Among Bai Pu's existing Sanqu works, there are four poems entitled "Tianjingsha".
Topic: Tianjingsha? spring
Creation year: late Jin Dynasty and early Yuan Dynasty
Author name: Bai Pu.
Genre of works: Sanqu? Short tone poem
Gongdiao Name: Yuediao
Name of Qupai: Tianjingsha
original text
Tianjingsha? spring
Warm days and breezes in the mountains in spring,
Dry pavilions and curtains.
Willow swings the courtyard.
Birds are singing, swallows are dancing, and the bridge is red with water.
Annotation translation
[Notes]
Breeze: refers to spring breeze.
Fast red: petals flying, refers to falling flowers. [
[translation]
The mountains are green, the sunshine is warm, and the warm spring breeze is blowing. The girl in the pavilion leaned against the railing and looked up, and the curtains were rolled up high. In the yard, the willows are swaying gently. Outside the yard, there are dancing Chun Yan and orioles, and the water is gurgling under the bridge. [3]
works appreciation
This "clear sand"? In spring, use painting skills to describe the scenery of spring from different spatial levels. Specifically, the spring day and spring mountain in the first sentence constitute the background of the whole picture, which is a long-range view, the foothold of the second sentence is a close-range view, and the noisy scene in the courtyard in the third sentence shows a picture full of vitality and spring, which is a middle view. The two adjectives that best embody the characteristics of spring are the warbler singing warmly and the scenery that can best live in the yard.
The character of this song should be a woman. She stood by the railing, under the curtain, peeping at the spring scenery. In her eyes, spring is more charming.
Topic: Tianjingsha? summer
Creation year: late Jin Dynasty and early Yuan Dynasty
Author name: Bai Pu.
Genre of works: Sanqu? Short tone poem
Gongdiao Name: Yuediao
Name of Qupai: Tianjingsha
original text
Tianjingsha? summer
Clouds receive rain and waves to add,
High-rise water-cooled melons are sweet,
The trees are shaded and the eaves are drawn.
The gauze kitchen is a rattan reed and the jade man is a fan. [ 1]
works appreciation
The author chose a unique angle: sketching a peaceful summer picture. The first three sentences are the first level: the clouds receive rain, the flowing water ripples, the rain turns fine, the building also appears taller than usual, the water exudes a cool breath, the melons seem sweeter than usual after the rain, and the shade of green trees hangs down to the eaves. The last two sentences are the second level, and characters appear on the screen: quietly enjoying a pleasant time. The whole poem does not have the familiar characteristics of hot and noisy summer, but depicts a quiet and refreshing scene, which makes people relaxed and happy.
The creation of this special realm is due to the author's artistic skills. Its characteristics are as follows: First, lead porcelain washing is all line drawing, simple and clear as line drawing. Secondly, the author deliberately chooses a certain time after the rain to turn the restless characteristics of summer into a static state: after the rain, clouds gather and the shade of trees droops, giving people a refreshing, quiet and leisurely feeling. Third, it is different from Bai Pu's Clear Sky Wan Li Sand? Like spring, this poem can also be described from the perspective of a woman upstairs. However, in Tianjingsha? In "Spring", the author focuses on the vision and hearing of the "characters" in the work, and this passage highlights an emotional experience. "A melon is cold in a tall building" is the unique feeling in this specific situation.
Name of the work: Yue Diao Tian Jing Sha? autumn
Creation year: late Jin Dynasty and early Yuan Dynasty
Author name: Bai Pu.
Literary genre: Sanqu? Short tone poem
Gongdiao Name: Yuediao
Name of Qupai: Tianjingsha
original text
Tianjingsha? autumn
Sunset in a lonely village,
Western jackdaw in the west, old trees with light smoke,
A small flying shadow.
Green mountains and green waters,
White grass, red leaves and yellow flowers.
Annotation translation
[Notes]
Tianjingsha: the name of the tune.
Sunset: Sunset.
Western Western jackdaw: Crows returning to the forest in cold weather.
In the shadow of Hong Fei: The shadow of a goose passes by.
[translation]
The sun has gradually set in the west, and the sunset glow on the horizon has gradually begun to dissipate, leaving only a few dim colors, reflecting how lonely and lonely the quiet village in the distance is, dragging a long shadow. The smoke from the kitchen rose faintly, and a few black crows perched on the rickety old tree, occasionally making a few mournful noises. Feathers sparkled against the sunset glow. Suddenly, a closer look shows that frost grass, flaming maple leaves and golden chrysanthemums are swaying together in the wind, and their colors are almost enchanting.
works appreciation
Bai Pu's poem Jing Tian Sand? Autumn and Ma Zhiyuan's Clear Sand? There are similarities between Qiu Si's writing style and artistic conception. Although the title of this song is Autumn, which is full of autumn meaning, there is no word "Autumn". At the beginning of this song, a picture of autumn dusk is drawn to create a quiet and lonely atmosphere, and then a typical autumn scene is selected in the form of noun juxtaposition to depict a colorful Qiu Jingtu from far to near. So far. Autumn scenery in front of readers has also changed from bleak and lonely to bright and beautiful. This song has only 28 words, but the language is concise and beautiful, with far-reaching significance. This song expresses the author's positive, optimistic and cheerful attitude towards life. It is really the so-called "don't be happy with things, don't be sad for yourself" (Fan Zhongyan's Yueyang Tower).
