Li Bai (701～762), a poet of the Tang Dynasty. The courtesy name is Taibai, and the name is Qinglian Jushi. A native of Mianzhou Changlong (now Jiangyou, Sichuan).
Li Bai studied a wide range of subjects in his boyhood. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed the books of hundreds of schools of thought, and was "good at swordsmanship." He believes in Taoism and has otherworldly thoughts; at the same time, he has political ambitions to make contributions. Few of the poems he wrote in Shu during his youth remain, but he has shown outstanding talent. When Li Bai was about twenty-five or six years old, he traveled to the east of Shu. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River. Around the 18th year of Kaiyuan (730), he once arrived in Chang'an to strive for a political way out, but returned frustrated. In the first year of Tianbao (742), he was summoned to Chang'an by Xuanzong to serve in the Hanlin Academy. As a literary attendant, he participated in drafting documents and other work. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry creation became mature. In the next 11 years, he continued to roam in the middle and lower reaches of the Yellow River and Yangtze River, "traveling around the world and adapting himself to poetry and wine." He still cares about state affairs and hopes to regain his appointment in the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became friends. They broke up the following year and did not meet again. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai was living in seclusion in Xuancheng (now Anhui) and Lushan. In December of the following year, he was invited to join the Yongwang Li Mufu with the desire to eliminate the rebellion and restore national unity. After King Yong was angry and killed Suzong, Li Bai was also convicted and imprisoned in Xunyang (now Jiujiang, Jiangxi), and was soon exiled to Yelang (now in Tongzi, Guizhou). On the way, he was pardoned and returned home at the age of 59. In his later years, he lived in the Jiangnan area. When he was 61 years old, he heard that Taiwei Li Guangbi was leading an army out of Linhuai to attack the Anshi rebels. He also went north to prepare to join the army to kill the enemy, but he turned back due to illness on the way. The following year, he died of illness at his residence in Li Yangbing, the county magistrate of Congshu Dangtu (now part of Anhui).
Many of Li Bai's poems have been lost, but more than 900 of them are still in existence today, with rich and colorful content. Li Bai cared about national affairs throughout his life, hoping to make contributions to the country, but was dissatisfied with the dark reality. His 59 "Ancient Styles" are representative works in this regard. The dark corruption of Tang Xuanzong's late politics was extensively exposed and criticized, reflecting the sorrow and indignation of the virtuous people who had no way out. Talking too much makes you happy, and your spirit is high. Although Li Bai urgently wanted to make achievements and serve the country, he did not envy the glory and wealth, but believed that "bells, drums, food and jade are not expensive enough" ("Jian Jin Jiu"). After making great achievements, he should follow the example of Lu Zhonglian, a great scholar from the Warring States Period, and retire without any reward. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems express his concern and sympathy for people's lives. This content is often combined with criticism of the rulers. Some of his Yuefu poems reflect the lives and pains of women. They focus on the memories of missing women and their conquests. They also write about the resentments of merchant wives, abandoned wives and palace maids. His "Xun Ni's Family at the foot of Wusong Mountain", "Ding Duhu Song", "Qiupu Song" and "Heaven and Earth Illuminated by Fire" respectively depict the lives of farmers, boatmen and miners, and show his care for the working people. Li Bai wrote many poems describing natural scenery throughout his life. His "The Road to Shu is more difficult than climbing to the blue sky" ("The Road to Shu is Difficult"), "If you don't see it, the water of the Yellow River comes up from the sky and rushes to the sea and never returns" ("Jian Jin Jiu"), "The water of the Yellow River flows down three thousand "Child, it is suspected that the Milky Way has fallen into the sky" ("Wanglu Mountain Waterfall"), etc., with majestic images and majestic momentum, they are all famous sayings that have been passed down through the ages. This type of poem, just like some of his works singing about the roc, expresses his heroic ambition and broad-mindedness, and reflects his desire to pursue extraordinary things from the side. Other poems, such as "Ascend the Xie Tiao North Tower in Xuancheng in Autumn", "Sitting Alone on Jingting Mountain", and "Longing on the Qingxi River", are good at depicting quiet scenery, fresh and meaningful, and their style is close to that of Wang Wei and Meng Haoran. Li Bai also wrote many poems singing about love and friendship. His Yuefu poems often express euphemistic and deep love from the