Ping's high-pitched and passionate melody. Twenty-three strings sound like everything sounds. The roar is like an avalanche, which makes the audience overwhelmed and produces illusions. Besides, the enjoyment of music has entered its territory, which has made people crazy. At this point, climax after climax, thrilling. The music here is similar to Han Yu's "Listening to the Clever Teacher Playing the Piano", mostly a rapidly declining scale. Although nature is changeable, everything has something in common. Although the two poets have different feelings about music, their understanding of this objective natural law is the same. The end of the music is also the last part of the poem. "Dream into the holy mountain to teach the gods, and the old fish dances and waves dumplings. Wu Zhi didn't look at the laurel tree and flew barefoot to the wet and cold rabbit. " We seem to be brought into a fairyland by a daze poet, listening to two experts discussing skills. It seems that Li Ping is better than his bosom friend Mrs. Cheng. A word "teaching" is not only a high evaluation of musicians, but also an unparalleled appreciation of music, which is called Yue Xian. Old fish who can't move, thin jiaozi who doesn't like to move, can't help ichalky. Maybe it's strange music. Because, I'm afraid only rigid rhythms and dry chords, or almost chaotic rhythms and unpredictable scales, can be worthy of ugly dancers and their ugly dances and produce beautiful effects. When the dance is over, so is the music. But WU GANG still held the Jade Rabbit and leaned against the laurel tree, staying up all night. They forgot the erosion of cold dew and kept listening, listening. From this guess, the ending should be from fast to slow, from strong to weak, intermittent, long and far away, and quietly stopped unconsciously. The audience was fascinated and the song was over. If you end up with "four-string ensemble, the sound is like tearing silk" like Bai Juyi's Pipa, when the audience wakes up, their minds will be clear, leaving only the feeling that "silence is better than sound" Unlike Baishi, who expresses his thoughts directly, Shi Li just has something to trust and hides it, so this poem ends with a piece. This is even more memorable, and the unique beauty of the ending means nothing.