The famous music poems in the Tang Dynasty include Li Qi's Listening to Dong Da's Playing Hu Jiannong and Sending a Message to the Official, Li Bai's Listening to Shu Monks Playing the Piano, Li He's Li Ping's Poems, Bai Juyi's Pipa Xing, and Han Yu's article. Different articles have their own advantages. Love, fear, sorrow and joy, sudden changes, mixed feelings, indescribable, this is Han Yu's feeling of listening to Ying Shi playing the piano. After reading the whole poem, Ying Shi's superb piano skills can be heard. No wonder Qing Fang Fu Nan compared it with Bai Juyi's Pipa Trip and Li He's Li Ping's Luoyin, and praised it as "imitating the sound to the text".
The poem is divided into two parts, and the first ten sentences imitate the sound. The first sentence is different. It doesn't mention the pianist, and it doesn't explain the time and place of playing the piano. Instead, it closely follows the word "listening" in the title and goes straight to the point, introducing readers into the wonderful musical realm. The sound of the piano curled up, soft and fine, as if young children were whispering and telling each other their hearts when they were intimate. There is some reproach in the middle, which is just an informal way to express one's love. Just as the listener was immersed in an atmosphere full of tenderness and sweetness, the sound of the piano suddenly became high-spirited and agitated, just like a brave soldier galloping into the enemy line, which seemed extraordinary. Then the sound of the piano changed from just to soft, and it was undulating and reverberating. Just like after a bloody battle, the enemy's atmosphere was completely swept away. At this time, the sky was clear, the wind was sunny, and a few white clouds were floating in the distance, and a few catkins were swaying nearby. They were floating, elusive, but fascinating. The artistic conception displayed by the sound of the piano is lofty and broad, which makes people feel endless.
suddenly, birds are singing and chirping, and the quiet environment is replaced by noisy scenes. In the midst of all the birds, a phoenix fluttered high and sang long. "If you can't climb the scale, you will fall sharply." This aloof phoenix, unwilling to associate with every bird, was bent on upward and suffered from climbing, but it still fell, and it fell so fast and miserably. Here, besides showing the ups and downs of the piano sound with visual metaphors, it seems that there are other sustenance. In connection with the following sentences, such as "wet clothes and tears", it probably contains the poet's lament about his own situation. He wrote several times to analyze the gains and losses of political affairs, hoping that the authorities would be alert, so as to get rid of the shortcomings and make great efforts to govern. As a result, he was repeatedly vilified and felt indignant in his heart. The sentence of "wet clothes" is quite similar to "this Jiujiang official. My blue sleeve was wet" in Bai Juyi's Pipa Trip, but the latter is more direct and clear.
The last eight sentences write about my feelings and reactions when listening to the piano, which set off the beautiful sound of the piano from the side. The sentence "Yu Yu" is a self-deprecating statement, stating that you don't know music and can't understand the mystery. Nevertheless, I was deeply moved by the sound of Ying Shi's piano. At first, I sat up uneasily, and then tears poured down my skirt, and Youzi kept dripping. This kind of intense emotional stimulation is really unbearable, so I pushed my hand to stop it and couldn't bear to listen. The last two sentences further render Ying Shi's superb piano skills. Ice and charcoal can't be in the same furnace, but the piano sound of the clever teacher brings people into the paradise of joy for a while, and then throws people into the hell of misery, just like throwing ice and charcoal into the listener's chest at the same time, which makes people unable to withstand such emotional fluctuations.
