1204 (four years in Jiatai, Song Ningzong), Xin Qiji, an anti-gold veteran, was sent to Zhenjiang Prefecture by an Anfu ambassador from eastern Zhejiang. In autumn, he wrote the famous work "Never Met Le Jingkou Gubeiting Nostalgia" that devoured Wan Li like a tiger. Jiang Kui's poem is the rhyme of Bu Jiaxuan's original words. Both words are works with feelings of going to the north to build a solid building, but their themes and expressions are different. Xin Ci is full of loyalty because it cherishes the past and hurts the present. Jiang Ci used ancient stories to praise Jia Xuan, and expressed his political enthusiasm for supporting the great cause of the Northern Expedition by praising Jia Xuan. The most valuable thing about this word is that it reflects the urgency of the people in the north looking forward to reunification and inspires Xin Qiji, an old man, to complete the important task of recovering the Central Plains.
The first film of the word, starting from the scenery in front of the building, leads to the tall image of Xin Qiji, an anti-gold hero, who is alone and leads thousands of troops. In three words, the mountains and rivers have not changed, and the heroes of the past have passed away. The implication is that the country urgently needs heroes to resist foreign aggression and revitalize itself. This meaning is similar to the beginning of Xin, but the writing and artistic conception are different. Xin Qiji has three sentences, heroic and heroic, not focusing on scenery, calling the ancients to see the truth. However, in Jiang Ci, the situation here is written in very neat antitheses. "Clouds are lost in the building", and Yangzhou, which is not covered by clouds in the north of the Yangtze River, reads: "Moss marks are very stone", so you can look north at your Beigushan Mountain. Very stone for liu's opposition to the whole * * * business plan. Pointing to the remains of heroes has profound implications. Baishi was careful not to follow the old path of Xin Qiji's ci. Do not spare the majestic and meaningful charm in the implicit realm of scene blending. The next three sentences: "A few rides of autumn smoke, a cold day, come and go through the ages." Inheriting the past, it is written that the ancient heroes have passed away, and only the rides in the autumn smoke and the ships in the cold wave still come and go year after year. The meaning here is similar to the three sentences in the symphonic "Dance Pavilion", which are lonely and depressing, but they spare no effort in specific writing and style characteristics. Here, the symplectic words hang the ancient front and write about things that have disappeared. The brushwork is very strong, and the feelings are directly revealed from the tone, tragic and gloomy; Here, Jiang Ci writes the scenery in front of the building with a sideline pen, sets off the dead people with eternal events, and secretly expresses his feelings outside his words, which seems sad and ethereal. The study of Jiang Ci is elegant and changeable, which can be seen here. Through this sigh, the theme of calling for contemporary heroes is naturally revealed.
If the first six sentences of Xin and Jiang are similar in nostalgia, but different in expression, then their last six sentences only retain some consistency in style, but they are self-contained in content and lyrical imagery, each with its own aesthetic significance. In the next part of Xin Ci, I will continue to reminisce about the past, draw lessons from the success or failure of the Northern Expedition of the two emperors in the early Southern Dynasties, express my political views, and show my grief and indignation at the end of the article. The basic point of Xin Ci is to convey the feelings of the original with the meaning of allusions.
Although Jiang Kui used historical allusions many times, his purpose was to create the image of Xin Qiji, a contemporary hero whom he revered, and to pin his political ideal on this widely expected hero image. From the following to the end of the article, although there are ups and downs, it is only a big paragraph and a big level in content, all of which praise Xin Qiji. The words "envoy" mean that Xin Qiji has retired to the second line and lived in seclusion for a long time, and has long fallen in love with the idyllic life with green cliffs. However, due to the change of political situation and the needs of the country, he was assigned to Jingkou, the gateway of northern Xinjiang, and his ambition of seclusion could not be realized. Here, we not only eulogize Xin Qiji's virtuous character, but also implicitly express the injustice that he has been rejected and attacked by the diehard forces of capitulationists for a long time. The last two sentences of the first part, inherited from Stay in the North Gate, describe Xin Qiji's great efforts in training and preparing for war in Zhenjiang. In the last sentence, Huan Wen in the Eastern Jin Dynasty said that "Jingkou wine is drinkable, dustpans are available, and soldiers are available" (see Shi Shuo Xin Yu, Liu cited the story of South Xuzhou), which can be described as harmonious but not astringent and reasonable; The next sentence implies the bravery of Xin Qiji's soldiers and the good management of the army by the commander himself with the pattern of the military flag. Three sentences later, he further warmly praised and praised Xin Qiji, comparing him to Zhuge Liang, a great politician and strategist who devoted himself to the great cause of the Northern Expedition and devoted himself to the country. He believed that Xin Qiji was the only one who wanted to recover the Central Plains in the Southern Song Dynasty. These three words of praise are not flattering words, but the public opinions of people of insight in the Southern Song Dynasty on Xin Qiji. At that time, it was generally believed that Xin Qiji's talent and virtue were comparable to those of the most outstanding people in ancient times. For example, Lu You's "Sending Xin You to an tang to Write the DPRK" said: "Overqualified, sighing with the past, Guan Zhong and Xiao He actually flowed to Asia"; Liu Zai's "Harmony and Waiting for Zhenjiang" says: "Officials are pregnant with the qi of the world, such as ovaries; Dose is a time-saving strategy, such as Longzhong against Zhuge. " Jiang Kui's praise of Xin Qiji's amazing courage and talent can make the Northern Expedition successful, which echoes the three sentences in Jia Xuanyuan's poem that satirize the present with the ancient and oppose the unprepared Northern Expedition, and achieves the purpose of singing peace.
Next, "Gao Jiang is faint outside the building, and I know the west road", I moved my pen and ink to the vision of Jingkou. In the Eastern Jin Dynasty, General Huan Wen went to the Western Seas, and later Emperor Wu of Song made a northern expedition to the Central Plains. The Jingkou area is an important concentration of troops and strategic materials, and it has always been a battleground for military strategists. Here, by describing the situation of this ancient and modern strategic place, the general plan and route of Xin Qiji's northern expedition are highlighted. This echoes and reflects again with Xin appositive language "Looking at the middle and remembering, Yangzhou Road is full of wind and water". Because of Xin Qiji, the author climbed the stairs and looked at the long-lost land of the Central Plains. Therefore, the following three sentences, "The Central Plains was born and gathered, God is in Beijing, and people are old, looking south at the golden drums of the Changhuai River", are straightforward and turn brushwork into the biggest topic of the Northern Expedition. In the eyes of ordinary people, Baishi is divorced from the reality of diners, but here he is not detached from dust at all. But profoundly expressed the aspirations of the people in the occupied areas in the north for the Northern Expedition. The two sentences that lead to Huan Wen's story at the end of the words are particularly meaningful for describing Xin Qiji's emotional psychology at this time. Huan Wen, a general of the Eastern Jin Dynasty, set out from Jiangling, and when he marched north to the former Qin Dynasty, he saw that the willow trees planted on the road in his early years had grown very thick. He could not help but sigh: "How can people be inferior to others?" So climb up the branch, as for tears. Here is to imagine Jia Xuan's psychological activities: Jia Xuan, what were you thinking on the eve of the Northern Expedition? You may be thinking, "I planted a willow tree in the north before crossing the south, but it must still be there today?" This imaginary pen, relying on Dai Jiaju's request to send troops to the Northern Expedition, is very subtle and euphemistic, leaving room for imagination. Most of the endings of Baishi Ci are rich in connotation, vivid in swaying and long in artistic conception, which is the result of elegant seclusion. From this deliberate study of Xin's works, we can still see his own specialties.