Appreciation of Bai Juyi's love poem Langtaosha

Langtaosha

Tang Bai Juyi

Excuse me, Chao Jiang and the sea, what seems to be your feelings and your heart?

Hate is not as good a

Appreciation of Bai Juyi's love poem Langtaosha

Langtaosha

Tang Bai Juyi

Excuse me, Chao Jiang and the sea, what seems to be your feelings and your heart?

Hate is not as good as believing, and acacia began to feel that the sea was not deep.

Make an appreciative comment

"Hate is not as good as having faith in the tide, and acacia begins to feel that the sea is not deep." The last sentence compares the feelings of the monarch with the belief in the tide, highlighting that the monarch is not as good as having faith in the tide. The tide rises and falls, but the tide rises and falls, after all, it has its time; And you left, no news, how many full moons you missed, how many ebbs and flows you passed, but you haven't come back yet, so you are not as good as the tide. Your fickleness is annoying. There was as much love as there was hate. "People value interests over parting" has always been the case, but I don't know that there are interests and wealth in your eyes and all over the world. You are the only one in my eyes.

"Acacia begins to feel that the sea is not deep", ending with acacia, just seven words, which is deeply intriguing. My love is deeper than the sea, but your trust is not as good as the tide. In contrast, "your love" and "my heart" form a more vivid contrast. It can be described as ingenious and unexpected. The word "awakening" shows that you are extremely vicious, and it is only after a long period of suffering, pain, sadness and moving that you can achieve it.

In addition, the transformation between "mutual hatred" and "lovesickness" depicts the subtle changes in the hearts of homesick women. I hate you like a tide, and I have no determination to cut off my family, so I turned hate into love, and love and hate are intertwined and inseparable. It embodies the firmness of women and truly reflects the tragic fate of women who had the same experience in Qian Qian at that time, which is of typical significance.

Extended reading: Bai Juyi's literary achievements

Bai Juyi was a great poet with great influence in the middle Tang Dynasty. His poetic thoughts and creations, which emphasize popularity and realism, occupy an important position in the history of China's poetry. In Jiu Shu Tong Yuan, he clearly said: "Servants aim to help the two, and they are independent. Always serve the Tao, and invent poetry. Calling it a satirical poem is also aimed at helping others; It's not bad to call it leisure poetry. " It can be seen that among Bai Juyi's four poems, satirical, leisurely, sentimental and miscellaneous, the first two reflect his practice of "serving others and always being good", so they are valued by us. At the same time, he put forward his own literary proposition: "Articles should be written in time, and songs and poems should be written well." His poetic thoughts are mainly based on early satirical poems.

As early as the early Yuan Dynasty, Bai Juyi showed a tendency to emphasize realism, popularity and allegory: "If there is no textual research on today's praise and demotion, there is a lack of punishment and persuasion;" If the poem "The Beauty Sting" does not test politics, then the significance of the make-up test will be abolished. ..... The satirist who admonishes Ci Fu, though wild, will be rewarded. "The role of poetry is to punish evil and persuade good, and make up for current politics. The means of poetry is praise and criticism, and it is admonition and irony. Therefore, he advocated: "establish an official who collects poems, open a satirical way, examine their gains and losses, and understand their feelings." (Poetry Sixty-nine) He opposes the simple pursuit of "high palace rhythm" and "strange writing" without content, and even more opposes the gorgeous poetic style of "mocking the wind and making flowers" since Qi and Liang Dynasties. In the preface to new Yuefu, he clearly pointed out that the standard of writing poetry is: "the quality and path of his words are easy to distinguish for those who want to see;" "His words are straightforward and he admonishes those who want to listen; Its business is nuclear and true, so people who use it can send messages; Its body is very smooth and can be played in music songs. " Here, "quality and diameter", "straightness and tangent", "core and reality" and "smoothness and smoothness" respectively emphasize that the language should be simple and popular, the discussion should be straightforward and exposed, the writing should be absolutely false and pure, the form should be smooth and fluent, and it has the color of ballads. In other words, poetry must be authentic, easy to understand and easy to sing in order to be considered the ultimate.

Bai Juyi's above requirements for poetry have only one purpose, that is, to make up for current politics. So he went on to say: "In short, for the monarch, for the minister, for the people, for things, for things, not for writing." (Preface to New Yuefu) In Nine Books of the Same Origin, he reviewed his early creation and said, "Since I came to Korea, I have grown older and read more. Every time he talks to others, he asks more current events; Every time you read history, you should seek truth and Tao, and you will know that articles are written in time and songs and poems are written in things. " The first thing to do for time is to show it to the king. He also said: "I don't know when to avoid it" (the second of two painful poems about Tang Qu), and created a large number of satirical poems reflecting the sufferings of people's livelihood, but the general direction is "only songs make people sick, hope the emperor can know" (sent to Tang Sheng). Because only when the people's feelings are heard in heaven, the emperor opens the door and reaches the people's feelings, will politics tend to be calm.

Pipa Xing and Song of Eternal Sorrow are Bai Juyi's most successful works, and the outstanding feature of their artistic expression is the strengthening of lyric factors. Compared with the previous narrative poems, although these two works also use narrative and description to express events, they can no longer simplify the events, and only use one central event and two or three main characters to structure the whole article, such as the dramatic Ma Wei incident that the author is about to take over, but in the most lyrical psychological description of the characters and the rendering of the environmental atmosphere, they pour ink like rain in order to enjoy themselves, even though Pipa is such a story. In addition, the lyricism of these two works is also manifested in creating an appropriate atmosphere and setting off the artistic conception of poetry with selected images. For example, in Song of Eternal Sorrow, "He gazed at the desolate moon from the temporary palace, and he heard the bell in the late rain, cutting it on his chest"; "Maple leaves and mature rushes rustle in autumn" and "When the river mysteriously expands to the full moon" in the pipa; Or combine the bleak moonlight, the patter of rain at night and the heartbreaking bell into a charming scene; Or use rustling maple leaves, flowers and boundless rivers and the moon to form a sad and lonely picture, revealing sadness, sadness and depression.

Extended reading: Bai Juyi's poetic theory

Bai Juyi's thought integrates Confucianism, Buddhism and Taoism, mainly Confucianism. Mencius said that "being rich will help the world, and being poor will be immune to it" is the creed he followed all his life. His ambition of "helping the world and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of treating filial piety and the method of applying Korea; His mind of "being alone" absorbed the concepts of contentment, uniformity and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation". The two are roughly bounded by Bai's demotion of Jiangzhou Sima. Bai Juyi not only left nearly 3,000 poems, but also put forward a whole set of poetic theories. He compared poetry to a fruit tree and put forward the viewpoint of "root feeling, Miao character, Watson and true meaning" (nine books are the same). He believes that "emotion" is the fundamental condition for writing poetry, and "those who move people should not care about emotion first" (nine books at the end of Yuan Dynasty). The emergence of emotion is helpful and tied up with current politics. Therefore, poetry creation cannot be divorced from reality, but must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs and attached importance to the realistic content and social function of poetry. Emphasize the role of poetry in exposing and criticizing political abuses. He put forward a series of principles in the method of poetry expression. In Nine Books with the Same Origin, he put forward the realistic writing principle of "writing articles in time and writing poems for things".

His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has an important influence on the poetic style that has gradually emphasized form since Dali (766 ~ 779). However, overemphasizing the subordination of poetry creation to the needs of real politics will inevitably constrain the artistic creation of poetry and the diversification of poetry styles.