The Era of Folk Song Poetry in Wei, Jin, Southern and Northern Dynasties

Compare the characteristics of folk songs in Wei, Jin, Southern and Northern Dynasties: Instructor: Production Technology? Understand people's understanding of folk song culture in Wei, Jin, Southern and Northern Dynasties and summarize it? Collect relevant information online and in libraries. ? Integrate materials, classify them, and discuss their value to this activity. ? Summarize useful information and make ppt. Cultural comparison between Wei, Jin, Southern and Northern Dynasties The characteristics of folk songs in the Southern and Northern Dynasties and their influence. From Jian 'an in the Eastern Han Dynasty to the unification of Sui Dynasty, the prosperous culture lasted for more than 400 years. This is the heyday of a culture. It is the symbol and climax of the rise of May 4th New Poetry, and the beginning of literary independence and individualization of literary creation. At this time, a new trend of thought began to rise, that is, separating literature from scholarship. Nineteen Ancient Poems is a masterpiece reflecting the personal lyricism of the literati at that time. Overview of Folk Songs in the Northern Dynasties The so-called "Northern Dynasties" in history generally began when Tuoba GUI, the Daowu Emperor of the Northern Wei Dynasty, entered the Central Plains and destroyed the Northern Yan. It ended in the ninth year of Emperor Wendi's reign and lasted about 180 years. Because there are many ethnic minorities in the north, folk songs mainly describe the nomadic life of the northern scenery and their national heroism. Due to years of war and division, the emotional tone of folk songs is also homesickness and longing for peace. An Overview of Folk Songs in the Southern Dynasties Folk Songs originated in the Three Kingdoms, Soochow and ended in Chen. There are nearly 500 songs, which are divided into two categories: "martial arts" and "traditional Chinese opera". Folk songs in the Southern Dynasties originated in the Yangtze River valley, where the climate is humid, the products are abundant, the mountains and rivers are beautiful, and the flowers and trees are flourishing, which is easy to cultivate residents' warm and romantic feelings, the pursuit of hedonic life, and the artistic interest characterized by beauty. The main content of folk songs in the Northern Dynasties is 1, which reflects the scenery and nomadic life in the North. 2. It embodies the heroism of the northern nationalities; 3. Reflect the homesickness of detainees in service; 4. It reflects love and marriage; And 4, which reflects the pain of the corvee from the collection. People's sincere and pure love life (or an affair between young men and women, or an affair that offends secular morality, or a chance meeting)? It is a fact that the artistic style of folk songs in the Northern Dynasties is generally "human nature is similar to its local style, the northwest is mountainous, and its people are generous and popular in Shandong". Most of the ethnic minorities in the north live on the plateau north of the Yellow River. The majestic mountains and vast grasslands have created the open-minded, unrestrained, rough and simple personality characteristics of northerners living here. Years of war have made people run around and tired. His folk spirit is limited to the thoughts of suffering, struggle and parting. People long for peace, stability and even food and clothing. As a result, there is not much affection and tenderness in its folk songs. The artistic style of folk songs in the Southern Dynasties? "Jingyang is full of water, and its people are smart and capable, but they suffer from shallowness." During the Southern Dynasties, the economic development and urban prosperity in Jiangnan were mostly written by boatmen. Jia Ke and his thoughts are divorced from the moral norms of Confucian classics since the Han Dynasty, and the atmosphere of the times is conducive to the development of folk love songs. In the folk songs of the Southern Dynasties, hedonic words account for a small proportion, and their tone is sad. On the one hand, in romantic and indecent love relationships, people are often blocked, separated, absently miss each other, or greedy for a while, which leads to negative emotions, so it is easy to form sad emotions. In the form of poetry, it is mainly composed of five words and four sentences, accounting for about 60%. Most of the rest are neat seven-character and four-character poems, and there are few miscellaneous poems in the form of folk songs in the Southern Dynasties? Wu Ge and traditional Chinese opera are two schools? Mainly in five words and four sentences, accounting for about two-thirds of the total. The other four-character poems and miscellaneous poems are also short in length. Short space is of key significance to the formation of vivid poetic style. The dominant five-character four-sentence format in folk songs in the Southern