Full text appreciation
This poem begins with a dialogue, which is both beautiful and detached. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill". This couplet is written "Visiting the Road" first, and then "Sailing". Between the lines, he has revealed his wandering feelings in Jiangnan and Shenchi's hometown, taking care of the "hometown book" and "returning geese" at the end of the couplet.
The second couplet's "Widening the banks at low tide" and "Widening" are the results of "tidal flat". The spring tide is surging and the river is vast. Looking around, the river seems to be flat with the shore, which broadens the horizons of the people on board. This sentence is very grand, and the next sentence "No wind stirs my lonely sail" is even more exciting. "Hanging" means hanging straight from one end to the other. The poet uses "the wind is right" instead of "smooth sailing" because "smooth sailing" alone is not enough to ensure "sailing" Although the wind was smooth, it was strong and the sails bulged into an arc. Only under the condition of downwind and breeze can the sail be "hung". The word "positive" includes both "shun" and "harmony". Xiao Jing is quite vivid in this sentence.
The third link shows that the author sailed all night at the end of the year. The tide is flat without waves, smooth but not fierce. At close range, the river is green, while at a distance, the banks are open. This is obviously a mysterious night, revealing the breath of spring everywhere. A person sails slowly and feels that it has reached the end of the night. These triple, is the performance of rowing on the river, is about to dawn.
"Day after day" and "Spring into the Old Year" both indicate the alternation of time series, and in a hurry, I can't help thinking of this poet who walked on the "guest road". These two sentences are also very kung fu. The author regards "the sun" and "spring" as symbols of new beautiful things from the perspective of refinement, emphasizes them by mentioning the position of the subject, personifies them with words such as "life" and "ru", and endows them with human will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. It not only depicts the scene truly and accurately, but also shows the universal truth of life, giving people optimistic, positive and upward artistic inspiration.
Although the first five laws were widely known as the third place at that time and spread to future generations, there were not only two beautiful sentences; Generally speaking, it is also quite harmonious and beautiful.
original text
A berth at the foot of Gubei Mountain.
Wang Wan [Tang Dynasty]
Under the blue mountain, my boat and I meandered along the green water.
Until the river bank widens at low tide, and no wind blows my lonely sail.
... night gives way to the ocean of the sun, and the old year melts in freshness.
Finally, I can send my messenger, Wild Goose, back to Luoyang.
translate
Outside the lush mountain is a walking path, and the boat sails in the green sea water.
With the rising tide, the gap between the two sides is getting bigger and bigger. The wind blows; A white sail hung high.
The night is about to fade, the rising sun has risen to the river in Ran Ran, and the Jiangnan in the old year has the breath of spring.
Where should I send my book home? Go to the north to find that wild goose, please help me bring it back to Luoyang!
To annotate ...
Time: stopping for a while during the journey means stopping.
Beigushan: In the north of Zhenjiang, Jiangsu Province, it is surrounded by the Yangtze River on three sides.
G: the journey.
Until the low tide, the bank widened: the tide rose, the bank was flush with the river, and the whole river was very open.
The wind is positive: downwind.
Hang up: hang up.
Sea Sun: The rising sun at sea.
Residual night: When the night is coming to an end.
Jiang Chun: Spring in Jiangnan.
Guiyan: the wild goose returning to the north. Wild geese fly to the south in autumn and to the north in spring every year. In ancient times, geese were used to deliver letters.
Castle Peak: refers to Beigushan Mountain.
Letter from home: letter from home.
The Origin of the Works of Complete Tang Poetry
Five-character Poetry in Literary Genre
Brief introduction of the author
Wang Wan (date of birth and death unknown), Zide, a poet in the Tang Dynasty, was born in Luoyang (now Luoyang, Henan). Xuanzong was a scholar in the congenital period (about 7 12) and was awarded Xingyang County Master Book. After that, Xingyang was recommended by the master book to compile books, and participated in the compilation and revision work of the collection department. After the book was completed, it was awarded a captain in Luoyang for its merits. There are 65,438+00 poems written by Wang Wan, the most famous of which is A Stop at the foot of the Beibao Mountain.
There are 10 poems by Wang Wan. The most famous one is "A Mooring under the Mountain of Beibao", which has been selected into several versions of junior middle school Chinese textbooks and is deeply loved by readers. He's national title is "Jiangnan Yi", and his words are quite different. This poem was written by Wang Wan when he visited Jiangnan in the year before or in the early years of Kaiyuan. Its magnificent style and broad artistic conception indicate the prospect of the healthy development of poetry in the prosperous Tang Dynasty. It is said that during the Kaiyuan period, Prime Minister Zhang said in the government affairs hall that he wrote this poem by himself, saying that "every time you show your talents, you can write it in a letter." . In the Ming Dynasty, Hu Yinglin thought that the poem "Night now gives way to the ocean of the sun, and the old year melts in freshness" was the symbol (poem) that distinguished the prosperous Tang Dynasty from the early and middle Tang Dynasties. It can be seen that this poem received extensive attention at that time and later generations. His poems, all the Tang poems, are included.