perspective of a woman caring for someone. There are also a number of poems written in memory of his wife and his wife, which are quite emotional. Li Bai sent a large number of works to his friends, including many excellent articles. Some of the poems express a clear political attitude, and more express the daily farewell and lovesickness, such as "Send Meng Haoran to Guangling at the Yellow Crane Tower", "Send Du Fu to the Sand Dune City", "I heard that Wang Changling moved to the left and Long Biaoyuan had this" "Send", "Reminiscent of the Old Travels and Send to Qiao Jun Yuan to Join the Army", "Gift to Wang Lun", etc. They are deeply emotional, vivid and have strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, most of which promote the negative and nihilistic thoughts of life as a dream, carpe diem, drunkenness and carnival, and the religious superstitions of seeking immortality, visiting Taoism, refining elixirs and taking medicine. A few of his poems about women and love have vulgar sentiments. Li Bai uses a lot of exaggeration and vivid metaphors in his poems. His poems include "cutting off the water with a knife, the water will flow again, raising a cup to relieve sorrow, and the sorrow will become even worse" ("Xuanzhou Xie Tiaolou Farewell School Secretary Shu Yun"), "The white hair is three thousand feet, and the fate is as long as the sorrow" ("Qiupu Song", etc. 15), which depicts his profound worries after the failure of Chang'an political activities, is a widely circulated famous line. He is like "Reciting poems and composing poems in the north window, ten thousand words are not worth a glass of water" ("Reply to Wang Twelve, Drinking Alone in the Cold Night"). "), writes about his unappreciated talent; "If I want to cross the Yellow River, which is blocked by ice, I will climb the Taihang Mountains covered with snow" ("The Road is Difficult"), and writes about the difficulty of official career; "The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's gift to me" ("Gift") Wang Lun"), writes about the deep friendship between friends, etc., all of which impress readers with vivid and prominent images. The imagination of Li Bai's poems is very rich and amazing.
His "The strong wind blows my heart, and the Xianyang tree hangs in the west" ("Jinxiang Farewell to Wei Ba in Xijing"), "I send my sorrowful heart and the bright moon, and follow the wind until Ye Langxi" ("Hearing that Wang Changling moved to the left and Long Biaoyuan has this" "Send"), all express the nostalgia for Chang'an and poet friends with unique imagination. "Liang Fu Yin", "Ancient Style" and "Westward to Lotus Mountain" respectively use fantasy to express the slander he suffered in Chang'an and the ravage of the Central Plains by the Anshi rebels; "Far and Away" also expresses the Tang Dynasty through confusing and confusing legends. The hidden worries of the political situation in the late Xuanzong period; they all appear vivid and profound. "The Road to Shu is Difficult" and "Sleepwalking Tianmu Yin Liu Farewell" use myths and legends to construct colorful and thrilling realms. The rich imagination of Li Bai's poetry is particularly prominent in the longer seven-character song line, in which the influence of Qu Yuan can be clearly seen. In terms of genre, Li Bai was good at ancient poems and quatrains with relatively free forms, and did not like to write rhythmic poems with strict rhythm. The 59 poems of "Ancient Style" are his representative works of the Five Ancients. His Five Ancients in Yuefu inherits the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties. His writing style is simple and vivid, and he is full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character poems and general seven-character poems) are more creative. When describing scenes, the images are majestic, majestic and colorful, while when expressing emotions, the emotions are unrestrained and exciting, jumping out of ups and downs, and changing. In terms of literary origins, this type of poetry was most influenced by Qu Yuan's works and Bao Zhao's "The Journey Is Difficult". Li Bai is good at quatrains. His quatrains were refined and improved on the basis of Yuefu folk songs of the Northern and Southern Dynasties, making them more refined. The five unique works, such as "Thoughts on a Quiet Night" and "Resentment on the Jade Steps", are subtle and meaningful. There are more works in the Seven Best Works, with clear and concise language, harmonious and beautiful tones, lyrical descriptions of scenes, and simple explanations. Such as "Yellow Crane Tower Sends Meng Haoran to Guangling", "Looking at Lushan Waterfall" Part 2, "Looking at Tianmen Mountain", "Early Departure from Baidi City", "Gift to Wang Lun", etc., are all well-known masterpieces. Traditionally, when commenting on the seven-character quatrains of the Tang Dynasty, Li Bai and Wang Changling are considered to be the best at it; Li Bai has the fewest seven-character quatrains in his collection, with only more than ten poems, and few excellent works. There are more than 70 Wulu poems, and some of them are very well