Dynasties also played a great role in the formation of five-character quatrains. Folk song language in the Northern Dynasties? If you understand it, the artistic generalization is very strong. ? Direct and straightforward, telling a simple and profound truth in social life. Rain and snow are raining, birds work hard, and long mouths are full and short mouths are hungry? It is famous for its simplicity, richness and strength. If a man wants to be healthy, he doesn't need many companions. Kites fly across the sky, and birds wave in two directions. Generous voicing, voicing is natural. ? Puns are widely used to avoid being too simple and straightforward. ("The mist hides the lotus, but the lotus is not clear")? Metaphor makes the feelings of poetry warm and bold, but at the same time it appears tactfully lingering, and it also increases the vividness of language and the vividness of image. The sky is like the sky, and the cage covers four fields. The sky is gray and wild. See cattle and sheep when the wind blows. Twelve songs of Xizhou (excerpts) have railings as bright as jade. The curtain is so high, rippling like sea water, empty and generally dark green. If the sea is as long as a dream, then you are sad and I am sad. If Nanfeng knows how I feel, please blow my dream to Puxi Island. Comparative summary of characteristics? Content: The folk songs of the Northern Dynasties mostly describe the heroic and unrestrained character of the nation, the heroic spirit of trying to be brave and the turbulent social situation. The content of folk songs in the Southern Dynasties is relatively narrow, with touching love as the main content? Artistic style: Northern Dynasty folk songs are rough and simple, bold and heroic. A comparative summary of the characteristics of sad, dissolute, gorgeous and lingering folk songs in the Southern Dynasties? Form: The folk songs in the Northern Dynasties are mainly composed of five-character and four-sentence styles and neat seven-character and four-character poems. Folk songs in the Southern Dynasties are mainly composed of five words and four sentences, and short words and four miscellaneous words are also very meaningful. ? Language: The language of folk songs in the Northern Dynasties is clean and clear, simple and rough, heroic and magnificent. The language of folk songs in the Southern Dynasties is lively and ingenious, and the language is natural. Rhetoric is widely used, with bright but vulgar words. Angkor Wat Xiqu? Wu Ge: Folk songs in the Southern Dynasties were mainly produced in the middle and lower reaches of the Yangtze River, centering on Jianye (Nanjing) and its surrounding areas. Most of the existing Wu Ge songs are sung by women, which vividly and intensively express the protagonist's longing for love and loyalty, the anguish of freedom of marriage, and the resentment of men's betrayal. , are the embodiment of complex feelings under specific historical conditions. Midnight song? Xiqu: Southern folk songs mainly produced in the middle reaches of the Yangtze River and on both sides of the Hanshui River, with Jiangling (Wuhan) as the center and surrounding areas, mostly describing women's lovesickness and workers' love life. The theme is wider and the style is more lively than that of Wu Ge. How did the folk songs of the Southern and Northern Dynasties, such as The History of the Three Kingdoms, Shicheng Qu, Zhu Meng, Guessing Hakka Qu, Night Cry, Mochow Qu and Xiangyang Qu, influence the later generations? The rise of folk songs in the Southern Dynasties and their spread in the upper class once again injected fresh blood into the literary creation. Therefore, from Bao Zhao to Qi Liang's literati poems, the combination of elegance and vulgarity gradually became the dominant direction, thus changing the face. Folk songs in the Southern Dynasties are also directly related to the rise of palace poems. What influence did the folk songs of the Northern and Southern Dynasties have on later generations? The real source of quatrains is the folk songs of the Southern and Northern Dynasties. In the Tang Dynasty, there appeared poets Li Bai and Wang Changling who were famous for their quatrains. Miscellaneous words in folk songs in the Southern and Northern Dynasties, such as Mulan poems, also played a demonstration role in the development of seven-character songs in the Tang Dynasty. ? In terms of expression, the folk songs of the Northern and Southern Dynasties also inspired the poets of the Tang Dynasty. For example, in Du Fu's poem "Caotang", "An old dog seems to return to me and lingers in his clothes. Neighbors like my return, and wine carries fenugreek. The official was glad that I came, so he sent someone to give him a lift and asked him what he needed. Guo Cheng likes me to come and the guests visit the market in the village. " The word "hi" is used to form a sentence arrangement, which comes from the lamp of "My parents smell the girl coming" in Mulan's poem. Thank you for watching.