In the history of China, Qu Yuan was the first poet who wrote a lot about natural beauty and combined his description of natural beauty with his concern for the destiny of the country and people. This is a fine tradition of China's classical poetry. Mao Zedong's poems inherited this fine tradition. He is good at combining natural beauty with social beauty and expressing the content of social beauty through the vivid artistic image of natural beauty. By describing autumn scenery in Changsha and recalling his revolutionary struggle life in his youth, this word puts forward the question of "Who is in charge of ups and downs", and expresses his optimism about the future of the Chinese nation and his great ambition to take what's going on in the world as his own responsibility.
In particular, the last three sentences of this word end with a question, which skillfully answers the question of "who is in charge of ups and downs". Just like hitting water in the middle of the year, bravely throw yourself into the storm of revolution and make bold progress.
Aesthetic angle
Aesthetically speaking, sublime beauty is manifested in the external aspect, which is embodied in magnificent scenes such as tall, vast, majestic and magnificent. German philosopher Kant divided sublimity into two categories: mathematical sublimity, such as the volume of mountains; The sublimity of mechanics, such as the momentum of a storm. Chernyshevski, a famous Russian literary critic, also said: "One thing is much bigger than everything compared with it, and that is sublime." Confucius also linked "greatness" with sublimity and praised: "greatness! Yao is the king. This is embarrassing, only the sky is big, this is just embarrassing. " This kind of sublimity, broadness and magnificence is vividly reflected in the description of mountains and rivers in Chairman Mao's poems. Qinyuanchun Changsha is one of the best articles.
calligraphy appreciation
This work, written about 1954, is the representative work of Mao Zedong's calligraphy. It is regarded by calligraphers as the latest work, the most mature and highest work in Mao Zedong's poetry ink, and also the last monument in the ink we have seen. Poetry and ink are written on two pages of red letterhead, *** 15 lines. Mao Zedong's brushwork is quick and clever, but his words are independent. The whole article is blunt and elegant, fluent and fluent, and his words are a link between the preceding and the following, looking around and reaching the beauty of nature; Get rid of the tense situation, but the bones and muscles are healthy, beautiful and free and easy, the words are small and sparse, and the words are not connected, but the veins are smooth, the ink is moist, fat and comfortable, and there are no strange words, strange pens and unbiased ink. For example, one hundred couples, young and elegant, are walking slowly on the banks of Xiangjiang River, but they are ambitious. "This painting uses Fang Bi as a garden pen and Shi Lufeng as a Tibetan front. It is elegant and carefree, implicit and intriguing. The layout is dense, with lines without columns, and the lines are close to each other, which is almost equal to the blank between words. The structural pen is soft inside and rigid outside, "marking the auxiliary algae." "The book 100 words, the written test and ink color change with the book, which makes the book full of charm and perfect structure.
Scene description angle
"You see all over the mountains, and all the forests are dyed; The river is full of water, and hundreds of people compete for the flow. The eagle hits the sky, the fish is shallow, and all kinds of frosty days compete for freedom. " From the content point of view, write mountains, Woods, Xiangjiang River, ships, eagle fish and so on. There are both natural objects and animals and plants, with complete categories and full of vitality. From the perspective of landscape writing, the author has a distance from the perspective, from logic, from point to surface, from reality to nothingness, from nature to human beings.
Artistic angle
The artistic expression of China's classical poetry attaches great importance to the blending of scenes. Liu Xie said: "The taste is complicated, but it is boring when it is light." (Wen Xin Diao Long) Xie Zhen said: "Landscape is the medium of poetry, and love is the embryo of poetry; It is a poem, a few words are unified, and the vitality is endless. " The word "Poem Four Styles" has reached the realm of well integrating scenes.
main content
Uptown: Today's Tour describes the relationship between man and nature and the autumn scenery of Xiangjiang River.
Xia Kun: The author of "Back to the Past" is related to a radical group, recalling his classmates' days and expressing his thoughts and ambitions.
ideological content/level
The sublime beauty is manifested in the inner aspect, which is the reflection of a great and noble mind. Ron Girnus of ancient Rome put forward that sublimity is "the echo of a great mind" in his article On Sublime. The second half of the word focuses on lyricism, which is the expression of this great spiritual echo. This expression is first obtained through memory. ▲
Look at the sea: At first glance, this poem seems to be about scenery. But after careful reading, we can realize that the landscape is just a kind of lyrical support. Through the weather of the universe, we can appreciate the poet's broad-minded mind and grand ambition, because Cao Cao is ambitious and eager to make contributions!