written, which shows that he can write rhythmic poems, but he doesn't like to write too much. Although Li Bai's Yuefu poems used old Yuefu inscriptions, they were able to come up with new ideas. Among those who wrote poems with ancient Yuefu inscriptions in the Tang Dynasty, Li Bai's achievements should be considered the most outstanding. Although some of his song lines and quatrains do not use Yuefu titles, they are still full of the flavor of Yuefu poetry. The biggest feature of his poetic language can be said to be "hibiscus emerges from clear water, and natural carvings are removed." The concrete expression is that the language is straightforward and natural, the syllables are harmonious and smooth, natural, without fake ornamentation, exuding the atmosphere of folk songs. This is mainly due to the study of Yuefu folk songs from the Han, Wei and Six Dynasties. But he did not just study and imitate the language of folk songs, but improved on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only clear and natural, but also famous for their vigorous and unrestrained language. Du Fu's poem "Recalling Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the distinctive features of his language style. Li Bai's poems have a profound impact on future generations. Famous poets such as Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi, and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, and Qu Dajun, Huang Jingren, and Gong Zizhen in the Qing Dynasty all drew nourishment from Li Bai's poetry and were influenced by it to varying degrees. Li Bai also wrote several lyrics. "Zunqianji" contains 12 poems, and "Hua'an's Wonderful Poems" contains 7 poems. Among them, three songs, "Qingping Diao" and "Clouds Think of Clothes, Flowers Think of Face", are actually seven-character quatrains and were sung with music at the time. Other long and short sentences attributed to Li Bai are not very credible. Among them, "Bodhisattva Barbarian", "Ping Lin Momo is like weaving smoke" and "Recalling Qin E", "Xiao Sheng Yan" are the most famous. However, whether these two poems are Li Bai's works has caused doubts in later generations. There are more than 60 of Li Bai's proses in existence. There are many couplets, but it does not break away from the parallel prose trend that was popular at that time. But the language is more natural and smooth, and there are similarities with his poetic style. Among them, two texts, "Book with Han Jingzhou" and "Spring Night Banquet from Di Peach Blossom (first authored by "Li") Garden Preface, were selected for future generations and are widely circulated.
Du Fu (AD 712--770), whose courtesy name was Zimei, was called Shaoling Yelao. He was also called Du Gongbu because he served as the inspector of the Ministry of Works. A native of Gongxian County, Henan Province, lived in the transition period from prosperity to decline of the Tang Dynasty. His life was rough and he was ultimately unsuccessful. In the fifth year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (746), Du Fu came to Chang'an. The next year, he took part in the examination ordered by Emperor Xuanzong of the Tang Dynasty. Due to the obstruction of the treacherous minister Li Linfu, none of the candidates were admitted. From then on, he had no way to make progress and lived in poverty. It was not until the 14th year of Tianbao (755) that he was given the position of "Youwei leads the governor to join the army" and was responsible for guarding the armor warehouse. In the same year, the Anshi Rebellion broke out. At this time, Du Fu was visiting his family in Fengxian (now Pucheng, Shaanxi Province). The next year, he settled his family in Qiang Village of Yanzhou (now in Fuxian County, Shaanxi Province) and went to Suzong alone who came to the throne in Lingwu (now in Gansu Province). He was captured by the rebels on the way and taken to Chang'an after the fall. During this period, he witnessed with his own eyes the atrocities of the rebels' killing and looting and the suffering of the people. It was not until April of the second year of Zhide (757) that he took the risk and fled to Fengxiang (today's Fengxiang County, Shaanxi Province), Suzong's temporary residence, and was appointed an official Zuo Shiyi. Soon after he rescued Fang Guan, he was demoted to Huazhou Sigong and joined the army. Since then, he was very disappointed with the real politics, abandoned his official position, and traveled westward with his family. After many twists and turns, he finally arrived in Chengdu. With the help of Yan Wu and others, he built a thatched cottage on the bank of Huanhua River in the west of the city, known as the "Du Fu Thatched Cottage" in the world. Later, he was recommended by Yan Wu as Jiedu staff member and Wailang, a member of the Ministry of Inspection and Engineering. After Yan Wu's death, he left Chengdu and his family lived in Kuizhou (now Fengjie County, Sichuan). Two years later, he left Kuizhou and traveled around Jiangling and Hengyang. In the fifth year of Emperor Taizong of the Tang Dynasty (770), the poet died of illness in a small boat in the Xiangjiang River.
