Meiling blossoms, but Tianshan snow does not bloom. Snow is full of flowers, and lace is like snow. Because the wind enters the dance sleeves, the powder is mixed with the dressing table. The Huns came to Wan Li several times, all in spring. It is as open as snow. Thanks are like snow. Wonderful in flowers. The fragrance is not in the core, not in the calyx, but in the bone. Ride the wind in the stream and stay in the stream for the month. Shame, peach is like blood. Straight and forgive, sparse and faint, there must be general feelings.
Meihualuo
In Shandong and Meiling, the flowers are blooming, but the snow in Tianshan is not. Snow is full of flowers, and lace is like snow. Because the wind enters the dance sleeves, the powder is mixed with the dressing table. The Huns came to Wan Li several times, all in spring. Lu's poems make a fuss about the similarity of the shapes and colors of plum blossoms and snowflakes. With this simple metaphor, the strangeness of two white worlds is formed, which is novel and strange to read and depicts a beautiful and wonderful picture.
Yan jiao bo she Guan mei
Facing Bu Zhi, it opens like snow. Thanks are like snow. Wonderful in flowers. The fragrance is not in the core, not in the calyx, but in the bone. Ride the wind in the stream and stay in the stream for the month. Shame, peach is like blood. Straight and forgive, sparse and faint, there must be general feelings.
When flowers bloom, they are like snow, and when they wither, they are still like snow. It is really unique among flowers. The fragrance emitted is not in the stamens or calyx, but floating out of the bones, and the fragrance is thorough. By describing the color, fragrance and shape of plum blossom, the author praises the fragrance and uniqueness in plum blossom bones.
Mandy's background and significance
"Man" is a common theme poem in China's ancient literature. It combines plum blossom with snow, and expresses the persistence and beautiful pursuit of life by depicting the pride and perseverance of plum blossom in the snow.
Plum blossom is a treasure in winter, while snow is a symbol of cold season. The two set each other off and become interesting, conveying the spiritual connotation of striving for progress and not being afraid of cold. These Mandy's works, with their unique artistic conception and emotional expression, have become classics in ancient China literature.
Mandy's artistic characteristics
Mandy is highly praised for her unique artistic features. First of all, Mandy pursues elegance and indifference in artistic conception, and shows a pure and noble aesthetic feeling through the delicate description of plum blossoms and snow.
Secondly, Mandy often uses contrast techniques to reflect the pride of plums and the whiteness of snow, highlighting the tough quality of plums in cold weather. In addition, Mandy often expresses the author's resistance to adversity and persistence in life with sadness and loneliness as the keynote.
The famous Mandy.
There are many famous mandies in China ancient literature, including some classic works. For example, Du Fu, a writer in the Tang Dynasty, wrote in his "My Brother on a Moonlit Night": Wanderers listen to drums to indicate fighting, and geese sing in autumn. The dew turns to frost tonight, and the moonlight at home is bright! Brothers are scattered, and no one can ask about life and death. Letters sent to Luoyang city are often not delivered, and wars often do not stop. Xue Mei's poems refer to poems with plum blossom and snow as their themes or images.