First of all, in the emotional tone, both poems have a strong sadness about autumn. Things are transformed, which is the shame of the country. Wan Li is sad for autumn, old and sick, and all of them are filled with sorrow between the lines, making eternal sorrow.
Secondly, in terms of structural disposition, both the first couplet and the couplet of the two poems try their best to describe Qiu Jingtu, creating a sad and sad atmosphere, making the lyric behind it logical, taking the overthrown scene as the emotional basis, taking love as the scene, and showing a wonderful idea.
Thirdly, judging from the choice of words and sentences, both poems are typical works of orthodox poetry, and the antithesis is neat and very situational, which is especially obvious in the chin-neck couplets of the two poems. For example, the couplets in Autumn Scenery One are from "waves on the river" to "blocking the wind and clouds", "ups and downs with the sky" to "grounding the ground", the necklace is from "two flowers bloom" to "a lonely boat", and "crying for another day" is from "boundless" to "homesickness" and "climbing".
Of course, there are many differences between these two poems:
For example, in emotional expression, rhythm, especially in emotional tone, Qiu Xing's sentimental atmosphere is too strong, and the realm is not as magnificent as Gordon's. The first sentence of Autumn Prosperity is low-key, which is embodied in "sadness" and "sadness", while Gordon only points out "the wind is urgent", "the sky is high" and "birds fly back" in the realm of autumn prosperity.
Ascending the Mountain is a seven-metrical poem written by Du Fu, a great poet in the Tang Dynasty, in Kuizhou in the autumn of the second year of Dali (767). The first four sentences describe the scenery, describe the experience of climbing mountains, closely follow the seasonal characteristics of autumn and describe the empty and lonely scenery by the river. The first couplet is a partial close-up, and the couplet is an overall vision. The last four sentences are lyrical, describing the feelings of climbing mountains. Around the author's own life experience, they express the sadness of being poor, old and sick, and living in another country.
The neckband hurts their life experience and reveals the meaning of metaphor, symbol and suggestion contained in the first four sentences of landscape writing. Tailian complained again, shutting down with the self-image of depression and disease. The language of this poem is concise, the whole poem is dual, and one or two sentences are still correct, which fully shows that Du Fu's mastery and application of poetic language temperament in his later years has reached the realm of tact.
The first half of the poem describes the scenery, the second half is lyrical, and the writing style is different. The first couplet focuses on describing the specific scenery in front of us, just like the meticulous brushwork of a painter, showing the shape, sound, color and state one by one. The second couplet focuses on rendering the atmosphere of the whole autumn, just like the painter's freehand brushwork, which should only be vivid and easy to understand, so that readers can supplement it with imagination. Triple expression of feelings, from vertical (time) and horizontal (space) two aspects, from wandering to sick and disabled. Quadrupling the number of white hair, protecting illness and abstinence from alcohol can be summed up as the hardship of the times is the root of poverty. In this way, Du Fu's feelings when he was worried about the country and the people and hurt the country were vividly displayed.
All eight sentences in this poem are correct. At first glance, the beginning and the end seem to be "wrong", and the chest and abdomen seem to be "wrong". After careful consideration, "every sentence in the article is law, and every word in the sentence is law." Not only "the whole article can be taught", but also "choose words and make sentences", "people in ancient and modern times dare not speak and will never speak" It is natural to win the reputation of "masterpiece" (see Hu Yinglin's poem).
Eight Poems in Autumn is a seven-character poem written by Du Fu, a poet in the Tang Dynasty. The whole poem takes "autumn" as the commander-in-chief, and describes the wandering in the twilight, the suffering of the old and sick, the wandering in the rivers and lakes, the feelings of facing the rise and fall of the country and the life experience brought by the bleak autumn colors; Write the memories of Chang 'an's prosperous times, and the sadness brought by the comparison between the past and the present; Writing about the fate of the country, witnessing the destruction of the country, there is nothing I can do, and I can only recall the sadness and depression of Beijing from a distance.
The whole poem is full of sadness and sorrow, and has a noble and beautiful artistic conception. Metric precision, colorful Hua Mao, gloomy and tragic, profound and grand artistic conception, very exciting to read, the most typical performance of Dulu's unique style, with high artistic achievements.