Bai Pu took autumn scenery as the theme of this piece, and readers can see from his rhetoric that his literary accomplishment is extremely high. The whole work consists of some beautiful natural scenes, and Bai Pu himself, like an artist with these natural puzzles, has put together a beautiful picture of life in harmony.
When writing about autumn scenery, it is inevitable to set off a bleak atmosphere. But if the whole writing is based on a bleak atmosphere, it will make readers feel bored and stressed. In order to avoid this situation, Bai Pu had a lot of trouble in choosing words. In the first two sentences, "sunset in an isolated village, an old tree in west Western jackdaw", six pictures of "isolated village" and "sunset" are used. They all represent the bleak atmosphere of autumn scenery in autumn. In order to enliven this bleak atmosphere, the author chose A Point in the Shadow of a Flying Rainbow as the end of the first half. As a result, the bleak picture turned into an active picture, and the lonely autumn scenery seemed to present another lively life. Finally, in order to strengthen autumn scenery's beautiful and charming image in the author's mind, he chose "green mountains and green waters". Use white grass, red leaves and yellow flowers as the end of the song. These two sentences use five colors: green, white, red and yellow. White grass, red leaves and yellow flowers are mixed in the two colors of green mountains and green waters. "Green mountains and green waters" is a vast picture scroll, and "white grass, red leaves and yellow flowers" is an implicit picture scroll, so patchwork, so autumn scenery, originally lonely and bleak, suddenly becomes colorful. This shows how brilliant Bai Pu's prose writing skills are.
The Qiu Jingtu depicted in this song consists of two parts: the front part is a bleak, bleak and deserted old autumn scenery, and the back part is colorful, bright and vibrant. Before and after the picture is also autumn scenery, forming a strong contrast. If we contact Bai Pu's attitude of being an official in Yuan Dynasty, it is not difficult for readers to understand why the same autumn scenery has such a huge contrast. It is similar to Hong Fei in Li Bai's eighteen pictures of seeing Pei off on a southern tour of Songshan Mountain: "Raise your hand and point. There is no sooner or later, the water will be clear. Both are metaphors of the author himself. Bai Pu didn't want to get a job in the imperial court, but wanted to fly away from that bleak, cold and lifeless place like a swan flying high. Vibrant fertile soil. Therefore, the land of "green mountains, green waters, white grass, red leaves and yellow flowers" in the shadow can be understood by readers as the author's seclusion and the scenery in his heart. The artistic conception is cheerful and peaceful, without any negative feelings, which shows that the author's love for seclusion should belong to imaginative writing. In this work, the author skillfully and quietly combines "the scenery in his heart" with
Although this song and Ma Zhiyuan's "Clear Sand? Qiu Si has similarities, but it also has its own characteristics. The first two sentences begin with Lonely Village, deliberately rendering the cold silence of autumn dusk. "Little Fast-flushers" brings vitality to the cold static picture, which makes the song show a sense of * * *. Then the poet used five colors: blue, green, white, red and yellow, from far to near, from high to low, and at multiple levels. Writing both sides in one stroke, successfully combining the bleak autumn colors with the bright autumn colors, with pleasing autumn colors as the main theme, is another masterpiece of writing autumn.
Words and songs can be divided into refined and popular. Generally speaking, the words are charming and subtle, and Qu Gui is sharp and cutting-edge. Bai Pu's poems have artistic conception of words. Although there is no such sentence as "heartbroken people are at the end of the world" in the song, the lyric hero is hidden from time to time, conveying a kind of loneliness and faint sadness in the hazy haze.
Topic: Tianjingsha? winter
Creation year: late Jin Dynasty and early Yuan Dynasty
Author name: Bai Pu.
Genre of works: Sanqu? Short tone poem
Gongdiao Name: Yuediao
Name of Qupai: Tianjingsha
original text
Tianjingsha? winter
With a loud door painting,
Half-court crescent dusk,
The waterfront in front of the snow-capped mountains.
Bamboo fence hut,
A lonely village with weak smoke and grass.
Annotation translation
[Notes]
Tianjingsha: the name of Qupai, entering the Yuediao.
Bridge Gate: A promising city gate.
[translation]
One winter evening, the city gate sounded gently, a crescent moon hung in the air, and the water in front of the snow-capped mountain was very slow. Bamboo fences and huts in fences are quiet and harmonious in this remote village.
works appreciation
This poem uses the traditional poetry creation method and forms the artistic conception of this poem. Wang Fuzhi said: "Love and scenery are two names, but they are inseparable. God is infinite in the poet's mind. " Bai Pu's poems pursue the realm of "infinite harmony" between emotion and scenery.
This song chooses a suburb at dusk as a specific environment to describe the winter scenery. At dusk in Leng Yue, the waterfront of snow-capped mountains is already chilly; The faint smoke and withered grass, the lonely hut, is also lonely and cold, and it is also a cold corner of the door, which adds a little sadness, and the air is filled with loneliness and helpless sadness. Similar to "Tianjingsha? Autumn is written in a similar way. On the one hand, they all describe the scenery word for word, but they do not directly express and state the author's feelings. The emotional implication of the work is revealed and embodied in the description of the scenery. On the other hand, they all form a distinctive picture through the image combination of natural scenery. In addition, the emotions expressed in this piece of music are not emotions with specific content at a certain moment. What it does is to write the sunset in autumn, and this one is to write that the sunset disappears behind the mountain and the new moon appears in the sky. From autumn to winter, from love to scenery, from desolation and sadness to desolate and hopeless loneliness. Perhaps people can understand the four songs of Tianjingsha not only as descriptions of seasonal changes, but also as further understanding.