The whole poem is full of ups and downs, such as the tide of Qiantang River, with rough waves and endless changes. The first couplet and the second couplet, and even the first sentence and the next sentence, have great ups and downs. For example, the first couplet "is intimate with children, and the grievances are close to you", and the soft piano sound is full of harmonious tones, with the word "resentment" in the middle, which makes people feel that the waves are steep, and the gesture is full of intimacy and life. Another example is that the first couplet is more about children's affection and the second couplet is about heroism. These are two completely different voices, one is soft and the other is rigid, which constitutes a disparity situation. The third link will change again, that is, from rigid to flexible, and it will easily overlap with the first link. While realizing this ups and downs, the poet has opened up another new realm. It is lofty, broad, quiet and mellow, which is in sharp contrast with the first couplet, which is very much in love and full of affair. The sound it shows is also different from the first couplet. One of them (the first couplet) is soft and fine, purely referring to the sound; One (triple) is melodious, which is the so-called overtone. Although both of them are gentle, they have their own characteristics, which accurately reflect the changes of the piano sound. Fang Dongshu, a Qing Dynasty poet, said that Han Yu's poems were "profound and strict in usage" (Zhao Mei Zhan Yan), which is a good example.
Poems that have always written music mostly use the physiological function of human five senses to transform sounds that are difficult to capture into visual images that are easier to feel. This poem is elegant, ethereal and mellow because of its subtle voice and vivid image, but it does not stick to the skin and flesh. The outstanding performance is: while imitating the rhythm of sound, we pay great attention to discovering the emotions contained in it. A good piano sound can be both pleasing to the ear and pleasing to the eye, and can be empathetic. A good piano sound can not only paint the sound, but also "paint the mood" and "paint the ambition" to describe the situation expressed by the piano sound one by one. Poetry, while imitating the voice, either shows the tenderness of children, or imitates heroic aspirations, or is full of attachment to nature, or contains extraordinary thoughts and frustrations, and so on, all of which show deep affection.
Han Yu is a creative literary master. When he writes poetry, he can get rid of restraint and find his own way. This poem is unique in terms of creation and diction. In terms of creation, it shows readers two big realms: one is the realm in the music, that is, the situation composed of the sound and rhythm of the music; The first is the realm outside the song, that is, the response of the music sound to the listener (the poet himself). The two are also divided and combined, just like the shadow and the shape. Thus, the artistic conception of the whole poem appears profound and meaningful. Many poems are novel and appropriate, refined and highly infectious. For example, the first two sentences are detailed in rhyme, in which the sounds of "female" and "language" are similar to those of "er" and "ru", which is somewhat confusing to read. This peculiar phonological arrangement is just suitable for expressing the lingering modality between young children. Later, the high-spirited and exciting piano sounds are changed to the "Ang", "Field", "Yang" and "Huang" of the Hong rhyme, which accurately express the feelings of the player and the impression of the listener. In addition, the staggered use of five words and seven words is in harmony with the intermittent sound of the piano, which also greatly enhances the expressive force of the poem. And so on, it is clear that the poet is ingenious and unconstrained, but all of them are obedient and perform their duties. In fact, the so-called "hard words, proper words" is also a major feature of Han Yu's poetic language. Su Shi's Inscription and Postscript on Dongpo in Song Dynasty: The poem "Listening to Yingshiqin" was also retired. Ouyang Zhonggong asked his servant, "Which is the best?" I want to answer this question. Publicly speaking, this poem is solid and beautiful, but naturally I listen to pipa poems.
