Usually, when people write about a child's innocence and naughty, they can only think about how cute and naughty he is, how he spoiled in front of his mother, or deliberately said contradictory words to attract her more attention and concern.
Tagore's imagination is often unexpected, and he chose the metaphor of "golden flower" to deal with this common theme. Most great writers have this talent. They are good at digging out unusual miracles in what people take for granted.
The child wants to be naughty with his mother. He didn't use any other way, but simply turned into a golden flower on the branch, smiling and dancing, overlooking all his mother's work, so that her mother couldn't find him.
The child who becomes a golden flower doesn't want to be idle for a moment, and tries his best to make trouble and make fun of his mother. He wanted his mother to smell the flowers, but he didn't know that the fragrance came from her children. He wanted to cast the shadow of his golden flower on the page read by his mother, dancing with her point of view, but not letting her guess that it was the shadow of his own child. At dusk, the children who had had enough fun and trouble came down from the tree, fell in front of their mother and pestered her to tell stories. When the mother scolded him for where he had gone, the child replied mysteriously and proudly:
"I won't tell you, mom."
He is trying to hide the joy of naughty success!
Nothing is more lovely than a child's world. No one has a deeper understanding of childlike innocence than Tagore. This is the genius of a great poet.