What era was Qu Yuan from?

Brief Introduction of Qu Yuan (about 304- 278 BC) Qu Yuan was an outstanding politician and patriotic poet of Chu at the end of the Warring States Period. His name is Ping, and he is a descendant of Qu Xian, the son of Xiong Tong. He was born in Danyang (now Zigui, Hubei). Qu Yuan was the first great patriotic poet in China. He initiated a new era of poetry from collective singing to individual independent writing, and was the founder of China's positive romantic poetry tradition. As one of the "four famous cultural figures in the world" (Copernicus in Poland, Shakespeare in England and Dante in Italy), Qu Yuan experienced three periods in his life, Chu Weiwang, Chu Huaiwang and Wang Xiangsan, mainly in Chu Huaiwang. This period is the eve of China's imminent reunification. "The emperor of Qin is horizontal and the king of Chu is vertical." Qu was born into a noble family and was good at managing chaos and rhetoric. He was deeply favored in his early years. In order to realize the great cause of Chu's reunification, Dr. and Qu Yuan actively assisted Chu Huaiwang's political reform at home, and persisted in uniting against Qin in foreign countries. At one time, there was a situation in which the country was rich and the princes were strong. However, due to the sharp contradiction between Qu Yuan and the decadent aristocratic group of Chu State in internal affairs and diplomacy, as well as the jealousy of Shangguan doctor and others, Qu Yuan was later framed by the clique and alienated. In the 15th year of Chu Huaiwang (304 BC), Zhang Yi went from Qin to Chu. Shanxi merchants, Zilan, Zheng Xiu and others were bribed to act as spies, while Wang Huai was tricked into breaking off diplomatic relations. After being deceived, he became angry from embarrassment and sent troops to Qin twice, both of which were disastrous. So Qu Yuan was ordered to send troops to Qi State to rebuild the good relationship between Qi and Chu. Here, Zhang Yi once again went from Qin to Chu, disintegrating the Qi-Chu alliance that failed in 24 years. Chu was completely embraced by Qin. Qu Yuan was also expelled from Du Ying and went to the north of the Han Dynasty. After remembering the king for 30 years, Qu Yuan returned to Du Ying. In the same year, the State of Qin met the military attache Wang, was detained by the State of Qin, and finally died in the State of Qin. After Wang Xiang acceded to the throne, he continued to implement the policy of surrender. Qu Yuan was expelled again, exiled to Jiangnan, and moved to Yuan and Xiang. He died for his political ideal. Qu Yuan's works include Li Sao, Tian Wen, Nine Songs (1 1), Nine Chapters (9) and Evocation, with a total of 23 articles. In addition, are there any articles such as Buju and Fisherman written by Qu Yuan? It is also the longest romantic political lyric poem in the history of China ancient literature. Tian Wen is a rare and peculiar poem in ancient and modern times. It put forward 172 questions to the sky continuously, involving astronomy, geography, literature, philosophy and many other fields, which showed the poet's bold suspicion of traditional ideas and scientific spirit of pursuing truth. Nine Songs is a set of sacrificial music based on folk sacrificial songs. Most of them are from Aika. Qu Yuan's works record his persistence in the ideal of "beautiful politics" and his struggle with the decadent aristocratic groups in Chu. His ideal of "beautiful politics" is reflected in his works, that is, "only give it to others, not give it to others" (Li Sao). The so-called "meritocracy" means selecting truly talented people to govern the country regardless of rank. Taking Ning Qi's historical deeds as an example, this paper explains the rationality of selecting talents regardless of their status. The so-called "doing things without standing up" means practicing the law, that is, the law is not expensive and limiting the privileges of the old aristocracy. Qu Yuan's ideal of "beautiful politics" reflects his sharp opposition to the decadent aristocratic groups in Chu, and expresses his progressive demand of getting rid of corrupt politics. Its ultimate goal is to save the motherland from peril and make Chu embark on the road of prosperity. Qu Yuan's works also profoundly exposed the darkness of Chu politics, the decay of Chu aristocratic groups