Two quatrains is a set of poems written by Du Fu, a poet in the Tang Dynasty. This is a set of poems about objects. The first poem wrote a group of thriving spring scenes in natural and fluent language, with fresh style and bright artistic conception, expressing the poet's happy mood of loving nature.
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Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Vernacular translation
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The mountains and rivers are bathed in spring, so beautiful, and the spring breeze brings the fragrance of flowers and plants.
Swallows are busy building nests with wet mud in their mouths, and couples of mandarin ducks are sleeping on the warm beach.
Extended data:
Two quatrains is a set of poems written by Du Fu, a poet in the Tang Dynasty. This is a set of poems about objects. The first poem wrote a group of thriving spring scenes in natural and fluent language, with fresh style and bright artistic conception, expressing the poet's happy mood of loving nature. The second song, on the beautiful scenery in spring, is painted with a layer of sadness and sadness. Spring scenery and homesickness complement each other, adding to the charm of this poem.
These two poems vividly and naturally depict the beautiful scenery of spring full of vitality, and reflect Du Fu's leisurely feelings arising from his temporary quiet life in the thatched cottage after wandering hardships.
Tao Yukai, a poetry theorist in the Qing Dynasty, pointed out in his book On Du Fu that there are many works in Du Fu's anthology that "take poetry as painting". This set of five-character quatrains is a very poetic masterpiece.
At the beginning of the first poem, I started from a big place and described the beautiful spring scenery around Huanhuaxi under the bright sunshine in early spring. This pen is simple and colorful. "Late day" means spring day, which means "spring night" in The Book of Songs, Wind and July. Here is used to highlight the sunshine in early spring, so as to control the whole. At the same time, the word "Li" is used to dye "Jiangshan", which shows the beautiful scenery of beautiful spring and green streams reflecting the sun. Although this is a sketch, the bottom of the pen is a spring swing.
In the second sentence, the poet further demonstrated the beautiful spring scenery with warm spring breeze, blooming flowers, lush grass and rich fragrance. Because the poet organically organizes the spring breeze, flowers and their fragrance, through association, we can have the feeling of facing the wind, blooming flowers and being sent flowers by the wind, and receive the artistic effect as if we were on the scene. On the basis of bright and broad pictures, three or four sentences turn to a concrete and vivid description of the early spring scenery.
In the third sentence, the poet chooses the most common and distinctive dynamic scenery in early spring to sketch. In spring, the flowers bloom, the soil melts, the soil is wet, and the swallows that come from autumn to spring are busy flying around and building nests with the soil. This vivid description makes the picture more vibrant, full of the breath of spring, and has a dynamic beauty. Du Fu's observation of swallows is very detailed, and "mud melting" is closely related to the first sentence, because spring returns to the earth and the sun shines brightly, which is "mud melting"; The new Yanzi made a nest out of the mud in his mouth and kept flying, showing a feeling of spring.
The fourth sentence is to outline the static scenery. Spring melts, the sun is shining and the beach is warm. Yuanyang should also enjoy the warmth of this spring and sleep on the sandbar by the stream. This is also closely related to the first sentence, because "the sun came late" warmed the beach, and the warmth of the beach attracted couples of mandarin ducks to come out of the water and bathe in the bright sunshine, which was so leisurely.
From the description of the scenery, it is in contrast to the dynamic flying swallow in the third sentence, which is dynamic and static, and sets each other off. These two sentences depict the flying swallow with mud and the sleeping mandarin duck with meticulous brushwork, and cooperate with one or two sentences to outline the broad and bright scenery, which makes the whole picture harmonious and unified, forming a colorful, prosperous and aesthetic early spring scenery map.
As far as the thoughts and feelings contained in the poem are concerned, it reflects the poet's pleasant mood of temporarily settling down in the thatched cottage after "four battles at one year old" and "three years of famine mountain", and also shows the poet's joy at the vitality and prosperity of nature in early spring.
This five-character quatrain is bright and beautiful in artistic conception and fresh in style. The whole poem is neat, but natural and smooth, without carving; Describing the beautiful scenery without trace is a unique chapter in Du Fu's collection.
"The birds in the river are white, and the mountains are blue and white." This is a landscape painting embedded in a frame, depicting the beauty of late spring. The paper is full of ink, and the painting is colorful and fascinating. The rippling river shows the beautiful scenery of white water birds skimming the river. All over the mountains and plains are green, blooming everywhere and extremely red. It is like a burning flame, very charming and brilliant.
White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "Guo" makes the waterfowl whiter and whiter with the blue sediment of the river, and writes deeply and picturesque; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye.
However, the poet's will is not here, and then, the pen road turns sharply and laments.
"I saw it again this spring. When is the year of return? " The word "read through" in the sentence refers directly to the season of writing poetry.
The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering. The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings.
This is a lyric poem written by Du Fu when he was living in Sichuan. The poet painted a beautiful spring scene for us, but also expressed his heavy homesickness.
The first two sentences describe scenery, and the first sentence describes rivers and waterfowl. The river is green, which sets off Wu's white feathers, and the word "Guo" sets off its color. The second clause is about mountains and flowers, with the word "desire". Anthropomorphic to highlight its posture, the river, bird, mountain and flower are painted with a layer of green, green, white and crimson oil paint. The scenery is fresh, refreshing and dynamic.
The last two sentences are lyrical, and the third clause says that spring scenery is good, which has flown in a hurry and touched the scene. And it took a lot of effort to tick off the fourth sentence, "When is the year of return?" The people who have not returned in spring are deeply sad and sorrowful, and a surge comes from the depths of their souls. What I have said is endless and memorable.
The artistic achievement of this poem is, first of all, the blending of scenes. Among them, the first and second sentences describe the scenery, the third and fourth sentences are lyrical, and the scenery is full of emotion and profound feelings. The second is to send homesickness by narrative. In the warm colors of spring, the poet's homesickness was revealed when he could have been delighted by things. The writing is profound and unique.
Du fu (7 12 ~ 770), with beautiful words, tried to call himself "Shaoling night old". Take Jinshi as an example. He used to be a foreign minister in the school department, so he was called Du Gongbu internationally. He is the greatest realistic poet in the Tang Dynasty, and is known as the "poet saint" after the Song Dynasty, and is also called "Du Li" with Li Bai. His poems boldly exposed the social contradictions at that time and expressed deep sympathy for the poor people.
Many excellent works show the historical process of the Tang Dynasty from prosperity to decline, which is called "the history of poetry". In art, he is good at using various forms of poetry, especially rhythmic poetry; Various styles, mainly depression; Refined language with high expressive force. There are more than 1400 poems, including Du Gongbu Collection.
References:
Baidu Encyclopedia-"Two quatrains"