In Song Dynasty, Hu Zai's Pre-Collection of Tiaoxi Fishery Hidden Conghua: Poetry in the Western Qing Dynasty says that Yihai, a monk of the Three Wu Dynasties, is famous for his piano. On June 1st, a layman asked Dongpo, "Which is better, Qin and Poetry?" Dongpo replied with "Listening to Ying Shiqin", and the public said, "This is just listening to pipa ears." Or to ask the sea (by pointing to the monk's righteous sea), the sea said, "Ouyang Gong was a heroic generation, but his language was wrong." "Love your children's words, and your grievances are like yours", and your words are soft and thin, and your true feelings are also seen. "Rowing becomes magnificent, warriors go to enemy fields", and the spirit is overflowing, so listen to it. "Clouds and catkins have no roots, and the heavens and the earth are wide and far away." It's abnormal, and it's vast and natural. "A hundred birds are buzzing, and suddenly I see a lonely phoenix," and I see the clever solitary, and the slang is also different from the customs. "We can't be measured when we climb, but when we lose power and influence, we will fall sharply.". They all refer to the beauty of the silk sound, but the piano is natural. Pipa lattice on the sound, Wu Neng Er evil? It's interesting to retreat deeply, and it's not easy to criticize. "
In Song Dynasty, Wu Zeng wrote "A Random Record of Changing Zhai": I said that the number of sounds in Yihai was beyond the reach of pipa, which was right; It is not true to know the true meaning of the piano. In the past, Chao Wu-chiu said that those who tasted the good piano said, "The floating clouds and catkins have no roots, and the heavens and the earth are as wide as the sky", which is a pan-sound, not a silk, but also a wood. "A hundred birds are buzzing, and suddenly I see a lonely phoenix" is a sign for the pan-sound, and "I can't climb the scale" is a sound for the songs. "Fall from power and influence has plummeted" is also the sound of the calendar. It is the most difficult to work in the piano. " Hong Qingshan also tried to quote, but the unknown came from classical. What Yi Hai knows is that the situation is clear and evil!
Xu Yanzhou's Poems by Xu Yi in the Song Dynasty: "The floating clouds and catkins have no roots, and the heavens and the earth are wide and far away", which is also a common sound, saying that it is not silk but wood. "Hundreds of birds are buzzing, and suddenly I see a lonely phoenix", and my fingers are heard in the pan-sound. "You can't climb on the scale", and you can't sing. "Fall from power and influence has plummeted", and the sound is also smooth. Servants don't know the piano, and those who know how to be good at it are the clouds. These sounds are the most difficult to work. After Wen Zhonggong and Dongpo talked about this poem and listened to the pipa poem, later generations followed suit, Liu Xiahui could, but I couldn't. Therefore, it is special to discuss it, and it is less to retreat.
In Song Dynasty, Chen Shan's "A New Talk about Qin louse": Teach yourself to play the piano, and you will get the method of writing. The beauty of the article is that it can conceal setbacks, make people read it and be tireless. Han Tuizhi's poem "Listening to Ying Shiqin" said: "I am intimate with my children's language ... and I have fallen into a slump." This setback method is also. Retreat the book with Li Ao and use it as a method.
in the song dynasty, Lou key's "attack on shame, Xie Wensi, Xu Shangzhi's stone letter < Guangling San >": Han Wengong's poem "Listening to Ying Shi playing the piano" is a masterpiece of ancient and modern times. The first ten sentences describe all the songs, which must be written for Guangling San, but other songs are not enough. This Ou Gong thought it was a pipa poem, while Su Gong enclosed it as a pipa word. Both men are heaven and man, how dare they talk lightly, but they are not deeper than the piano.
In Song Dynasty, Wang Xun's "A Talk among Wild Guests": Returned to the poem "Listening to the Qin", saying, "Ne Ni's children talk ... Warriors go to enemy fields." This meaning stems from Ruan Yu's Zheng Fu: "Easy and slow, late and fast, the gentleman's way is also; Generous and open-minded, it is a festival of strong men. " Ruan Yu's intention came from Wang Bao's "Ode to Dong Xiao", praising: "What a brave man! Soft and gentle, like a gentleman. "
Jiang Zhiyi's Collection of Notes on Han Changli in Tang Dynasty in Ming Dynasty: Only four-language ears, sometimes weak bones and tender feelings, ecstasy, and sometimes claws and teeth, can be frightening and shocking. It's full of perverts.
Tang Fengding by Xing Yun in Ming Dynasty: Listening to Ying Shi playing the piano is far inferior to Hu Jia by Li Jie, and is more vigorous than Pipa by Xiangshan.
Huang Zhouxing's "Tang Poetry Express" in Qing Dynasty: The wonderful sound of the piano can be described as exhausted. Why does Ouyang Wenzhong think pipa?
