The first appearance of "Late Rain" in "Late Rain and Autumn Pond" is the poet's realistic background, pointing out the poet's time and space position at that time: autumn, rainy night, Bashan; It is also a portrayal of the poet's feelings of being a stranger in a foreign land. Bashan, which refers to Shu, was still an undeveloped "wasteland" in Li Shangyin's time. Liu Yuxi, another poet in the Tang Dynasty, once lamented that "Bashan is a desolate land, which has been abandoned for 23 years". The autumn rain is continuous, the autumn night is long, the lonely and desolate land, the sadness of the poet's life experience, the feeling of wandering, the feeling of missing, just like the rain in the evening, the autumn water in the pool, trickling down and overflowing my heart.
At the beginning of the first sentence, you directly call the other person "Jun" and draw a picture of lovesickness between husband and wife from a unique perspective: Dear wife, you must be anxious to ask me when I will return to China. So, now I tell you, I don't know when I can go home. The uniqueness of this poem lies in the poet's writing of acacia from a misplaced perspective, that is, the other party may not really write to ask about the date of return, but the poet imagines his wife's missing and asks about the date of return. China's ancient poems about lovesickness often don't directly write about how to miss each other, but how to miss himself, which euphemistically expresses the poet's feelings of missing. For example, Du Fu's Moonlit Night shows his thoughts about his wife by imagining his thoughts about himself on the moonlit night. The phrase "Jun asks if he will return soon" seems dull, but it injects the thoughts of his wife into every word, which is euphemistic, affectionate and intriguing.
"Late Rain Rising in Autumn Pond" is about the environment in which he lived at that time, that is, the scenery. The poet described a specific environment in concise language: Bashan, autumn night and pouring rain. The author gives a more specific description of this environment, not only describing the rain in the sky, but also describing the rain accumulated underground. Through the realistic scenery, people seem to feel such an atmosphere: it is dark all around, it is raining cats and dogs, the pool is full, there is no intimate friend around the author, and it is raining cats and dogs, making people feel lonely and desolate. This intermittent autumn rain makes people upset, the pool is full of feelings, and the nature author's heart is also surging. Then, the feeling of "autumn pool rising" is more than torrential autumn rain and rising pool water. Obviously, it is the emotional wave of the author's infinite yearning for his wife in sleepless nights. Therefore, there are deep feelings in the scenery, and the environment is written, but it is not just the environment. There is a word "love" between the lines. In this way, the blending of scenes constitutes an artistic realm.
If the first two sentences are written as prospect, then the last two sentences are written as future. On the night of autumn rain, the poets touched the scene, spread their wings of imagination and expressed their love with rich natural associations. The poet chose two modes here: one is the dynamic scissors, and the other is the confirmation of pronunciation. "* * * Cut the candle at the west window" depicts a beautiful picture of a beautiful night in detail and infinitely, and the word "* * *" describes the intimate mode. However, the word "He Dang" pushed the beautiful scenery described by the poet into the distance and into the void. This beautiful scenery turned out to be nothing more than the poet's yearning for it. As for when to return to my gentle hometown, everything is "irregular". This is a cruel thing and a helpless thing. This sentence is full of emotion, but it does not contain a word "emotion", which is very implicit.