Author: Li Bai
In one hundred and forty years, the ability of the country was impressive.
The faint Five Peaks Pagoda, towering across the Three Rivers.
Governors are like stars and moons, and guests are like clouds.
In the Golden Hall of Cockfighting, you can sit on the edge of Yaotai.
Move to shake the sky and command to return to the sky.
When Tu Tu suddenly lost his way, he gave up the donation.
The unique Yang Zhi Ji, the closed grass is too mysterious.
Appreciate:
From the content point of view, this poem is when Li Bai Tianbao was in Chang 'an at the beginning. From the founding of the People's Republic of China to this time in the Tang Dynasty, the number of years was * * * 120 years, which was inconsistent with the number of years mentioned in the poem. The word "forty" may be wrong. As far as the numbers often quoted in ancient poems are concerned, they should be "twenty" or "thirty".
During the years of Kaiyuan and Tianbao, it entered the so-called "prosperous Tang Dynasty" in history. On the one hand, the Tang dynasty reached the peak of prosperity, on the other hand, it gradually showed a crisis from prosperity to decline. With its unique political sensitivity and poetic style, the poet shows us a true historical picture full of decline in prosperity.
The poem begins with the development history of more than 100 years in the Tang Dynasty. The first four sentences are a section, which focuses on outlining the glorious face of the Tang Dynasty empire. The poet only uses the words "one hundred and forty years" to infer the rich historical content behind the poem, such as "the rule of Zhenguan" and "the rule of Kaiyuan", and inspires people to appreciate and know themselves with the phrase "how impressive the national capacity is". This is a virtual writing method and a very economical pen and ink. However, it is easy to be empty, so the following sentence "faint" is changed to the method of real writing, and the extremely expressive side-the grandeur of the palace building in Chang 'an Capital City is chosen, which gives people a concrete feeling of "impressively" and "national capacity". Ten words, every word is accurate. "faint", see the layers of the deep palace; "e-e", see Wei Ba's not modest architectural view; "Wufeng Building" shows exquisite beauty; Crossing the Three Rivers shows its dragon and tiger power. The poet intends to put Li Hong's architecture on a broad background to increase its magnificent feeling. The four short poems, combined with reality and reality, have made the Tang Empire stand in front of us with its majestic appearance and momentum after more than a hundred years of development, and people have to admire the poet's great artistic generalization.
The following six sentences "princes" turn to the description of powerful people. The word "prince" is very popular. The splendid list of the princes in the shape of stars and moons also seems to show their arrogance and arrogance; With the gathering and scattering of guests, it seems that they are scrambling to compete. They are all very good at using comparison, and they have wonderful effects of vivid expression. The word "cockfighting" expresses its behavior. "Jindian" and "Yaotai" refer to the residence of emperors. "Cockfighting" and "Cuju" are all good games, and what they do is to make money by the amusement of waiters. The word "move" is arrogant. "Shake the Earth" and "Return to Heaven" depict their power and arrogance with exaggerated pen and ink, and also imply that they can control the emperor. The six poems are divided into three levels, one of which outlines the decadent and arrogant image of princes and dignitaries, and the pen and ink are very weighty. In terms of the inheritance of rules and regulations, the transition from brilliant national conditions to flaming dignitaries has received a good artistic effect: in that prosperous background, a group of decadent dignitaries are ready to move and dominate one side, which can't help but make people feel that great rivers and mountains and great prospects will be ruined alive, and this is exactly where the poet is sad and angry.
The last four sentences skillfully use Yang Xiong's story to show the poet's distinct attitude. The sentence Dangtu is a fusion of the words in Yang Xiong's Xiechao: "When Dangtu enters Qingyun, the lost ones will designate ditches. Once in power, you are a minister. Once out of power, you are a man. " It is pointed out that such powerful people will not come to a good end, and the days of pride will not last long. "Sudden" means rapid development, describing the skyrocketing. The poem "Unique" compares itself with others and gives a contemptuous glance at dignitaries. Take this allusion to express the poet's youth. Self-restraint and contempt and rejection of powerful people are simple and powerful. When Yang Xiong closed the door on Tai Xuan Guan, someone laughed at him for not getting the official position, and Yang Xiong made a "Xiechao" to answer. Among them, it talks about the relationship between the learned and the country's rise and fall: "In the past, three people went to Yin Ruins, two old people returned to Zhou Chi, and Zi Xu died and Wu died, so planting is more important." Isn't this the problem that the Tang Dynasty faced at that time? It seems that the poet's use of this code has deeper meaning.
Throughout history, the first two sentences of this poem look at the mountains and rivers, and the last two sentences look at the mountains and rivers, all of which are like climbing high and overlooking, showing their mind and boldness of vision. The six sentences in "princes" portray the image of powerful people in one go, full of color and boldness of vision. Just when the dignitaries were in high spirits, the phrase "Dangtu" was poured with a pot of cold water, which made people feel plummeting. The last two sentences just objectively set the example of Yang Xiong and accepted it coldly. But there is anger and resentment in the calm and plain pen and ink, and there is rigidity in softness. A short poem, written with great momentum, ups and downs and great momentum, shows the author's unique artistic characteristics.