In Qing Dynasty, He Shang's Poems in the Wine Garden were edited again: Qin Shi said, "Love your children's words ... the world is far and wide as the sky flies", how scattered it is!
Zhu Yizun's Criticism of Korean Poems in Qing Dynasty: The wonderful sound of the piano is written into the marrow, and all of them are real. Numerous Huber called the car, and Liu Zihou aspired to be a zither master, all of which could not be compared, which can be described as a swan song in ancient and modern times. On June 1 ST, a good piano means a pipa, which has not been solved by theft. Pure is a good Tang poem. Why let du?
Cha Shenxing's Poetry Review of Chubai 'an in Qing Dynasty: There are ten sentences in a row, and each sentence has its own meaning, which is to praise the pianist, not the piano. The beauty of the piano is not to be praised, so the following article directly says "I heard Yingshi play" (under the sentence "Fall from grace").
Poems in Tang and Song Dynasties edited by Emperor Gaozong of Qing Dynasty: Writing the wonderful sound of the piano is really the essence. Numerous Huber called the car, and Liu Zihou aspired to be a zither teacher, all of which could not be reached. Uncle Yong is good at playing the piano, but he uses it as a mockery. The word "climbing" is a wonderful formula for thousands of ancient poems.
in Qing dynasty, Ye Jiaoran's "The First Collection of Poems in Longxingtang": Listen to the Clever Master Playing the Piano by Changli, with a strange setback and abnormal music, and its beauty is similar to that of Li Qi's "Hu Jia" and Changji's "Yu Yin". Sixty-one refers to the pipa, which is the most accurate.
Xue Xue's "A Ladle of Poems" in the Qing Dynasty: "Ying Shi Plays the Piano" is an overtone. Changli's imitation of the word "Ni Ni" is like the sound of a pipa, which means that "you can't climb up to the limit, but you will fall into a precipitous decline", which is beyond description. This is also true in the pipa?
Modern Cheng Xuexun's Hypothesis of Han Poems: Uncle Yong's so-called pipa-like person only has four words that are close to his ears, and the rest are absolutely unique. Poe tried to reminisce about Ou Gong's language, and even wrote a poem "Listening to the Sage and Playing the Qin", but he hated Ou Gong for not seeing it. The so-called "the big string is gentle and flat in spring, and the ox sings in the horn" is also true. To say that this sincerity is not in doubt about the pipa, but it is also tasteless. How about trying to read the poem of retreat again? Yan Zhou called it the piano ear of this world, but I don't know what it was used in the Tang Dynasty, so is it the same? If the teacher Xiang drum, will not be involved in grievances and children, and this must be known.
Gao Buying's Modern Poems in Tang and Song Dynasties: Fang Fu Nan said: According to Ji Kang's Qin Fu, there are already these sounds, and he said, "Or resentment?" And for ",not" intimate children's language "? "Be generous when robbing" is not a "warrior going to the enemy's field"? "Suddenly fluttering with light steps, if all the flowers bloom in the glorious spring breeze", is it not "floating clouds and catkins without roots"? What about "If you are away from the clear pool, if your wings swim across the cliff", or "If your husband and wife are singing in the clouds", instead of "A hundred birds are buzzing and suddenly you see a lonely phoenix"? "Participating in Zen (Tan, according to the original version of Qin Fu) is complicated, repeated and accumulated, and there is no rest between them." Does it mean that "it is impossible to climb the scale"? "or take the risk to vote, and invite the gap to become dangerous", "or hug? The oak is smooth, and the pale green is bright and clear, not "falling from power and falling into a thousand feet"? The public does not attack Qin Fu, but the understanding of Qin theory is also harmonious. Wu Yue said: Come without reason, stop without reason, and the composition is extremely strange (under the sentence of "warrior"). Extremely ups and downs, the cover is a metaphor for the beauty of its chapter (under the sentence of "falling down"). Make another stroke (under the sentence "ying Hu").