Du Fu wrote more than a thousand poems in his life, among which the famous ones include "Three Officials", "Three Farewells", "The Troops and Chariots", "Song of Thatched Cottage Broken by the Autumn Wind", "Beautiful People's Journey", "Spring Hope", etc. . Du Fu's poems fully expressed his deep sympathy for the people and exposed the sharp opposition between the exploiters and the exploited in feudal society: "The wine and meat in the rich families smell stinky, and there are frozen bones on the road!" This immortal poem has been passed down from generation to generation. remembered by the Chinese people. "Dare to love to death in times of crisis, lonely and heartbroken!" This is a full demonstration of Du Fu's incomparable love for the motherland, which makes his poems highly popular. Du Fu's patriotic enthusiasm is also fully reflected in famous works such as "Looking at Spring" and "Hearing that the Government's Army Takes Henan and Hebei". In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the people who endured all sufferings, and showed his innocent heart of patriotism and love for the people in front of readers. Out of love for the motherland and the people, he must have a strong hatred for the luxurious and dissolute appearance of the ruling class and the crimes that harm the country and the people. This point has been vividly expressed in the immortal masterpieces "The Journey of Military Chariots" and "The Journey of Beauties". A great patriot's concern for his country and his people must be reflected in other aspects. Some of Du Fu's poems about objects and scenes, and even his lyrical poems about couples, brothers, and friends, are all filled with deep feelings for the motherland and the people. In short, Du Fu's poems are an artistic record of the Tang Empire's transition from prosperity to decline. With his positive spirit of joining the world, Du Fu bravely, faithfully and profoundly reflected the extremely broad social reality. No matter what kind of dangerous situation he was in, he never lost confidence. In the long history of literature in my country, the cognitive role of Du Fu's poetry has been The reference, educational and aesthetic functions are all difficult to achieve.
The greatest artistic feature of Du's poetry is that the poet often hides his subjective feelings in objective descriptions, allowing the things themselves to impress the readers. For example, in "Beauty's Journey", the poet did not directly reprimand the Yang brothers and sisters for their dissoluteness. However, the author's love-hate attitude has been fully revealed from the specific description of their clothing, diet, etc.
The language of Du's poems is plain, simple, popular and realistic, but it shows great skill. He also often uses monologues and sayings to highlight the personality of the characters.
When Du Shi depicts characters, he is particularly good at grasping the details of description. For example, a passage about his wife and children in "The Northern Expedition" is a very prominent example.
Du Fu's poetic style is changeable, but overall, it can be summarized as melancholy and frustrated. The melancholy here refers to the deep and profound meaning of the article, while the frustration refers to the ups and downs of emotions, the ups and downs of tone and syllables
Li Qingzhao (1084 ~ about 1155) was a Chinese poet in the Song Dynasty. Called himself Jushi Yi. A native of Zhangqiu, Jinan (now Shandong). His father, Li Gefei, was a well-known scholar in Qi and Lu at that time. His mother, Wang, was good at writing and writing. Her husband, Zhao Mingcheng, was the son of Zhao Tingzhi, the Minister of Civil Affairs, and a scholar of epigraphy and stone research. Li Qingzhao lived a prosperous life in his early years, was good at writing and writing, and was proficient in music. After marriage, he and Zhao Mingcheng devoted themselves to sorting out calligraphy, painting and epigraphy and compiled "Inscriptions on Epigraphy". When the Jin soldiers invaded the Central Plains, Qingzhao and his family fled south. After Mingcheng died of illness, most of his books and cultural relics were lost during the war, and he was left alone, wandering around, in extremely miserable circumstances. It is said that Qingzhao once remarried, which is controversial among later generations of scholars. There is a lack of information about her life in her later years. It is only known that she wrote the "Dama Illustration Sutra" and her own preface, and that she also visited Mi Youren with Mi Fu's ink to ask for an inscription and postscript.