and the fatuity of Chu kings, and showed his fighting spirit of adhering to the ideal of "beautiful politics", insisting on moral integrity and "not regretting his death". At the same time, he showed his determination to care about the country and people, love the country and devote himself to the motherland. Although Qu Yuan was exiled or even exiled, he always thought about the rise and fall of the motherland and the sufferings of the people, and hoped that the King of Chu would repent and turn over a new leaf, work hard and be the master of rejuvenation. He knows that loyalty to honesty and frankness will lead to disaster, but he always "bears it". Knowing that he was facing many dangers, he could go to other countries to find a way out in the era of "using Chu materials", but he refused to leave Chu all the time, which showed his infinite loyalty to the motherland and his personality and will to "win glory with the sun and the moon". Qu Yuan is the first great patriotic poet in the history of China literature and an outstanding representative of romantic poets. As an outstanding politician and patriot, Qu Yuan loves the motherland, the people and the truth. The unyielding spirit of dying and the lofty personality of "glory for the sun and the moon" have inspired and nurtured countless Chinese sons and daughters for thousands of years, especially when the nation is in danger. As a great poet, the appearance of Qu Yuan not only indicates that China's poetry has entered a new era from collective singing to individual originality, but also his new poetic style has broken through the Book of Songs. It greatly enriched the expressive force of poetry and opened up a new world for China's ancient poetry creation. Later generations also called "Songs of the South" and "The Book of Songs" wind and coquettish. "Feng and Sao" are the sources of the two fine traditions of realism and romanticism in the history of China's poetry. At the same time, Chu Ci, represented by Qu Yuan, also influenced the formation of Han Fu. In the history of China, Qu Yuan was the most admired and loved poet by the people. According to Sui Shu's geography of continuation, Qu Yuan threw himself into the river on the fifth day of the fifth lunar month. The custom of making zongzi on the Dragon Boat Festival on the fifth day of the fifth lunar month in China originated from people's commemoration of Qu Yuan. Qu Yuan is also listed as one of the "Four Cultural Celebrities" in the world and praised by the World Peace Council and people all over the world. 5438+0953。 Mourning, Lisao and Jiuge: Jiuge, Jiuge Donghuang Taiyi, Jiuge National Mourning, Jiuge Hebo, Jiuge Ritual Soul, Jiuge ShaoSiming, Jiuge Xiangfu and Jiuge Jiuge Jiuge about the title of the article, which Sima Qian interpreted as "leaving worries" in Historical Records and Biography of Qu Yuan; Wang Yi interprets it as "Don't worry" in the Songs of the South; Approaching people is either interpreted as "complaining" or "another way to write the name" Lao Shang "in Chu State". About the writing age, some people think that it was written in the Chu Huaiwang dynasty, after the poet was alienated; Some people think that when the poet was released to Jiangnan in the Qing Dynasty. So far, there is no conclusion. Li Sao is the longest romantic political lyric poem in the history of China's ancient poetry. The poet described his life experience, moral character and ideal, expressed the anguish and contradiction that he was slandered to death, rebuked the fatuity of the king of Chu, the madness of the villain group and the ineffective governance of Japan, and showed the poet's fighting spirit of adhering to the ideal of "beautiful politics", attacking the dark reality, not colluding with evil forces and his patriotic enthusiasm to death. Ancient myths and legends are widely used in the poem, and through imagination and association, a magnificent and peculiar fantasy world is formed, which also shows the poet's roaming in the fantasy world and his enthusiastic pursuit of ideals. The metaphor of "vanilla beauty" is widely used in the poem, and the profound content is expressed with the help of concrete and vivid artistic images, which is of great artistic charm. Li Sao has a profound and realistic positive romantic spirit, which has a far-reaching influence on later generations.