Back in the heyday of Kaiyuan, there were thousands of families in the small town.
Rice is fat and white, and public and private warehouses are rich.
There are no wolves and tigers on the road in Kyushu, which is a good day to travel.
Wan Qi, Lu Mao, driver class, male plow female mulberry.
The sage in the palace plays the cloud gate, and all friends in the world are sticky.
There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Do you smell a piece of silk worth 10 thousand yuan? Today, a field is bleeding.
Luoyang Palace was burnt out, and the Fox and Rabbit Cave was newly demolished in the ancestral hall.
I can't bear to ask my age, but I'm afraid I'll leave at the beginning.
My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title.
Zhou Xuan zhongxing looked at my emperor and shed tears. Jianghan was exhausted.
Guan Zhen's poetic circles are rich in details, and the four outstanding poets in the early Tang Dynasty are magnificent. Retro and elegant, Zhang is the most distinctive one in the literary world of the early Tang Dynasty. His poems create a kind of artistic beauty. Zhang is a poet at the turn of the early Tang Dynasty and the prosperous Tang Dynasty. Although there are not many poems, his position in the history of poetry was established by a song "Moonlit Night on a Spring River", and he also showed us the different styles of Tang poetry. Zhang's works are more beautiful, ethereal and charming. Magnificent with sadness, deep and confused, hazy artistic conception, arises spontaneously.
In the prosperous Tang Dynasty, poetry became more abundant.
In the heyday of Tang Dynasty, Tang Wenhua entered its heyday, and was able to accept all rivers and export actively. Confucianism, Buddhism and Taoism develop together and coexist harmoniously. This also deeply influenced the poets in the prosperous Tang Dynasty.
Traditional Buddhist poets represented by Wang Wei created the pastoral feelings of Tang poetry. His poems are the most unique, mainly rural, especially the poem "Living on a Mountain in Autumn", which is quiet and elegant in Ming Xiu. The poetic style is pure as a mirror, ethereal and Zen. Wang Wei is lonely, but his loneliness is different from that of Chen Ziang. He is pursuing loneliness and enjoying it, so the loneliness in Wang Wei's poems has become a kind of leisurely beauty.
Meng Haoran's seclusion is another poetic style. Although he is as good at writing pastoral poems as Wang Wei, Meng Haoran is closer to life, such as Passing through the Old Village. He is more simple than Wang Wei.
William Wang, Wang Changling and others turned the bold into magnificent, and we are familiar with Liangzhou Ci and Chusai. They write more frontier poems, have deep patriotic feelings and actively join the WTO.
Cui Hao's poems have a strong personality; Gao Shi's poems are generous and tragic; Cen Can's poems are magical and magnificent ... and the two most representative figures in the prosperous Tang Dynasty are naturally Li Bai and Du Fu.
Du Li is a representative of Taoist poets and Confucian poets. Li Bai's poems are full of imagination and bold, but fresh and elegant, with a bright spirit; Du Fu is skillful in writing poems, which can be described as superb. In content, he attaches importance to realistic criticism, and his poetic style is gloomy and frustrated, but it also has a natural side. Du Li and his wife represent two different poetic styles.
Most people in the middle Tang Dynasty witnessed the prosperity of Kaiyuan and experienced the Anshi Rebellion. At this point, the style of Tang poetry has undergone great changes, losing Li Bai's confidence and grandeur, Du Fu's anger and profundity, and more of a lonely and cold mood, and poetry creation began to move from vigorous to elegant.
Wei's poems are still at a crossroads, full of the charm of the prosperous Tang Dynasty, a little more elegant and idle; Liu Changqing and Dali Ten Talented Persons are cold and lonely; Han Meng's poetic style emphasizes strangeness; Li He's feelings are gloomy, and his poems are deep and remote in Leng Yan.
Liu Yuxi and Liu Zongyuan are two representative figures with distinctive features in the poetry circle in the middle Tang Dynasty. Both of them spent their whole lives in relegation and were very angry. However, the optimistic Liu Yuxi's poetic style is concise and lively, while the paranoid Liu Zongyuan is even more sad and heavy. Similar experiences, different poetic styles.
Bai Juyi and Yuan Zhen are also outstanding representatives of the poetry circles in the middle Tang Dynasty. Bai Yuan's poetry school is more realistic and popular, which is in sharp contrast with the eccentricity of Han Meng's poetry school.
With the decline of the national power of the Tang Empire, the style of Tang poetry has become more and more narrow. The works of poets in the late Tang Dynasty are not creative, but their imagination is a little thin, the content is narrow, the poetic style is hazy and elegant, and the content begins to move towards love. This stage is represented by Li Shangyin and Du Mu.
Throughout the history of Tang poetry, we can easily find that not all Tang poems are bold, but their themes, contents, styles and feelings are diversified. In terms of content, there are basically several categories, such as chanting history, expressing feelings, lyricism, realism, criticism and exhortation. Styles are tragic, bold, high-spirited, bold, straightforward, fresh, elegant, beautiful, fragrant, soft, hazy, elegant, simple, deep, weird, wonderful, desolate and cold.
Many people think that Tang poetry is confident and heroic, so they infer that Tang Wenhua is magnificent. It is true that the culture of the Tang Dynasty is indeed more confident and freer than other dynasties, but if we admit this argument according to this argument, then where do we put a lot of Du Fu, Liu Zongyuan, Li He and Li Shangyin who criticize reality?
If someone uses these poetic styles as counterexamples to fight back, how can we justify ourselves?
From Wang Luobin, Wang Bo to William Wang, from Gaoshi Cen Can to Wang Zhihuan, from Li Bai to Liu Yuxi, in their bones, their self-confidence and atmosphere, high-spirited and optimistic, positive attitude towards joining the WTO, and the spirit of going forward and struggling, with the flying of wolf hair, jumped from paper and spread through the ages. This was inseparable from the open Tang Wenhua at that time. However, if we evaluate Tang Wenhua at this point, we can't help but pay too little attention to the Anshi Rebellion and the subsequent decline of the Tang Dynasty. The Anshi Rebellion is an unprecedented disaster, and culture is the mirror of political economy, which has the greatest influence. After the Anshi Rebellion, the Tang Dynasty also had a history of more than one hundred years. Is poetry in this long period really as confident and passionate as it was in the heyday of Kaiyuan? Especially in the late Tang Dynasty, poets declined as a whole, and their poetic style gradually narrowed. There were almost no other people in the poetry world except Li Shangyin and Du Mu, so this embarrassing situation had to be thought-provoking.