Qingzhao's writing style and artistic characteristics:
Li Qingzhao is good at poetry, writing, and even better at lyrics. His creations show different characteristics in the early and later periods based on the changes in life in the Northern Song Dynasty and Southern Song Dynasty.
Li Qingzhao's early poems truly reflected her life in the boudoir, her thoughts and feelings, and expressed the natural scenery and sadness of separation. For example, the two poems "Like Meng Ling" are lively, fresh, and meaningful.
The style of the poems written after Nandu is also very different from that of the early period. It changes from bright and bright to desolate and sad, expressing the feeling of nostalgia for the past and mourning for homesickness. emotion. Such as "Bodhisattva Man", "Die Lian Hua" and slow poems "Yong Yu Le", etc., which place strong thoughts on the motherland. In her words, she fully expressed her deep sadness in her lonely life. For example, [Wulingchun], [Slow Voice], [Qing Ping Le], etc., integrate the pain of national subjugation with the lonely and miserable life of an individual. The sadness and melancholy are exaggerated to the extreme. It can be said that this is the combination of the suffering of the times and the unfortunate fate of the individual. Art summary.
Representative works: "Summer Quatrains": "Slow Voice": "The Drunken Flower Yin Fisherman proudly cuts the plum blossoms
Su Shi (1037-1101): Northern Song Dynasty writer, calligrapher and painter . His courtesy name was Zizhan, his nickname was Dongpo Jushi, and he was a native of Meishan, Meizhou (now part of Sichuan). Su Xunzi. Jiayou Jinshi. Shi was a generalist and a pioneer in poetry, poetry, literature, calligraphy and painting. His prose and Ouyang Xiu were also called Ou Su; his poetry and Huang Tingjian were called Su Huang; his poetry and Xin Qiji were called Su Xin; he is one of the four great calligraphers "Su, Huang, Mi and Cai"; his paintings created the Huzhou School of Painting.
Su Shi used to be a member of the ancestral hall, Wai Lang, during the reign of Shenzong. Because he opposed Wang Anshi's new law, he sought a foreign position and served as the general magistrate of Hangzhou, with knowledge of Mizhou, Xuzhou and Huzhou. Later, he was demoted to Huangzhou for writing poems that "slandered the imperial court". Zhezong was a bachelor of the Hanlin Academy at that time. He had traveled to Hangzhou, Yingzhou, etc., and was appointed Minister of the Ministry of Rites. Later he was demoted to Huizhou and Danzhou. He died of illness in Changzhou the second year after returning to the north. In the Southern Song Dynasty, he was posthumously named Wenzhong. Together with his father and younger brother, they are collectively known as "Sansu". Politically, it belongs to the old party, but it also has demands for reforming bad governance.
His writing is unbridled, clear and fluent, and he is one of the "Eight Great Masters of Tang and Song Dynasties". His poems are fresh and bold, good at using exaggerated metaphors, and have a unique style in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of their luxury and arrogance. Ci Kai is bold and unrestrained, which has a great influence on future generations. "Nian Nujiao·Chibi Nostalgia" and "Shui Diao Ge Tou·Bingchen Mid-Autumn Festival" are widely recited. He is good at running script and regular script, adopting the styles of Li Yong, Xu Hao, Yan Zhenqing and Yang Ning, and is able to create his own ideas. The writing style is plump and ups and downs, giving it an innocent and lively feel. Together with Cai Xiang, Huang Tingjian and Mi Fu, they are known as the "Four Families of the Song Dynasty". He is good at painting bamboo and is a scholar of literature. He also likes to paint dead wood and strange rocks. When discussing painting, he advocated "spiritual resemblance" and believed that "when discussing painting, we should see it as close to children"; he spoke highly of the artistic attainments of "paintings within poems, poetry within paintings". Poems include "Seven Collections of Dongpo" and so on. Existing handwritings include "Essays and Posts in Appreciation to Civil Teachers", "Ji Dao Wen in Honor of Huang", "Qian Chibi Fu", "Poems and Posts on Cold Food in Huangzhou", etc. His paintings include "Withered Trees and Strange Rocks", "Bamboos and Stones", etc.
Lu You (1125-1210), with the courtesy name Wuguan and the nickname Fangweng, was a native of Shanyin, Yuezhou (now Shaoxing City, Zhejiang Province). Patriotic poet of the Southern Song Dynasty. Father Lu Zai is an intellectual with patriotic ideas. Family education enabled Lu You to establish the thought of caring about the country and the people and the ambition to kill the enemy and serve the country from an early age. He was eager to learn since he was a child, and "he was capable of poetry and prose at the age of twelve." He also learned swordsmanship and studied military science. Around the age of twenty-five, he learned poetry from Zeng Ji, a poet with patriotic ideas, and benefited a lot from it. From then on, he determined the patriotic tone of his poetry creation.
In the twenty-third year of Shaoxing (1153), he went to Lin'an to take the Jinshi examination. Because of his "happy discussion restoration", he was hated by Qin Hui and was expelled during the re-examination. It was not until three years after Qin Hui's death (1158) that he became the chief registrar of Ningde County, Fuzhou. At the beginning of Song Xiaozong's accession to the throne, he was summoned and given a Jinshi background. He successively served as general magistrate of Zhenjiang and Kuizhou, and served in the shogunate of Wang Yan and Fan Cheng. He promoted tea and salt affairs in Changping, Fujian and Jiangnan West Road, and had the authority to know Yanzhou. During the reign of Emperor Guangzong, in addition to the court officials, there was also a doctor in the Ministry of Rites. He was later impeached and resigned and returned to his hometown in Shanyin. He "lived among the old farmers", delivering medicines and medicines to the farmers, and developed a strong friendship with them. In the second year of Jiading (1210), the eighty-five-year-old poet passed away with the regret of "not wanting to see the Central Plains before he died". He was born in an era when national conflicts were acute and the country was in danger. With the heroic spirit of "an iron horse fighting against enemies" and "eating barbarians with anger" and the sacrificial spirit of "serving the country with one's life and risking one's death", he was determined to "sweep away the dust" and "Jingguo was in trouble", but in the political struggle, he was repeatedly squeezed and attacked by the capitulation faction of the court. However, he always persisted in his ideals.
He created a large number of works throughout his life. There are nearly 10,000 poems in existence today, with a wide range of themes and rich contents. There are also 130 poems and a lot of prose. Among them, poetry's achievements are the most significant. In the early period, most of the poems were patriotic poems, with a majestic, heroic and unrestrained style. In the later period, most of the poems were pastoral poems with a clear, plain and natural style. The most distinctive feature of his poetry is that it is permeated with a strong spirit of patriotism. Most of his poems are elegant and graceful works, but there are also many impassioned works, full of tragic and patriotic passion. Mao Jin's "Postscript of Fang Weng's Ci" said: "Yang Yongxiu (Shen) said: 'The delicate part of Fang Weng's Ci is like Huaihai (Qinguan), and the majestic part is like Dongpo.' It is said that the super cool part is more like Jiaxuan'er." "His prose achievements are also very high, and he was praised by his predecessors as a master craftsman of the Southern Song Dynasty. Most of the political commentaries, historical records, travel notes, prefaces, and postscripts he wrote were in polished language and neatly structured.
Lu You is a glorious representative of the patriotic poetry school. With a strong spirit of patriotism and outstanding artistic achievements, his works have gained an important position in the history of Chinese literature. He inherited and developed the fine traditions of realism and romanticism in classical poetry, and had a profound impact on the literary world at that time and in subsequent generations.
There are "Weinan Collected Works", "Jiannan Poetry Manuscript", "Southern Tang Book", "Laoxue'an Notes" and so on. This article selects eleven of his poems: "Visiting Shanxi Village", "Encountering Light Rain on the Jianmen Road", "Sickness arose from the book", "Guanshan Moon", "Night in the Water Village", "Book Anger", "Lin'an Spring Rain" "Chu Ji", "Feelings of Coming Out of the Fence Gate to Welcome the Coolness at Dawn on an Autumn Night (Part 2)", "Wind and Rain on November 4th", "Two Poems of Shen Yuan", "Showing Children"; five of his poems: " "Bu Shuanzi" (beside the broken bridge outside the post office), "Wandering in the Palace at Night" (the chaos of Qingjia broke out at dawn), "Complaining of Heartfelt Feelings" (in those days, I searched thousands of miles for a feudal prince), "Magpie Bridge Immortal" (people on the thatched eaves are quiet), "The Hairpin Head" Phoenix" (Hongsu hands); one of his articles: "A Journey to Xiaogushan".